SKU: HL.14043630

ISBN 9788759832448. UPC: 888680744182. English.

Bamberger Tanz for Orchestra by Hans Abrahamsen . Premiered by the Bamberger Symphoniker and Jonathan Nott February 7, 2015 in Bamberg.

SKU: HL.49002099

ISBN 9790001022460. UPC: 884088054267. 9.0x12.0x0.228 inches.

This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings. The 'Tanz der Holzpuppen', a foxtrot, is suitable as encore showing the humorous musician Hindemith who, in 1920, wrote to the Schott publishing house with a wink: 'Can you also make use of foxtrots, Bos-tons, rags and other kitsch? Whenever I cannot think of decent music, I write such stuff.'.

SKU: HL.49002097

ISBN 9790001022446. 8.5x11.75x0.25 inches.

For comparison, Hindemith begins the 'Suite franzosischer Tanze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add on his own little improvisa-tions or ornaments according to his playing skill as it is done with village dance music but even with jazz.The instruments can be freely chosen; this arrangement (piccolo and flute, oboe, English horn, bassoon, trumpet and lute) tries to imitate a group consisting of recorders, shawm, crumhorn, dulcian etc.

SKU: BR.SON-636

ISBN 9790004803912. 10 x 12.5 inches.

The present volume contains five orchestral works, which Sibelius composed in 1904-1910: Die Dryade (Op. 45 No. 1), Musik zu einer Szene [Op. 45 No. 2/1904], Tanz-Intermezzo (Op. 45 No. 2), Pohjolas Tochter (Op. 49), and Pan und Echo (Op. 53a). An early version of Tanz-Intermezzo is included as an appendix. In addition, a fragment illustrating the unrealized plan of a symphonic poem called Luonnotar, which Sibelius reworked into Pohjolas Tochter, appears as a facsimile. Musik zu einer Szene is now published for the first time. Except for Pohjolas Tochter, all the works were composed for a choreographic purpose, (sub-)titled or referred to as dance intermezzos, or related to opus 45.

SKU: HL.49002101

ISBN 9790001022484. UPC: 884088477974. 8.0x11.75x0.248 inches.

This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings. The 'Tanz der Holzpuppen', a foxtrot, is suitable as encore showing the humorous musician Hindemith who, in 1920, wrote to the Schott publishing house with a wink: 'Can you also make use of foxtrots, Bos-tons, rags and other kitsch? Whenever I cannot think of decent music, I write such stuff.'.

SKU: HL.49001864

ISBN 9790001024518. UPC: 884088075446. 8.5x11.75x0.29 inches.

SKU: TM.08756SET

Weihnachts-Glocken, Kind Jesus Ward Welts Gebracht, Weihnachtsbaum, Tanz der Kleinen Madchenht, Gut Nacht.

SKU: TM.06943SC

Chorus in English (no piano reduction); Vocal Score in French/English; Score in German/English. Narrator in score and vocal score only. Clothbound score. Overture, No. 1 Scherzo, No. 2 Melodram, Elfenmarsch (A March of Fairies), No. 3 Lied mit Chor (Song with Chorus), No. 4 Melodram, No. 5 Intermezzo, No. 6 Melodram, No. 7 Notturno, No. 8 Melodram, No. 9 Hochzeitmarsch (Wedding March), No. 10 Melodram, No. 11 Ein Tanz Von Ruplein (Dance of Clowns), No. 12 Melodram, No. 13 Finale.

SKU: HL.49013040

ISBN 9790001132183. 8.5x12.0x5.75 inches.

SKU: SU.27020085

Jacob vs. Angel is a piece about crisis of conscience, ambiguity, and misinterpretation expressed through the depiction of a major battle, the goal of which is never made entirely clear. Based on the biblical story, the work is highly programmatic, with each of the six movements reflecting a corresponding stanza from the titular poem by Alice Weaver Flaherty. The piece was originally composed as a vehicle for virtuoso organist Heinrich Christensen, and later orchestrated. The first movement introduces the main musical material--a five note motive, the intervals of which are reorganized to create melodic and harmonic development throughout the piece. The second, third, and fourth movements depict the brutal fight between Jacob and the angel, and lead one to the next without pause. The fifth movement is about the post-battle scene, and the final movement is an epilogue, reframing the ideas from the previous movements. The music elucidates various actions from the Flaherty poem—sand skittering across the desert, aggressive acts of violence and sensuality between the protagonists, the beating of wings, feathers blowing in the wind, etc. But beyond the music's more literal elements, the work is designed to express an abstract state of mind, a sense of unease, and anticipation of what is yet to come. —Graham Gordon Ramsay2(2) 1,1 2 2; 2221; 7perc, hp, cel; stgs Duration: 24'Composed: 2023 Published by: Distributed Composer Jacob vs Angel was composed originally as a solo concert organ work in 2007; the orchestral version was completed in 2023. A live performance of the organ version can be seen at. Performance materials available on rental:.

SKU: HL.49013868

ISBN 9790001029070.