SKU: BA.BA07679-67
ISBN 9790006528851. 32.5 x 25.5 cm inches.
Continuo realization: Andreas Kohs.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.1808549
Language: all languages.
The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch. Score and part available separately - see item CA.1808500.
SKU: CA.1808500
ISBN 9790007163952. Language: all languages.
The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch.
SKU: CA.2770549
ISBN 9790007202668. Language: Latin.
Man that is born of woman hath but a short time to live is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series. Score and part available separately - see item CA.2770500.
SKU: CA.2044311
Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score and part available separately - see item CA.2044300.
SKU: OU.9780193532410
ISBN 9780193532410. 12 x 9 inches.
James Whitbourn's Apollo tells the story of the first manned flight to the Moon (the year before the first lunar landing). A wealth of imaginative textures depicts such dramatic events as countdown, ignition, and the first sight of earthrise, leading to a fantasia on an ancient Greek melody, and a final triumphant Paean.
SKU: CA.3850211
ISBN 9790007054588. Language: all languages.
Score available separately - see item CA.3850200.
SKU: CA.2770505
ISBN 9790007166595. Text language: Latin.
Man that is born of woman hath but a short time to live is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series. Score available separately - see item CA.2770500.
SKU: CA.3850119
ISBN 9790007139223. Language: all languages.
Score and parts available separately - see item CA.3850100.
SKU: HL.48184746
Monodie; Duo; Larmes (Trio); Offering; Fugue et Continuo.
SKU: SU.80101314
An appealing three-movement composition that can be played on instruments of a single manual (such as continuo/portatif organs) or larger instruments.Instrumentation: Published by: Zimbel Press.
SKU: CA.3850213
ISBN 9790007054601. Language: all languages.
SKU: CA.2770500
ISBN 9790007166588. Language: Latin.
Man that is born of woman hath but a short time to live is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series.
SKU: CA.3850212
ISBN 9790007054595. Language: all languages.
SKU: BA.BA07673-67
ISBN 9790006542932. 32.5 x 25.5 cm inches.
SKU: BA.BA01220
ISBN 9790006409204. 14.5 x 21 cm inches.
72 nicht ausgesetzte Kirchenlieder des 17. Jh. (Melodie und Bass) fur Klavier (Orgel) als Ubungsstucke zum Basso-continuo-Spiel.
SKU: BA.BA10259-67
ISBN 9790006562244. 32.5 x 25.5 cm inches. Language of work: English, Text language: German, English. Continuo arranged by Andreas Kohs.
SKU: CA.2044305
ISBN 9790007036416. Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score available separately - see item CA.2044300.
SKU: CA.2044306
ISBN 9790007188672. Key: D dorian. Language: German.
SKU: BA.BA10010-67
ISBN 9790006561544. 32.5 x 25.5 cm inches.
Continuo realization: Matthias Gr3nert.
SKU: CA.5425749
ISBN 9790007226121. Language: Latin.
Johann Michael Haydn's oeuvre includes more than thirty works in Latin or German for two or three descants, composed for his dear choirboys of the Salzburg 'Kapellhaus'. The first setting of the ordinary in this series was the Missa Sancti Aloysii, composed in 1777. It was initially intended for the Commemoration of the Holy Innocents on 28 December, when the chapel boys celebrated their principal feast day. This exceptionally charming mass, characterized by a wonderfully effervescent joyfulness, is an insider's tip for anyone looking for new repertoire for three-part women's, girls' or boys' choir. By virtue of ist scoring, the mass is also eminently suitable for small-scale performances. Score and part available separately - see item CA.5425700.
SKU: BT.DV-10542
English-Italian.
SKU: HL.14013821
Work for Organ dating from 1936.
SKU: CA.5034749
ISBN 9790007081461. Key: B flat major. Language: Latin/German.
Includes a Latin text for Passiontide and a German text for Advent. Score and part available separately - see item CA.5034700.
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