SKU: CA.739300
ISBN 9790007172268. Text language: Latin.
Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.
SKU: HL.49044198
ISBN 9790001192897. 9.0x11.75x0.07 inches. German.
The fact that Hermann Schroeder ranks among the most important composers of Catholic church music in the 20th century shows especially in the simple church music form of the choral setting, e. g. in his setting of the sacred song Unuberwindlich starker Held, Sankt Michael. With his own typical archaic tonal language, Schroeder creates an a cappella choral setting (SATB) in which the dignity and the admiration of the heroic deeds of the Archangel Michael find their musical expression in a very compact form. The underlying melody (GL 924) dates from 1623. The author of the text of the Song of Michael is the German hymn writer Friedrich Spee. A very charming choral setting that can be easily mastered by any church choir; its five verses have to be sung alternately by the choir and the congregation. Apart from the a cappella choral setting, the practical congregational edition also contains a chorale prelude and the organ chorale which can, of course, be used as accompaniment for the congregation, but also for the choral setting.
SKU: CA.5040514
ISBN 9790007081744. Key: D minor. Language: German/English.
The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.
SKU: CA.5040512
ISBN 9790007081720. Key: D minor. Language: German/English.
SKU: CA.5040513
ISBN 9790007081737. Key: D minor. Language: German/English.
SKU: CA.5040505
ISBN 9790007081706. Key: D minor. Language: German/English.
The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score available separately - see item CA.5040500.
SKU: CA.5040511
ISBN 9790007081713. Key: D minor. Language: German/English.
SKU: HL.48183087
UPC: 888680877859. 6.25x9.5x0.704 inches.
French musicologist and composer, Jacques Chailley (1910-1999) was born into a musical family and went on to study at the Paris Conservatoire. As an organist himself, he is well acquainted with the Chorales, making his analysis book J. S. Bach's Chorales for Organ well-informed. Bach's chorale catalogue consists of some 189 chorales; SATB hymns which tend to be in strophic form. Chailley's J. S. Bach's Chorales for Organ analyses the harmonic techniques, structure and other characteristics of all the chorales, including detailed descriptions. For all musicians, the knowledge of the harmonisation of Bach's chorales is essential. Therefore, Chailley's J. S. Bach's Chorales for Organ is imperative..
SKU: HL.14018570
ISBN 9788759810569. 13.75x9.75x0.175 inches. International (more than one language).
The first installment of the huge organ trilogy Messis (Harvest) by Danish Composer Rued Landggard. At over two hours in length this one of the most extensive works in the organ repertoire. The fourth movement of this section includes a chorale to be sung by SATB choir.
SKU: CA.3111707
ISBN 9790007091651. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.
SKU: CA.2905305
ISBN 9790007102333. Language: German.
Score available separately - see item CA.2905300.
SKU: CA.2905331
Language: German.
SKU: CA.1008700
ISBN 9790007018450. Language: German.
SKU: CA.1008712
ISBN 9790007018498. Language: German.
Score available separately - see item CA.1008700.
SKU: CA.5040212
ISBN 9790007081638. Key: D major. Language: German/English.
Score available separately - see item CA.5040200.
SKU: CA.1008705
ISBN 9790007018467. Language: German.
SKU: CA.5040211
ISBN 9790007081621. Key: D major. Language: German/English.
SKU: CA.1008719
ISBN 9790007141059. Language: German.
Score and parts available separately - see item CA.1008700.
SKU: CA.1008709
ISBN 9790007018474. Language: German.
SKU: CA.1008711
ISBN 9790007018481. Language: German.
SKU: CA.1008714
ISBN 9790007018511. Language: German.
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