SKU: LO.30-2871L
UPC: 000308132496.
Based upon the popular seventeenth-century carol Pat-a-Pan, this exciting arrangement by Mary McDonald tells the story of the shepherds who, awakened by an angel in brilliant starlight, run to Bethlehem to see the Child who is born the Lamb for all mankind. Easy to prepare and sing, it has several equally effective accompaniment options. (From the cantata Celebrate His Name! Proclaim His Birth!, SATB--65/2032L; SAB--65/2033L) Instrumentation: 2 Fl/Piccolo, 2 Cl, Hn, 2 Tpt, Tbn, Tuba, 2 Perc, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction.
SKU: KN.8664
UPC: 822795086645.
With strong accents, vibrant tremolos, a suspenseful trill, and pizzicatos in just the right places, this pulsating portrait of bulls running freely through the streets of Pamplona, Spain is destined to be a big winner with players and audiences. Duration 2:10. Available in SmartMusic.
SKU: AP.49058
ISBN 9781470645748. UPC: 038081564227. English.
Broken Runes is a bold piece for late beginners in B minor by Doug Spata. Successive down bows at the frog create a ferocious percussive ostinato, and the challenging staccato eighth notes of the main theme add to the primitive style. The piece is rhythmically simple, tonally accessible, and features all sections of the orchestra. Students will love showing off this piece at your next concert! (1:50).
SKU: AP.49058S
ISBN 9781470645755. UPC: 038081564234. English.
SKU: HL.49041890
ISBN 9783795781224. German.
Ludwig van Beethoven stellte seine 8. Sinfonie am 27. Februar der Offentlichkeit vor; zuvor erklangen anlasslich dieser Akademie das Schwesterwerk, die Sinfonie Nr. 7 A-Dur, sowie die Schlachtensinfonie 'Wellingtons Sieg oder die Schlacht bei Vittoria', die Beethoven einen seiner grossten Erfolge als Komponist bescherte. Zwar war die Aufnahme der Achten durch das Publikum nach den vorangegangenen Programmpunkten eher kuhl, und auch heute noch steht die Achte wie auch etwa die Pastorale im Schatten der ungeraden Sinfonien - doch gewinnt sie bei Horern mehr und mehr an Beliebtheit: die vielen unerwartenden Wendungen in diesem Werk liessen die Einschatzugn eines Paradebeispiels fur den Humor in der Musik entstehen.Herbert Schneider legt in seiner Werkeinfuhrung dar, wie die Achte entstand, erstmals aufgefuhrt, gestochen und schliesslich gedruckt, wie sie auf Zeitgenossen und spatere Generationen wirkte, und schildert dies in diesem Buch auf Grund wissenschaftlich begrundeter Fakten auf anschauliche Weise; analytische und die Interpretation betreffende Kommentare schliessen sich an. Anregungen zur weiteren Beschaftigung mit dieser popularen Sinfonie geben Literaturhinweise und eine Diskographie. Anhand der vollstandig wiedergegebenen Partitur kann der Leser den Notentext beim Horen verfolgen und die analytischen Kommentare nachvollziehen.
SKU: RM.RUBIN5068-CO
SKU: HL.49047172
UPC: 196288143406.
When the 24-year-old Richard Strauss, assistant conductor in Munich, began the composition of his third tone poem in the summer of 1888, he saw himself close to the aspiration prescribed by his mentor Alexander Ritter: to become the successor of Richard Wagner as a musical dramatist. Strauss had already been working on the text of his first opera Guntram for a year and additionally devoted himself to programmatic orchestral works oriented to the musical language of Liszt and Wagner in order to prepare himself compositionally for his new task. With the aid of Strauss and other musicians including Ludwig Thuille and Friedrich Rösch who had been gathering for “Ritter's round table†in Munich between 1886 and 1889, RitterÂ’s intention was to achieve success on a broad front with the New German School following the death of its two protagonists Wagner and Liszt. We do not know whether Ritter and his supporters jointly planned Strauss's compositional path towards opera, determined the subjectsof his prospective tone poems and considered various strategies of their musical realization, but the influence of this group shouldnot be underestimated. It cannot be ruled out that the number of three tone poems was fixed, as was their sequence of composition, which would progressively achieve its zenith in an increasing orientation to Liszt and Wagner. The circle could possibly have also discussed initial links to literary subjects (Macbeth and Don Juan) and ultimately the abstention from this practice in the third and final tone poem. The subject of the work, or rather in StraussÂ’s formulation its “poetic modelâ€, has occasionally been interpreted from an autobiographical aspect. Strauss however did not experience serious illness until May 1891 and once more in June 1892, long after Tod und Verklärung had been composed. Even without an external reason, the material would have been only too attractive for an admirer of Wagner and Liszt like Strauss, not to mention for his mentor Alexander Ritter. The concept of 'death and transfiguration' had already played a central role in LisztÂ’s symphonic poems Tasso and Prometheus.
SKU: PE.EP67890
ISBN 9790300747613. 297 x 420mm inches. English.
Libretto by James Fenton
In a make-believe world, based loosely on Bombay and Kashmir, the story of Haroun is a tale of a fight between the free imagination and the powers that oppose it. Haroun's father, Rashid, the Shah of Blah, is a professional and gifted story-teller, a popular figure much in demand at public events. Feeling neglected, his wife is persuaded to leave him and run away with a neighbor. After this, Rashid loses confidence in his powers of story-tellling, haunted by his son's question: 'What's the use of stories that aren't even there?' Rashid is due to speak at a political rally to be held by the sinister politician, Snooty Buttoo. He is told that if he does not come up with his usual fund of tales, his tongue will be cut out. As Rashid despairs, Haroun determines to rescue his father's talent - a project in which he learns that the Ocean of the Sea of Stories, the source of all stories, is being polluted by the enemy of all stories, the evil Khattam Shud. In a series of brilliant imagined adventures, Haroun succeeds in defeating the powers of darkness, and restoring happiness to his family, and to the city where he lives.
Salman Ruishdie's children's book, written in the aftermath of the fatwa, has an effervescent style which is full of rhymes and wordplay. The libretto stays very close to the spirit of the original, conjuring up a fantasy world in which, nonetheless, one never loses sight of harsh political reality and the great issues of freedom of speech and imagination. -- James Fenton, 1998
SKU: AP.49907
ISBN 9781470657925. UPC: 038081575780. English.
Playgrounds are full of children having fun together. No matter their background, the laughter and shrieks of joy are the same as they run and play. Playground Games by Cooper Ford is a playful musical portrait of this experience. In the first section, the children gather for their game as the melody is supported by building rhythmic energy. The second section depicts another game in a round. Finally, it's time to go home, but only after one quick moment to finish! This piece uses only the notes of a D major scale and simple rhythms. Parts are doubled in second violin/viola and cello/bass. (2:00).
SKU: AP.49907S
ISBN 9781470657932. UPC: 038081575797. English.
SKU: AP.40460S
UPC: 038081456324. English.
Your students' imaginations will run wild as they rehearse and perform this charming Spanish-flavored salute to cats. Glissando meows, threatening hisses, and even an enthusiastic visit from a dog set the mood for what is sure to be the highlight of any concert. A great way to introduce shifting basics and high vs. low finger patterns, this selection is also a wonderful way for students to learn about tone painting. Includes a simple part for maracas and claves, as well as piano accompaniment and violin III parts.
SKU: BR.SON-618
Sibelius No. Zero?
ISBN 9790004803202. 10 x 12.5 inches.
Whoever is looking for orchestral works in several movements by Sibelius before the seven officially numbered symphonies will run into Kullervo op. 7, as well as Lemminkainen op. 22. Sibelius follows a cyclical concept in these four tone poems, so that Lemminkainen, owing to its time of origin, can truly be labeled as his Symphony No. Zero. The previously unprinted early versions, presented in the respective volume of the Complete Edition for the first time, can be dated to the year 1895/96. The first revision was made in 1897, after the world premiere. Only after this premiere did Sibelius write his First Symphony before he again revised the Lemminkainen scores some of them much later and had them published.
SKU: HL.14043216
ISBN 9781783056200. English.
Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993.
This piece of sheet music runs continuously, but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination.
Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic, textural -constantly change their identity as they pass through different musical 'environments'.
The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A)begins the second section, featuring Brass, in D flat.
The topography of MGV should be experienced without reference to planning, description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.
SKU: PR.41641530L
UPC: 680160625925.
The Respiration of the Earth is inspired by the breathing motion. The music focuses on the tension of the air of breathing. There are many different types of breathing such as slow breath, long breath, short breath, holding breath, uneven breath, etc. The shape of the music is created by the inhale and exhale motion. The piece starts with a long holding breath, gradually create a tension until one can't hold that breath and release the air out. The Suona is acting as the motion of the air so the orchestra has to follow. This piece ends with the chaotic motion so the audiences can feel the tension as if they are running out of breath. It's a main concern about the environment of the Earth so this piece is a message to people to keep the environment clean so the Earth can breath for a longer time. Respiration of the Earth is commissioned and dedicated to Mr. Shi Haibin with the gracious support from John Simon Guggenheim Foundation.The Respiration of the Earth is inspired by the breathing motion. The music focuses on the tension of the air of breathing. There are many different types of breathing such as slow breath, long breath, short breath, holding breath, uneven breath, etc. The shape of the music is created by the inhale and exhale motion. The piece starts with a long holding breath, gradually create a tension until one can’t hold that breath and release the air out. The Suona is acting as the motion of the air so the orchestra has to follow. This piece ends with the chaotic motion so the audiences can feel the tension as if they are running out of breath. It’s a main concern about the environment of the Earth so this piece is a message to people to keep the environment clean so the Earth can breath for a longer time.Respiration of the Earth is commissioned and dedicated to Mr. Shi Haibin with the gracious support from John SimonGuggenheim Foundation.