SKU: GI.G-003039
UPC: 641151030609.
A very practical collection for accompanying hymns. Composer Edward Eicker has taken ten familiar and frequently-used hymn tunes and provided each with an artful introduction and a free harmonization, often used for a final stanza. In addition, there is a modulation provided for each tune that takes the hymn up one step. The modulation is followed by the same free harmonization in the new key. This collection provides organists with great flexibility—any one of the four items provided for the hymns can be used by itself or in any combination with the others.
SKU: AD.ADG244
ISBN 9781958017333. UPC: 663389124424. 9 x 12 inches.
The Blues Scale for Organ is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.
SKU: HL.44006367
ISBN 9789043101844. UPC: 884088084684. 9.0x12.0x0.158 inches. International (more than one language).
These arrangements for organ in the style of folk and spiritual music were created during the 19th century. They provide the occasional glimpse of the old African jumba dances and plantation songs. Each arrangement is a unique step on a voyage of discovery into the fascinting characteristis of this music. 16 arrangements of beloved spirituals, including: Morning Has Broken * Amazing Grace * Nobody Knows the Trouble I've Seen * Were You There? * Deep River * Lord, I Want to Be a Christian * Steal Away to Jesus * Let Us Break Bread Together * Go Tell It on the Mountain * Is There Anybody Here? * Swing Low, Sweet Chariot * Greensleeves.
SKU: HL.14041484
UPC: 884088593384. 6.75x9.75x0.025 inches.
Work for unaccompanied SATB from Tavener's The Veil Of The Temple.The Veil of the Temple was commissioned by the Temple Music Trust. The world premiere took place on 27th June 2003 at the Temple Church, London,performed by the Choir of the Temple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by Stephen Layton, as part of The City of London Festival, 2003. The anthem Awed by the beauty was arranged in 2005.Byzantine text, translated by Mother Thekla. 'Oh' should be sung as in the 'o' of 'log'. Breathe when necessary, but not simultaneously. ?? and ???? represent microtones, the characteristic 'breaks in the voice' of Eastern chant.
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