SKU: LO.30-3699L
UPC: 000308153569.
Instrumental Ensemble Score and Parts for 10/5308L AA majestic setting of the classic hymn tune LAUDA ANIMA, this anthem is ideal for special, festive occasions but suitable for any Sunday. The optional instrumental ensemble of brass, handbells, and timpani adds extra power, and the congregation can join in on the final stanza for an all-church worship experience.
SKU: LO.30-3783L
UPC: 000308156096.
Instrumental Ensemble Score and Parts for 10/5445L This exclamatory anthem is a joyous proclamation of Christ's Resurrection. The regal opening features bold choral divisi before settling into a unison statement of a melody expertly composed by Lloyd Larson. The final section ultimately builds up to a restatement of the opening and ends with a big finish. Incorporate brass, handbells, percussion, and organ for a spectacular Easter morning!
SKU: CA.5006205
ISBN 9790007079307. Key: F minor. Language: Latin.
Of Josef Rheinberger's eighteen masses, five are for unaccompanied voices, four with accompaniment by a small instrumental ensemble and nine with organ. Among the last group the leicht ausfuhrbare (easy to perform) works take a special place: Considered by their composer as purely utility music, they achieved great popularity during his lifetime and soon became part of the standard repertory of small church choirs. Score available separately - see item CA.5006200.
SKU: HL.49044347
ISBN 9790001199407. 9.0x12.0x0.2 inches. German.
SKU: FZ.50529
12.5 x 14 cm inches.
Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard. Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult. Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise. Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'. This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.
SKU: BR.EB-6401
ISBN 9790004166765. 12 x 9 inches.
CD: Vokalensemble per sonare, Ltg. Elisabeth Zottele.
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