SKU: HL.14028647
8.75x11.75x0.68 inches.
Aulis Sallinen's Barabbas Dialogues was commissioned by Naantali Music Festival.It received its first performance on 11 June 2004 at Naantali Church(part of the Naantali Music Festival) with Mari Palo (soprano), Riikka Rantanen, (mezzo), Topi Lehtipuu (tenor), Petteri Salomaa (baritone), Juha Kotilainen (bass),Kalle Holmberg (narrator), Ralf Gothoni (conductor and piano), Mika Vayrynen(accordion), Elina Vahala (violin) Arto Noras (cello), Petri Alanko (flute), Michel Lethiec(clarinet) and Ari-Pekka Maenpaa (percussion).
SKU: SU.80101238
Best known for her widely played chorale prelude, In the Bleak Midwinter, this volume makes available the entire solo organ output of Allen Orton Gibbs (1910-1996). The 72-page collection contains 11 solo movements and suites, all of which are accessible, melodic, and useful for either service playing or recital. Published by: Zimbel Press.
SKU: FZ.50529
12.5 x 14 cm inches.
Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard. Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult. Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise. Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'. This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.
SKU: HL.14012622
SKU: HL.14010399
ISBN 9780853607915. 9.0x12.0x0.19 inches.
An anthology from four centuries in ten volumes. Edited by Robin Langley.
SKU: CA.4009309
ISBN 9790007061401. Key: F major. Language: German.
Score available separately - see item CA.4009300.
SKU: CA.4009305
ISBN 9790007061395. Key: F major. Language: German.
SKU: CA.5453049
ISBN 9790007226183. Language: Latin.
The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.
SKU: HL.14042624
12.0x8.5x0.439 inches.
Chaconne For Jonathan Harvey by Ed Hughes, in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music, with funds from the PRS for Music Foundation. First performed by Michael Waldron on 15 April 2013, St Pancras Church, London, as part of choral evensong, and broadcast live on BBC Radio 3. Chaconne For Jonathan Harvey by Ed Hughes, in memory of Jonathan Harvey. For solo Organ.Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music, with funds from the PRS for Music Foundation.First performed by Michael Waldron on 15 April 2013, St Pancras Church, London, as part of choral evensong, and broadcast live on BBC Radio 3.
SKU: SU.80101409
Radegund Variations (2017) was written for and is dedicated to Hartmut Siebmanns, cantor and organist in Possneck, in the Thuringia region of Germany. This work was inspired by the life of Radegund (ca. 520-587), who was a Thuringian princess (and later Frankish queen) most famous for founding the Abbey of the Holy Cross in Poitiers, France. The piece begins with an original theme: its contemporary view of ancient modality represents looking back from the present time into Radegund's era. The theme is followed by six contrasting variations, inspiration for which are drawn from events in Radegund's life: her marriage and joining the Frankish court (1st variation); her flight from the court (after the murder of her brother) to seek protection from the church (2nd variation); her devotion to the needy (3rd variation); her friendship with the poet Venantius Fortunatus and her commissioning of his sacred poem Vexilla Regis (4th variation); her gifts of healing (5th variation); and the building of the abbey (6th variation). Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.
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