SKU: HL.49044798
ISBN 9790001199865. UPC: 841886027169. 9.0x12.0x0.192 inches.
SKU: JK.01979
UPC: 093285019799.
An Invitation to Worship by Tabernacle Organist Clay Christiansen is a book of organ preludes intended to help prepare the hearts of listeners to receive the peace of the gospel. These renditions are a refreshing new take on familiar hymn favorites. The majority of arrangements in this book are intermediate in difficulty, leaving just a couple of pieces at a more advanced level. Use these beautiful renditions for prelude, postlude, and solo performance. Click here to view all Jackman Music titles including the great work of Clay Christiansen.Pieces included in this volume:Come, Listen to a Prophet's VoiceHigh on the Mountain TopI Feel My Savior's LoveI Know That My Redeemer LivesJesus, Once of Humble BirthOn This Day of Joy and GladnessSweet Is the WorkWe Thank Thee, O God, for a ProphetWe'll Sing All Hail to Jesus' NameComposers: VariousArranger: Clay ChristiansenDifficulty: Intermediate to Advanced.
SKU: JK.02024
UPC: 093285020245.
From the renowned tabernacle organist, Clay Christiansen, we give you 9 Sacred Hymn Settings for Organ. You will love playing these glorious renditions of familiar hymns, including A Poor Wayfaring Man of Grief, Count Your Blessings, and Praise to the Man. They are intermediate to advanced in difficulty and are appropriate for prelude, postlude, and sacred organ performances of any kind. Contents:A Poor Wayfaring Man of GriefCount Your BlessingsGod, Our Father, Hear Us PrayIn Fasting We Approach TheeO God, the Eternal FatherO Thou Kind and Gracious FatherPraise to the ManThe Spirit of GodThough Deepening TrialsComposer: VariousArranger: Clay ChristiansenDifficulty: Intermediate to AdvancedNine Sacred Hymn Settings for Organ.
SKU: MN.10-960
UPC: 688670109607.
This work's four movements were inspired by the four Ariel poems of T.S. Eliot. The poems are entitled Journey of the Magi, A Song for Simeon, Animula, and Marina. Colorful organ registrations, late twentieth-century musical language and references to other organ works and chant melodies are employed in this musical representation of Eliot's poetry. The poems mark, in part, Eliot's conversion experience to orthodox Christianity. The spiritual theme of T.S. Eliot Impressions is that of a journey from darkness to light and from despair to hope. A tour-de-force concert calibre work of some twenty minutes in length. Detailed notes by the composer are included in the publication and are critical to the understanding and appreciation of this extended work.
SKU: JK.09175
Advanced organ solo by J. J. Keeler, who pioneered organ studies at BYU. This piece features pedaled sixteenth notes and double pedaled (both feet) eighth notes for the intrepid organist.Composer: J. J. Keeler (1913-1998)Difficulty: Advanced Performance time: 7:00.
SKU: JK.09157
Repertoire volume accompanying Keeler and Blackham's Basic Organ Technique (#00018 - a collection of pieces for teaching and learning organ technique, available separately).Volume includes: Largo from Sonata, Op. 5, No. 7 - Corelli Peace Be Unto Thee - Mozart Durch Adam's Fall - Pachelbel Benediction - Josquin des Pres Christus Der Ist Meines Lebens - Marpurg Duo - Dandrieu Chorale Prelude In Quiet Joy - Bach Aus Meines Herzens Grunde - Bach Herr Jesu Christ, Dich Zu Uns Wend - Walther Allein Gott In Der Hoh' Sei Ehr' - Armsdorf Allein Gott In Der Hoh' Sei Ehr' - Zachau Vom Himmel Hoch, Da Komm Ich Her - Zachau Prelude in G Minor - Bach Adagio - Handel Supplication - Schubert Pastoral - Zipoli Prelude and Fugue in G Major - Bach Tocatta In E Minor - Pachelbel Allein Zu Dir, Herr Jesu Christ - Pachelbel Largo - Vivaldi Freu Dich Sehr, O Meine Seele - Karg-Elert Alle Menschen Mussen Sterben - Bach Wachet Auf Ruft Uns Die Stimmme - Walther Jesu, Word of God Incarnate (Ave Verum) - Mozart Prelude and Fugue in F Major - BachComposer: VariousEditor: J. J. KeelerArranger: E. Donnell Blackham Difficulty: Medium Advanced.
SKU: HL.48186027
UPC: 888680842338. 9x12 inches.
?Jehan Alain (1911-1940) was a French organist and composer. His Litanies for Organ was composed in 1937 and is a sublime addition to the instrument's repertoire. Alain studied with Organ virtuosos, Guilmant and Vierne and was primarily an organist and composer of religious music. Whilst at the Paris Conservatoire, he won many prizes and his composition catalogue comprises some 140 works. Alain's Litanies is his most famous work and is prefaced with the text; ??When, in its distress, the Christian soul can find no more words to invoke God's mercy, it repeats endlessly the same litany....for reason has reached its limit; only faith can take one further...?? From lively and comical pieces, to sensitive and unexpected works, Alain's pieces are diverse in musicality. Moreover, the composer exploits Organ techniques, making Litanies an exciting and varied piece for advanced level organists.andrdquo.
SKU: HL.49018470
ISBN 9790001170932. UPC: 841886014930. 9.0x12.0x0.16 inches.
'YinYang' is the union of polar opposites in Taoism. It is the same in the present work for trumpet and organ in which the two movements form a pair of opposites: 'Toccata' is a powerful, solid music piece that is rough around the edges, with staccato as essential form; 'Melisma' is a sweeping, light and round structure with legato as essential form. This polarity is as elementary as 'male and female'. This is why it is characteristic of the yin-yang symbol that the curved, melismatic line unites contrapuntally with the toccata-like rhythm so that a jubilant praise of wholeness - whether in the Christian or Taoist sense - can be heard. (Enjott Schneider).
SKU: AU.9781506487328
ISBN 9781506487328. 9x12 inches.
Brenda Portman's understanding of the organ comes to life in her collection of ten arrangements of hymns found in the worship supplement All Creation Sings, with writing that makes use of styles and techniques characteristic of the organ. Included is a festival fanfare on Day of Delight and Beauty Unbounded (IN DIR IST FREUDE), a trio on Down Galilee's Slow Roadways (Merle's Tune), a toccata on God's Work Our Hands (Earth and All Stars), and a gospel setting of Sometimes Our Only Song Is Weeping (Wayfaring Stranger).
SKU: LO.70-2456S
ISBN 9780787779153.
Featuring eight organ pieces, these compositions draw upon hymn tunes rooted in Gregorian chant, the ancient song of the Christian church. Each piece preserves the established melody, often with words derived from the original chant, and spans the church year from Advent to Pentecost. Christopher J. Hoh's unique and creative style breathes fresh life into these timeless melodies.
SKU: HL.49015409
ISBN 9790001082617. 9.0x12.0x0.112 inches.
SKU: AU.9781506487335
ISBN 9781506487335. 9x12 inches.
This exciting collection by David Evan Thomas features seven familiar tunes expressed in historical dance genres, along with three original pieces that include a sicilienne and minuet. Highlights include a light and quick Passepied on People Look East, a gentle Pastorale on On Christmas Night, and a lively Tarantella on Oh, Sing to God Above. Be sure to check out the original Sicilienne, an example of the composer's best writing.
SKU: AU.9798889832768
ISBN 9798889832768. 9 x 12 inches.
In this collection, six hymn tunes are each set with a prelude and a postlude in varying styles by skilled Prelude and Gigue, and more. In medium-difficult range, each piece is a significant work and can be played on its own or both settings could be used during worship to emphasis the hymn or a theme.
SKU: HL.49045437
ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.
On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
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