SKU: HL.49013033
ISBN 9790001131919. 8.25x11.75x0.462 inches.
Bei der Neuschrift des Stucks im Winter 1995-96, funfzig Jahre nach seiner Entstehung (als Buhnenmusik zu Molieres Comedie ballet Georges Dandin, aus der anschliessend ein Ballett wurde mit dem englischen Clown Jack Pudding in der Titelrolle), ist es mir darum gegangen, den alten Notentext auszulosen und sein thematisches und harmonisches Material nach Kriterien zu ordnen und zu entwickeln, die mir seinerzeit noch nicht zur Verfugung standen, und die recht skizzenhafte Anlage des Urtexts in eine Klangwelt heruberzutragen, die meinen heutigen Vorstellungen und Wertbegriffen von Theater und Musik entspricht und die gleichzeitig das heutige kulturelle Klima Neapels widerspiegelt und damit eine besondere Art von Wirklichkeit, die mich einmal so sehr gefangengenommen, bezaubert und beeinflusst hat.- Hans Werner Henze: 1 (auch Picc.) * 1 * 1 * 1 - 1 * 1 * 1 * 0 - P. S. (3 Trgl. * Crot. * Rohrengl. * Trinidad steel drum * 3 hg. Beck. * 3 Tamt. * 3 Tomt. * Schellentr. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Bongo * Guiro * Kast. * Ratsche * Peitsche * Lotosfl. * Cuica * Mar. * Putipu [neap. Brummtopf]* Scetavajasse [neap. Schrapstock mit Schellen] * Flex. * Vibr. * Marimba) (3 Spieler) - Klav. (auch Cel. und Akk. ad lib.) - Str.
SKU: HL.51489063
UPC: 840126932867. 6.75x9.5x0.204 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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SKU: HL.51489070
UPC: 840126989410. 6.75x9.5x0.259 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489058
UPC: 840126932904. 6.75x9.5x0.232 inches.
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. According to the autograph manuscript, the Symphony in C major no. 90 was completed in 1788 and highlights its festive character with the addition of timpani and trumpets. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: TM.00023SC
Sol/pf; original clarinets and trumpets in Bb; trombone in bass clef. Horns in F and Eb.
SKU: TM.00023SET
SKU: TM.00028SC
SKU: HL.51489061
UPC: 840126932836. 6.75x9.5x0.22 inches.
SKU: TM.05602SET
Sc and set not same edition; sc has no trumpets (Score reprint of Eulenberg).
SKU: TM.05602SC
SKU: SU.90810040
Instrumentation: 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 2tbn(bs), tba; timp, 4 perc, hrp, pno; strings Duratiion: 3' Full Score & Parts: available on rental Composed: 1997 Published by: Subito Music Publishing Composer's Note: A Festive Violet Pulse opens with lively textures in the woodwinds which are used as accompaniment for a melodic statement in the violins. This melody is answered contrapuntally by the celli, and develops into a web of repeated melodic phrases. The middle section is very rhythmic, highlighting the percussion section and making use of many polyrhtyhms. A soft tremolo begins to emerge in the strings and gradually evolves into the foreground material. A repeated note theme enters in the celli and is answered sequentially by each string section. A strong statement of the original theme in the trumpets and violins climaxes the movement. --N.G.
SKU: TM.11359SC
Wunderhorn Songs (low). 4 horns and 4 trumpets are off-stage. Timp II and III together on same part. Clothbound score.
SKU: TM.11359SET
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