Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

(An Anthology of Organ Masterworks). By Geoffrey R. Lorenz. For organ. Masterworks and Transcriptions. 3-staff. Sacred organ

By Paul Manz (1919-). For organ. This edition: commemorative edition. Organ. Advent, General, Lent, Pentecost. Medium. Collection. Published by MorningStar Music Publishers

By Paul Manz (1919-). For organ. This edition: commemorative edition. Organ. Advent, General, Lent, Pentecost. Medium. Collection. Published by MorningStar Music Publishers

Orchestra SAB vocal soli, SATB choir, 3 recorders f1, 2 flutes, 2 oboes, english horn, bassoon, 3 trumpets, 3 trombones, timpani, strings, organ

SKU: CA.1000100

Zusammenstellung aus Satzen Bachscher Kantaten. Composed by Johann Sebastian Bach. Arranged by Hans Grischkat. This edition: Paperbound. Sacred vocal music, Cantatas, oratorios. German title: Vom Reiche Gottes. Sacred vocal music, Cantatas, Oratorios. Full score. BWV. 256 pages. Duration 90 minutes. Carus Verlag #CV 10.001/00. Published by Carus Verlag (CA.1000100).

ISBN 9790007098353. Language: German.

Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival.

Orchestra SAB vocal soli, SATB choir, 3 recorders f1, 2 flutes, 2 oboes, english horn, bassoon, 3 trumpets, 3 trombones, timpani, strings, organ

SKU: CA.1000105

Zusammenstellung aus Satzen Bachscher Kantaten. Composed by Johann Sebastian Bach. Arranged by Hans Grischkat. This edition: Paperbound. Sacred vocal music, Cantatas, Oratorios. Choral Score. BWV. 48 pages. Duration 90 minutes. Carus Verlag #CV 10.001/05. Published by Carus Verlag (CA.1000105).

ISBN 9790007015619. Language: German.

Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score available separately - see item CA.1000100.

Orchestra SAB vocal soli, SATB choir, 3 recorders f1, 2 flutes, 2 oboes, english horn, bassoon, 3 trumpets, 3 trombones, timpani, strings, organ

SKU: CA.1000111

Zusammenstellung aus Satzen Bachscher Kantaten. Composed by Johann Sebastian Bach. Arranged by Hans Grischkat. Violin 1. Sacred vocal music, Cantatas, Oratorios. Single Part, Violin 1. BWV. 24 pages. Duration 90 minutes. Carus Verlag #CV 10.001/11. Published by Carus Verlag (CA.1000111).

ISBN 9790007015633. Language: German.

Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and part available separately - see item CA.1000100.

Orchestra SAB vocal soli, SATB choir, 3 recorders f1, 2 flutes, 2 oboes, english horn, bassoon, 3 trumpets, 3 trombones, timpani, strings, organ

SKU: CA.1000112

Zusammenstellung aus Satzen Bachscher Kantaten. Composed by Johann Sebastian Bach. Arranged by Hans Grischkat. Violin 2. Sacred vocal music, Cantatas, Oratorios. Single Part, Violin 2. BWV. 20 pages. Duration 90 minutes. Carus Verlag #CV 10.001/12. Published by Carus Verlag (CA.1000112).

ISBN 9790007015640. Language: German.

Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and part available separately - see item CA.1000100.

Orchestra SAB vocal soli, SATB choir, 3 recorders f1, 2 flutes, 2 oboes, english horn, bassoon, 3 trumpets, 3 trombones, timpani, strings, organ

SKU: CA.1000109

Zusammenstellung aus Satzen Bachscher Kantaten. Composed by Johann Sebastian Bach. Arranged by Hans Grischkat. 1x 10.001/21 flute 1, 1x 10.001/22 flute 2, 1x 10.001/23 flute 3, 1x 10.001/24 oboe 1, 1x 10.001/25 oboe 2, 1x 10.001/26 English horn, 1x 10.001/31 trumpet 1, 1x 10.001/32 trumpet 2, 1x 10.001/33 trumpet 3, 1x 10.001/34 trombone 1, 1x 10.001/35 trombone 2. Harmony parts. Sacred vocal music, Cantatas, Oratorios. Set of Orchestra Parts. BWV. 92 pages. Duration 90 minutes. Carus Verlag #CV 10.001/09. Published by Carus Verlag (CA.1000109).

ISBN 9790007015626. Language: German.

Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and parts available separately - see item CA.1000100.