SKU: HL.49005319
ISBN 9790001057295. UPC: 073999804775. 9.0x12.0x0.105 inches.
Hermann Schroeder (1904-1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. In the five-movement chorale partita, the more than 1,000 years old Mixolydian Whitsun Sequence of Hrabanus Maurus (9th century) is used in an imaginative and formally varied way: as a virtuoso toccata, in the second movement 'ostinato' as a strict trio setting over a seven-bar ostinato in the pedal, as a capriciously playful 'bicinium', and as a meditative, harmonically appealing 'arioso'. The fifth movement (fantasia ricercare) displays brilliant full-handed chords and virtuoso passages as well as a fugato in the middle section. A rewarding concert piece for Whitsun, with an excellent possibility of virtuoso interpretation and colourful registration.
SKU: HL.14041581
8.5x11.75x0.053 inches.
For Organ. Published 2005. Commissioned by George Chittenden. First performance: George Chittenden, St Patrick's Cathedral, Dublin, 6th August 2005. Score. For Organ.Published 2005.Commissioned by George Chittenden.First performance: George Chittenden, St Patrick's Cathedral, Dublin, 6th August 2005.Score.
SKU: PE.EP73145
ISBN 9790577014982. 303 x 232mm inches. English.
The Orgelbüchlein Project is a collective composition project aiming to complete Bach's unfinished manuscript known as 'Orgelbüchlein'. In the 'Little Organ Book', Bach laid out a complete hymnal of short organ chorale preludes, 164 in all, but only completed 46 of them. Why the remaining 118 were left as blank pages, with only a title at the head, remains a mystery, but they inspried organists William Whitehead to found the Orgelbüchlein Project, in which contemporary composers are invited to contribute a piece to completing the collection.The resulting collection, to be published in six volumes, represents a cross-section of the most interesting composers at work today across Europe.More information about the project is available at www.orgelbuechlein.comList of Composers
SKU: GH.CG-3362
Baserad pa melodin till Sv.Ps. 212 (1937 ars Psalmbok) av Johann Cruger.
SKU: CA.9235400
ISBN 9790007127718.
SKU: HL.49045437
ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.
On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
SKU: OU.9780193532410
ISBN 9780193532410. 12 x 9 inches.
James Whitbourn's Apollo tells the story of the first manned flight to the Moon (the year before the first lunar landing). A wealth of imaginative textures depicts such dramatic events as countdown, ignition, and the first sight of earthrise, leading to a fantasia on an ancient Greek melody, and a final triumphant Paean.
SKU: HL.48184599
UPC: 888680907464. 9.0x12.0x0.216 inches.
Part of the Organ collection by J. S. Bach, this 7th Volume The Little Organ Book - Forty-five Organ Chorals is an edition of the Orgelbuchlein, composed from 1708 to 1717. First published in 1940, this volume is translated in English and French and features the annotation of Marcel Dupre, a French organist, to help the performer get the most of this sheet music. These Forty-five Organ Chorals were all written with a religious theme (Advent, Nativity, New Year?s day, Purification of the Virgin, Passion, Good Friday, Passion, Easter, Whitsuntide). This volume can be used by intermediate players and above..
SKU: CF.SGB502
ISBN 9780825856907. UPC: 798408056902. 9 X 12 inches.
A noted church workshop and conference leader, Whitworth has published numerous keyboard collections for the church musician. Thine Is The Glory, one of Whitworth's most useful books, is back in print by popular demand. The updated folio brings the church organist 12 classic hymn settings that are appropriate for the various seasons in the church calendar. The book includes: Thine Is the Glory, We Would See Jesus, What Wondrous Love Is This?, Once in Royal David's City, I Heard the Voice of Jesus Say, O Love That Wilt Not Let Me Go, 'Tis So Sweet to Trust in Jesus, Come, Thou Almighty King, My Shepherd Will Supply My Need, Break Thou the Bread of Life, Come, Thou Fount of Every Blessing, and Abide With Me.
SKU: MN.10-999
UPC: 688670109997.
Fantasy on How Great Our Joy received its premiere at the London Winter Festival of Sound 2022 in London, England at the Croydon SDA Church by composer and organist, Professor Janise White. This organ work represents an exhilarating work of joy and adoration to our Saviour, Lord and King. As a clarion call for Christmas, soft flutes carry the melody over a dreamy pentatonic configuration with a drone in the pedals. Staccato trumpets exhibit the joy chordal motif, repeating and swelling to a joyous cadenza on the pedals in toccata style. This jubilant moment continues to intensify as syncopated harmonies join the final verse in elongation on 32' pedals to its majestic close.
SKU: CA.1810000
ISBN 9790007100322.
SKU: CA.1805220
ISBN 9790007100223.
Score available separately - see item CA.1805200.
SKU: CA.2906900
ISBN 9790007203276. Language: all languages.
Movements: I. Phantasie, II. Fuge.
SKU: CA.9245300
ISBN 9790007118235.
SKU: CA.1804500
ISBN 9790007032012. Language: all languages.
SKU: CA.9242900
ISBN 9790007117085.
SKU: CA.9242100
ISBN 9790007119966. Language: all languages.
SKU: CA.1805800
ISBN 9790007100254. Language: all languages.
SKU: ST.EC65
ISBN 9780852499719.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
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