SKU: BT.MUSM570208449
English.
For full Orchestra. Published 2004. 3(3rd+picc).3(3rd+ca).3(3rd+bcl).3(3rd+cbn) / 4.3.3.1 / pf.hp.cel.acc.perc(4) / str First performance: Slovenian Radio/TV Orchestra, conducted by Sian Edwards, ISCM/Zagreb Biennale Festival, 21st April 2005 Score.
SKU: LO.30-3260L
UPC: 000308142075.
This superb setting of a German carol opens with a jubilant fanfare. Excitement escalates as the carol appears, modulating up with the second and third verses, and the concluding fanfare provides a thrilling close. From the Celtic-inspired cantata, Stars of Glory (SATB—65/2066L), this piece is great for holiday concerts or Christmas worship.
SKU: BA.BA08811
ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.
A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor†whilst Antonio Salieri’s “Prima la musica e poi le parole†was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodramma†in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino†in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccioâ€.The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editionsâ€. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino†have also been incorporated.• Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions†edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).• Original Italian libretto with singable German translation• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabinoâ€â€¢ Idiomatic piano reduction
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51485722
ISBN 9790201857220. UPC: 884088182786. 10.25x13 inches.
SKU: LO.30-3126L
UPC: 000308139976.
This product includes the full orchestral score, printed parts, and digital parts (delivered on a CD) for The Christmas Story. It includes parts for Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello, and Bass.
SKU: BT.MUSM570209385
For full Orchestra. Published 1998. 3(2nd+picc, 3rd+afl).3.3(3rd+bcl).3(3rd+cbn) / 4.3.3.1 / pf.cel.hp.perc(4) / str First performance: English Northern Philharmonia, conducted by Elgar Howarth, Spring Festival of Contemporary Music, York, 30 April 1999. Score.
SKU: LO.30-2145L
UPC: 000308110302.
2 Flutes, Oboe, 2 Clarinets, 3 Trumpets, 2 F Horns (substitute 2 Alto Sax), Trombone 1 & 2 (substitute Tenor Sax/Baritone T. C), Trombone 3/Tuba, Timpani, Percussion 1 & 2, Harp, Rhythm, Violin. 1 & 2, Viola (substitute Clarinet 3), Cello (substitute Bass Clarinet), Bass (string reduction included).
SKU: HL.49044055
ISBN 9790001196819. Latin - German.
Die 'Missa juvenalis' entstand als Auftragskompostion der Chore an St. Georg in Bensheim. Sie ist eine moderne Orchestermesse fur zweistimmigen Jugendchor und vierstimmigen Erwachsenenchor, Orchester, Sopransolo und zwei Perkussionisten. Die ca. 30minutige Messe vereint den klassischen, lateinischen Messtext mit deutschen Erganzungen von Dag Hammarskjold und Meister Eckhart. In 'Kyrie' und 'Agnus De'i eingeschoben, geben Sie dem zeitlosen Messtext eine beruckende Aktualitat. Die Messe bewegt sich stilistisch zwischen klassischen Modellen, Musical und Jazz. Entsprechend uppig ist die notwendige Ausstattung an Schlagwerk, das zu den Streichern und Holzblasern hinzutritt.
SKU: HL.48010993
UPC: 073999998412. 9.0x12.0x0.18 inches.
Contents: Air and Dance (for String Orchestra) * Two Aquarelles (for String Orchestra) * A Song of Summer * Irmelin Prelude * Fantastic Dance.
SKU: BR.PB-5522-07
ISBN 9790004212530. 6.5 x 9 inches.
To all extents and purposes, Germany is the land of artists, wrote Felix Mendelssohn Bartholdy in 1831 while on his travels in Italy; but Italy, he added, is the land of art. Indeed, everywhere he went in Italy, the 22-year-old composer found impulses for his symphony: I have to save the work until I have seen Naples. But although the country fired his inspiration: It will be the merriest piece that I have ever written, he did not actually write the Italian Symphony there. This did not occur until early 1833, when Mendelssohn obtained a commission from London, where he then conducted the first performance in May 1833. Begun the following year, his revision of the piece remained fragmentary, and the composer no longer performed the work himself. The familiar London version thus represents the only closed form of the work which the composer presented to the public. This is the version of the Italian Symphony that is now appearing in the Breitkopf Urtext collection based on the Complete Edition.
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