SKU: BA.BA10010-67
ISBN 9790006561544. 32.5 x 25.5 cm inches.
Continuo realization: Matthias Gr3nert.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10021-67
ISBN 9790006538096. 32.5 x 25.5 cm inches.
Study score = TP 1021.
SKU: CA.1804900
ISBN 9790007032043.
SKU: HL.49045022
ISBN 9790001154277. UPC: 841886027794.
The formal structure of this organ chorale with solo clarinet follows a Jewish death prayer. The solo clarinet represents the chant of the traditional prayer leader while the organ plays the response of the congregation of the synagogue. The piece ends with a cadenza of the solo clarinet to which an optional organ improvisation can be added.Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality.
SKU: MN.10-439
UPC: 688670104398.
A second volume of 21 hymn accompaniments with minimal pedal from Lynn Trapp. The widely used tunes are treated with great creativity, while limiting pedal movement and keeping accessible hand positions. Each tune has an Introduction, Setting A, and Setting B, and most have an Interlude--some with a modulation. Several tunes work very well with either the right or left hand soloing out the melody. A great resource for any organist!
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