Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731149

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Organ. Composed 1901. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.311/49. Published by Carus Verlag (CA.2731149).

ISBN 9790007201593. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731112

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Viola 1. Composed 1901. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.311/12. Published by Carus Verlag (CA.2731112).

ISBN 9790007201548. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731116

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Double Bass. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/16. Published by Carus Verlag (CA.2731116).

ISBN 9790007201586. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731113

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Viola 2. Composed 1901. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.311/13. Published by Carus Verlag (CA.2731113).

ISBN 9790007201555. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Composed by Adam Taylor. Fantasia using two chant melodies. Marian, General. Published by CanticaNOVA Publications (C5.6140).

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Zsigmond Szathmary. Free organ music. German title: 17 Kirchensonaten fur Orgel solo. Free organ music. Compact Disc. Composed 1844. 700 pages. Carus Verlag #CV 18.067/99. Published by Carus Verlag (CA.1806799).

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

(For Organ). Composed by Arvo Part (1935-). For organ. Score - Performance. Universal Edition #UE36995. Published by Universal Edition

Composed by Calvert Shenk. For organ and brass. Two movements for Organ and Brass. General. Score. Published by CanticaNOVA Publications

Organ - Late Intermediate / Advanced

SKU: MN.10-416

Composed by Michael Wolniakowski. Offertories, Partita/Variations, Postludes, Preludes. Easter. MorningStar Music Publishers #10-416. Published by MorningStar Music Publishers (MN.10-416).

UPC: 688670104169.

Seven movement work on the tune MIT FREUDEN ZART with an interesting palate of varying styles and moods. Demonstrates tonal resources of organ. Ends in blaze of glory. Includes Movements: 1. Prelude 2. Bicinium 3. Capriccio 4. Trio 5. Canon 6. Ornamented Chorale 7. Fugato - Finale.

Organ (Organ)

SKU: HL.14008416

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 32 pages. Chester Music #CH55477. Published by Chester Music (HL.14008416).

9.0x12.0x0.132 inches.

This essentially contemplative work in four movements is based on a plainsong fragment from the Lamentations of Jeremiah, traditionally sung on Maundy Thursday in the ceremonies spiralling down to the sacrifice of Christ on Good Friday. First performed in June 1982 by Richard Hughes, to whom the work is dedicated.

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. For organ. This edition: Paperbound. G-Dur (G major). German title: Orgelsonate 3 in G op. 88. Free organ music. Full score. Language: all languages. Composed 1875. Op. 88. 20 pages. Published by Carus Verlag

Composed by Mark Sedio. For organ. General. Moderately Difficult. Published by Concordia Publishing House