SKU: BR.PBL-3651-07
ISBN 9790004921425. 9 x 12 inches.
SKU: TM.01442SET
Key of e.
SKU: TM.11212SET
Transposed: cl 1+2, tpt 1-3. Optional: tpt III,some percussion (can be performed with 2 players), 1 harp, piano. Solos in related parts.
SKU: TM.09179SC
No score.
SKU: TM.06661SET
Ed. by Bonelli; Solo (no pf) in set; Solo/pf sold separately.
SKU: TM.08846SC
SKU: BP.2142S
SKU: KN.9299
UPC: 822795092998.
Following a basic ABA scheme, this Mozart masterwork features all the Classical elements you'd expect -- a clear melodic line, strong countrapuntal parts, sonorous harmonies, dynamic contrasts, and a logical conclusion. Playing with rhythmic precision and good blend will help student groups achieve superior performance results at concert or contest time. Duration 5:35. Available in SmartMusic.
SKU: AP.49429S
ISBN 9781470650988. UPC: 038081571898. English.
Featured on Mark Wood's album Turbow, LuminoCity is an emotional ride from the calm and mysterious opening to the searing and electrifying ending. Combined with the included accompaniment track, this will get your string orchestra fully charged! (4:35).
SKU: TM.08642SET
P/C in set.
SKU: BP.2142B
Full score and parts for piccolo; flute 1 and 2; oboe 1 and 2; clarinet in B-flat 1 and 2; bassoon 1 and 2; horn in F 1, 2, 3 and 4; trumpet in C 1 and 2; trumpet in C 3 and 4 (optional); trombone 1, 2 and 3; tuba; timpani; bass drum; suspended cymbal; crash cymbal; harp; optional organ; violin 1 and 2; viola; cello; double bass.
SKU: TM.01661SC
SKU: TM.09199SC
SKU: TM.09200SC
SKU: HL.49015696
ISBN 9784890664535. UPC: 884088138394. 10.0x14.25x0.156 inches.
SKU: HL.14014101
ISBN 9788759854440.
This is the full score edition of Johann Halvorsen's Norske Eventyrbilleder for Orchestra.
SKU: BR.PB-5207
ISBN 9790004209394. 10 x 12.5 inches.
Franz Schubert wrote the two movements of the Unfinished Symphony in October 1822. The torso has since been posing riddles to posterity, which first learned of the existence of this masterpiece in 1865 through the simultaneous first edition and world-premiere performance. There seems to have been no external reason for its creation. Did Schubert really consider the piece only as an experiment that did not warrant any continuation? It should be noted, however, that Schubert sketched the Scherzo up to the beginning of the Trio, and even fully orchestrated nine measures of this movement.
SKU: TM.05804SET
Chorus does not contain piano reduction. 7 movements: Sonata, Soli und Chorus (Soprano, Tenor, Bass), Arie (Soprano), Recitative (Tenor), Chorus (STB), Duet (Soprano and Tenor), Tenor (Solo and chorus).
SKU: TM.05804SC
SKU: BR.PB-5247-07
This edition is extremely thorough and explanatory notes are clear making this a good place to start a study of the work. (Sheet Music)
ISBN 9790004209622. 6.5 x 9 inches.
SKU: BR.PB-5342-07
Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses i. Symphony; Classical. Study Score. 88 pages. Duration 35'. Breitkopf and Haertel #PB 5342-07. Published by Breitkopf and Haertel (BR.PB-5342-07).
ISBN 9790004210970. 6.5 x 9 inches.
For the present Urtext edition of Beethoven's Symphony No. 2, the editor also consulted certain sources and authentic new variants for the first time; among them are the nonet arrangement made by Beethoven's pupil Ferdinand Ries in 1807, thus with authentic variants. Thanks to his vast knowledge, the editor has uncovered a number of errors and contradictions in the sources. The basic differences with respect to other editions chiefly concern the articulation and dynamics in movements 1, 2 and 4. They can easily be found in the Critical Commentary of the conducting score.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006).
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