SKU: JK.02024
UPC: 093285020245.
From the renowned tabernacle organist, Clay Christiansen, we give you 9 Sacred Hymn Settings for Organ. You will love playing these glorious renditions of familiar hymns, including A Poor Wayfaring Man of Grief, Count Your Blessings, and Praise to the Man. They are intermediate to advanced in difficulty and are appropriate for prelude, postlude, and sacred organ performances of any kind. Contents:A Poor Wayfaring Man of GriefCount Your BlessingsGod, Our Father, Hear Us PrayIn Fasting We Approach TheeO God, the Eternal FatherO Thou Kind and Gracious FatherPraise to the ManThe Spirit of GodThough Deepening TrialsComposer: VariousArranger: Clay ChristiansenDifficulty: Intermediate to AdvancedNine Sacred Hymn Settings for Organ.
SKU: HP.C5643R
UPC: 763628256432. Psalms 40:30, Revelation 15:3, Revelation 21:21, Ephesians 1:7, 1 John 1:1-9, 1 John 2:1-2, Philippians 3:4-14.
Medley of old gospel hymns Everyone loves to sing the old, gospel hymns that remind us of our faith journey and of those who have gone on to sing with the saints in glory. This exuberant Joel Raney medley combines many favorites in a variety of musical textures and styles, including: I Will Sing the Wondrous Story, When We All Get to Heaven, He Keeps Me Singing, Sweet By and By, and I Will Sing of My Redeemer. The addition of rhythm enhances this toe-tapping nostalgic journey. The Rhythm packet contains parts for: Electric Guitar, Bass, B3 Organ (Synth) & Drums.
SKU: JK.01927
UPC: 093285019270.
The Temple Organist is a series of hymn arrangements designed to support the sacred reverence found in temples of the Church of Jesus Christ of Latter-day Saints. The songs selected for the two volumes have been taken directly from approved lists of hymns appropriate for temples. The arrangements in this volume, like volume 1, are arranged to include the harmonizations from the 1985 hymnal, with a variation that follows in most cases. True to the style of Orgain Chains, they include interludes to connect each hymn so they can be played consecutively (including modulations that bridge different keys beautifully). You will enjoy serving temple patrons as you play these simple, contemplative hymn settings.Contents Include:Oh, May My Soul Commune with TheeNearer, My God, to TheeO My FatherI Need Thee Every HourJesus, Lover of My SoulMore Holiness Give MeGuide Me to TheeDid You Think to Pray?Sweet Hour of PrayerHow Gentle God's CommandsWhere Can I Turn for Peace?Be Thou HumbleDearest Children, God Is Near YouBe Still, My SoulLead, Kindly LightSweet Is the Peace the Gospel BringsO Love That Glorifies the SonGod Loved Us, So He Sent His SonHow Great the Wisdom and the LoveWith Humble HeartJesus, Once of Humble BirthIn Humility, Our SaviorThere Is a Green Hill Far AwayI Stand All AmazedSweet Is the WorkCome, Follow MeLove One AnotherDear to the Heart of the ShepherdLord, I Would Follow TheeComposer: VariousArranger: Brent JorgensenDifficulty: Easy.
SKU: CA.739300
ISBN 9790007172268. Text language: Latin.
Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.
SKU: LO.70-2207L
ISBN 9780787767969.
Iouri Grichetchkine has crafted a set of fresh arrangements of beloved hymns of the faith. The influences in the music are diverse: from classical to gospel and light jazz. In particular, a number of the hymns receive a treatment with a different character than many other organ arrangements of a given tune, making these settings especially useful at filling in the gaps within one's hymn-based organ library.
SKU: LO.70-2104L
ISBN 9780787760595.
In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude.
SKU: LO.70-2474L
ISBN 9780787789459.
This versatile collection by Robert Lau consists of 30 very short pieces designed as interludes and crafted for practical use in worship services whenever extra music may be needed: candle lighting, gospel processions, pulpit walking, communion, etc. Each work draws inspiration from well-known hymns, encompassing both seasonal and general selections. The simple registrations all emphasize a solo/accompaniment texture with a focus on the hymn melody.
SKU: CA.2101903
ISBN 9790007161446. Language: Latin.
Marc-Antoine Charpentier not only originated the Eurovision Melody, rather he also made an important contribution to French sacred music from the baroque with his oratorios, motets and cantatas. The four cantatas for the season of Christmas (CV 21.019-21.022) are now published in first editions. The Latin texts of these works for Christmas, the New Year, Epiphany, and the Purification are based on the accounts of the Gospels, which are paraphrased in the form of poetic texts. As in Charpentier's extensive Histoires sacrees, the musical structure is oratorical, with a part for the evangelist and texts spoken directly by biblical personages and groups of people (angels, Herodes, shepherds, wise men). In each work the vocal scoring includes two sopranos and a bass (those passages where a number of voices sing together can be performed either by soloists or by a choir). With this uniform scoring it would be meaningful to perform these works as a cycle, in the manner of a small Christmas oratorio. Score available separately - see item CA.2101900.
SKU: LO.70-2479L
ISBN 9780787789503.
In his introductory collection, organist Josh Ring takes inspiration from a diverse range of sources, seamlessly blending jazz, gospel, romantic, and contemporary elements, resulting in music characterized by vibrant sonorities, thrilling harmonic twists, and a rich array of rhythms and textures.
SKU: CA.2044305
ISBN 9790007036416. Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score available separately - see item CA.2044300.
SKU: CA.2044311
Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score and part available separately - see item CA.2044300.
SKU: CA.2044306
ISBN 9790007188672. Key: D dorian. Language: German.
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