Chamber Music Solo Organ

SKU: CF.SGB502

Composed by Albert Peace, Anonymous, Felice Giardini, Felix Bartholdy Mendelssohn, George Frideric Handel, Henry Gauntlett, John Bacchus Dykes, John Wyeth, William Kirkpatrick, William Monk, William Sherwin, and William Walker. Arranged by A. Whitworth. SWS. Performance Score. With Standard notation. 40 pages. Carl Fischer Music #SGB502. Published by Carl Fischer Music (CF.SGB502).

ISBN 9780825856907. UPC: 798408056902. 9 X 12 inches.

A noted church workshop and conference leader, Whitworth has published numerous keyboard collections for the church musician. Thine Is The Glory, one of Whitworth's most useful books, is back in print by popular demand. The updated folio brings the church organist 12 classic hymn settings that are appropriate for the various seasons in the church calendar. The book includes: Thine Is the Glory, We Would See Jesus, What Wondrous Love Is This?, Once in Royal David's City, I Heard the Voice of Jesus Say, O Love That Wilt Not Let Me Go, 'Tis So Sweet to Trust in Jesus, Come, Thou Almighty King, My Shepherd Will Supply My Need, Break Thou the Bread of Life, Come, Thou Fount of Every Blessing, and Abide With Me.

By Js Bach/Clark/Peterson. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Bart Howard. Richmond Music ! Folios. Size 9x12 inches. 72 pages. Published by Tro - The Richmond Organization.

Arranged by John Longhurst and Robert Cundick. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #80097. Published by Jackman Music Corporation

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N020).

(40 Classic Hymn Tune Settings for Organ). By Dale Wood. For organ: 3-staff. Sacred. Moderately difficult. Published by Lorenz Publishing Company

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N011).

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

For organ. General, Lent, Good Friday, Holy Week, Easter, Ascension, Pentecost, Holy Communion. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company. (70/1643L)

Composed by Various. For Organ. Shawnee Press. Softcover. 80 pages. Published by Shawnee Press

Organ

SKU: SU.27020280

For Organ. Composed by Graham Gordon Ramsay. Keyboard, Organ. Score. Subito Music Corporation #27020280. Published by Subito Music Corporation (SU.27020280).

Commissioned for the 2017 Montréal Organ Festival, Concordia Salus: A Fantasy for Organ received its name from the motto of the city of Montréal, of which the Latin component translates as salvation through harmony. The work divides roughly into 3 sections. The first section introduces two main contrasting themes. The second section develops the main material through a series of gestures that have an improvisatory feeling--something akin to an extended cadenza. The final section of the piece recapitulates the primary thematic material through bold, triumphant, and fanfare-like statements, culminating in a tipple forte, full organ sound.Organ Duration: 8' Composed: 2017 Published by: Distributed Composer.

Let Freedom Ring. (Patriotic Music for Organ and Piano). By Lani Smith. For organ and piano, 3-staff. Sacred, Patriotic. Intermediate. Published by Lorenz Publishing Company

By Jeffrey Blersch. For organ. General. Level: Easy-Moderately Easy. Published by Concordia Publishing House.