SKU: CA.4068909
ISBN 9790007220389. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and parts available separately - see item CA.4068900.
SKU: BR.EB-9300
ISBN 9790004187647. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: Stuttgart, Hospitalkirche, March 28, 2018.
SKU: CA.2719015
ISBN 9790007200787. Text language: Latin.
Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000.
SKU: CA.1036415
ISBN 9790007190422. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.
SKU: CA.4019715
ISBN 9790007065027. Language: German.
There are two main innovations: firstly the inclusion of the congregation through communal songs, and secondly, the frequent use of the main organ - as accompaniment to the congregational hymns as well as during the important preludes and postludes of the two parts 'Maundy Thursday' and 'Good Friday,' of which the Passion consists. (Kirchenmusik im Bistum Limburg 1/1990). Score and part available separately - see item CA.4019700.
SKU: CA.1038215
ISBN 9790007191061. Language: German/Latin.
Score available separately - see item CA.1038200.
SKU: CA.4068949
ISBN 9790007097295. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and part available separately - see item CA.4068900.
SKU: CA.2731515
ISBN 9790007201739. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.
SKU: CA.2731116
ISBN 9790007201586. Language: Latin.
The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.
SKU: CA.1038315
ISBN 9790007191139. Language: Latin/English/German.
Score available separately - see item CA.1038300.
SKU: CA.2100311
ISBN 9790007197674. Language: Latin.
Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score and part available separately - see item CA.2100300.
SKU: CA.4068919
ISBN 9790007133481. Key: D major. Language: Latin.
SKU: CA.5528355
ISBN 9790007162610. Language: German.
At the age of 20 Mendelssohn had already arranged some of Handel's great works for the Berlin Singakademie, including the Dettingen Te Deum, and he suited them to the tastes of his time. Thus, in large part he retained the original music and added wind parts, which were completely new. A special aspect is represented by Zelter's German text which, among other things, also proved how important and popular the Dettingen Ted Deum was during Mendelssohn's time. Score available separately - see item CA.5528300.
SKU: CA.4068905
ISBN 9790007131135. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score available separately - see item CA.4068900.
SKU: CA.9193314
ISBN 9790007236168. Key: F major. Language: Latin/German.
The Mass with Christmas hymns, Missa carminum is available from Carus in a orchestra version and in a version for choir and organ. The unique feature of this work is that each movement of the Ordinary employs a well-known Christmas hymn as an instrumental cantus firmus. In the score the text of each hymn has been included in the appropriate passage, so that the Christmas signature tune may be performed vocally, for example, by a one-part children's choir. Score and part available separately - see item CA.9193300.
SKU: CA.4004415
ISBN 9790007058579. Key: C major. Language: Latin.
Score available separately - see item CA.4004400.
SKU: CA.4065664
ISBN 9790007219789. Key: F major. Language: Latin.
Piano/Vocal score available separately - see item CA.4065653.
SKU: CA.2041214
ISBN 9790007195212. Key: G dorian. Language: German/English.
Score available separately - see item CA.2041200.
SKU: CA.4018015
ISBN 9790007064099. Key: F major. Language: Latin/English.
Brahms's Ave Maria was composed in 1858. The widely-held opinions in the literature on Brahms - that the work has justifiably been forgotten, the part-writing is monotonous and the style and diction is ponderous - don't do justice to a truly charming piece, based on folksong-like models. Score and part available separately - see item CA.4018000.
SKU: CA.4003714
ISBN 9790007217020. Key: D minor. Language: Latin.
Score available separately - see item CA.4003700.
SKU: CA.4066115
ISBN 9790007076313. Language: Latin.
Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.
SKU: CA.4067214
ISBN 9790007219963. Key: D minor. Language: Latin.
Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.
SKU: CA.2730914
ISBN 9790007201487. Key: E flat major. Language: Latin.
Score available separately - see item CA.2730900.
SKU: CA.4065614
ISBN 9790007085216. Key: F major. Language: Latin.
Score available separately - see item CA.4065600.
SKU: CA.1880115
ISBN 9790007192570. Language: all languages.
Score available separately - see item CA.1880100.
SKU: CA.4004714
ISBN 9790007058814. Key: C major. Language: Latin.
Score available separately - see item CA.4004700.
SKU: CA.1038249
ISBN 9790007191078. Language: German/Latin.
SKU: CA.4019815
ISBN 9790007218003. Language: German.
The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score and part available separately - see item CA.4019800.
SKU: CA.2719005
ISBN 9790007166458. Text language: Latin.
Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score available separately - see item CA.2719000.
SKU: CA.9106714
ISBN 9790007231828. Key: F major. Language: Latin.
Score available separately - see item CA.9106700.
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