SKU: AP.1-ADV7064
UPC: 805095070644. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Swing Low, Sweet Chariot, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7061
UPC: 805095070613. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Lord I Want to Be a Christian, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7069
UPC: 805095070699. English. Traditional.
SKU: AP.1-ADV7062
UPC: 805095070620. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Sometimes I Feel Like a Motherless Child, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7068
UPC: 805095070682. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Oh Freedom, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7063
UPC: 805095070637. English. Traditional.
SKU: AP.1-ADV7066
UPC: 805095070668. English. Traditional.
SKU: AP.1-ADV7060
UPC: 805095070606. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, O Happy Day, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7067
UPC: 805095070675. English. Traditional.
SKU: AP.1-ADV7065
UPC: 805095070651. English. Traditional.
SKU: SU.80101162
This stunning collection contains five useful organ compositions based on African-American spirituals. Treatments are exciting, original, and always highly appropriate. The five movements are: The Lord Is My Shepherd, I Want Jesus to Walk with Me, I Want to Be a Christian, The Old Ship of Zion, and Bless That Wonderful Name. 24 pages Published by: Zimbel Press.
SKU: LO.70-2447L
ISBN 9780787779061.
Roberta Rowland-Raybold's settings of eight spirituals for organ are a heartfelt tribute to the African American spiritual tradition, deeply influenced by Eileen Guenther's book, In Their Own Words. The expressive dimension of the original words and music is at the forefront of these varied pieces, all of which are based on spirituals that are familiar and widely used in today’s churches.
SKU: SU.80101117
This highly useful collection contains six imaginative preludes on traditional American folk hymns and spirituals. The hymns are Beach Spring, Lonesome Valley, Pentecost (Every Time), Cleansing Fountain, There Is a Balm, and My Lord What a Morning. 24 pages Published by: Zimbel Press.
SKU: SU.80101473
This anthology contains 12 varied works for organ useful for service or concert. Includes: Spirituals Variations I (on three early American hymns), Spiritual Variations II (Where I May Wander), Spiritual Variations III (I'm Gonna Live So God Can Use Me), Chanson Variations, Prelude on Add One More Seat to the Table, Chorale Prelude and Fugue on a Lullaby, Offertorium, Postludium, Golgotha, Fantasy on Rondeau Carol, and Three and a Half Little Carol Settings. Two of the works are based on original hymn tunes by the composer, and the hymns are included for congregational use. Instrumentation: Organ Composed: 2008-2020 Published by: Zimbel Press.
SKU: HL.44006367
ISBN 9789043101844. UPC: 884088084684. 9.0x12.0x0.158 inches. International (more than one language).
These arrangements for organ in the style of folk and spiritual music were created during the 19th century. They provide the occasional glimpse of the old African jumba dances and plantation songs. Each arrangement is a unique step on a voyage of discovery into the fascinting characteristis of this music. 16 arrangements of beloved spirituals, including: Morning Has Broken * Amazing Grace * Nobody Knows the Trouble I've Seen * Were You There? * Deep River * Lord, I Want to Be a Christian * Steal Away to Jesus * Let Us Break Bread Together * Go Tell It on the Mountain * Is There Anybody Here? * Swing Low, Sweet Chariot * Greensleeves.
SKU: PR.113400450
ISBN 9781491132326. UPC: 680160681679. 9x12 inches.
Chen Yi describes her dramatic study in the organ’s sonorities: “From the bronze drum set on topof the totem pole, I imagine that our ancestors played the powerful low percussion instrument,to unify the rhythm in their group dance; from the delicate and magical decorations carved onthe drum and the pole, I imagine that the beauty of the totem poles is presented in multilayerswith various timbres from different manuals (keyboards) and pedals, and the ineffable universe isharmonized in the powerful and brilliant grand chords fully sounded from the organ.†The publicationincludes registrations, fingerings, and pedaling provided by James Higdon. TOTEM POLES wascommissioned by the American Guild of Organists for its 2018 biennial national convention.The primitive power and the spiritual mysteries of the ancient totem poles are permeated into the rich palette, and brought out from the sonic giant, the solo organ.From the bronze drum set on top of the totem pole, I imagine that our ancestors played the powerful low percussion instrument, to unify the rhythm in their group dance; from the delicate and magical decorations carved on the drum and the pole, I imagine that the beauty of the totem poles is presented in multilayers with various timbres from different manuals (keyboards) and pedals, and the ineffable universe is harmonized in the powerful and brilliant grand chords fully sounded from the organ.
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