SKU: SU.80101422
Suite circulaire (2018) for organ is dedicated to Elisa Williams Bickers. The music takes a free, contemporary approach to the historical genre of circulating (or modulating) compositions, where the basic material moves through a variety of keys before returning home again. The goal is not simply to play a modulation game, but rather to construct a true musical discourse where the varied keys are an essential part of the concept. The first movement, Praeludium, is bright in character. Besides moving through varied keys, the movement is also animated with various looping patterns that provide another link to the circulating concept. The second movement, Ricercare, takes its content very literally from the title, which means to search out. Instead of being a proto-fugue, like many ricercares from the late Renaissance or early Baroque, the music searches through the keys by means of a wandering melody and a modulating accompaniment. The third movement, Toccata, is slightly manic in character. The syncopated theme heard at the start animates the movement as it moves through both tonal, modal, and bitonal/modal harmonies before reaching an excited conclusion. (When the suite is performed on an organ tuned in an unequal, circulating temperament, there is an additional circular effect provided by the quite varied key colors that are heard as the material moves through them.)Organ Duration: 14’ Composed: 2018 Published by: Zimbel Press.
SKU: HL.14013399
8.25x11.75x0.065 inches.
Four Voluntaries For Organ by Robert Groves.
Following the practice adopted in several of Groves' books of Hymn Tune Preludes, each of these pieces has been designed so that it can be played on a small two-manual Organ with pedals, or quite easily on a manual only, with or without pedals. Registration of a simple nature has been given, and this may, of course, be varied at the player's wish.
SKU: HL.14008939
ISBN 9780853609551. 8.25x11.75x0.178 inches.
The Blue Rose Variations is one of several works in which the composer has drawn on ragtime and blues. The organ work is based on two transformations of the popular piano piece To A Wild Rose (Woodland Sketches, Op.51 No.1) by the American composer, Edward MacDowell (1860-1908). During the course of the Variations, To A Wild Rose appears as a blues and also as a classical rag, often as both together. The sections are Theme: a quiet blues; Variation I: a pedal solo in varied metres based on the blues in fast tempo; Variation II: the first appearance of the rag as a background to the blues as a 2' pedal solo; Variation III: a version of Variation I now involving manuals too; Variation IV: another blues solo against the rag; Variation V: another version of Variation I with the pedal solo almost entirely transferred to the manuals; Variation VI: a final confrontation between the blues and the rag, now much decorated. First performed in New York in April 1986. Duration c.15 mins.
SKU: HL.48182025
UPC: 888680847029. 8.0x11.5x0.232 inches.
French organist and composer, Marcel Dupre (1886-1971) is also remembered as a significant pedagogue. His Complete Course in Organ Improvisation is for beginners of Organ improvisation, who have previously acquired some Organ technique. The first volume gives focus to harmonisation of scales and chorales, phrases, cadences, modulation, and form and structure, among other musical aspects. Dupre studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for Piano, Organ and fugue, as well as the Grand Prix de Rome. He was a famous Organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupre's compositions and didactic works remain important to organists today and his Complete Course in Organ Improvisation is no exception. .
SKU: HL.49044198
ISBN 9790001192897. 9.0x11.75x0.07 inches. German.
The fact that Hermann Schroeder ranks among the most important composers of Catholic church music in the 20th century shows especially in the simple church music form of the choral setting, e. g. in his setting of the sacred song Unuberwindlich starker Held, Sankt Michael. With his own typical archaic tonal language, Schroeder creates an a cappella choral setting (SATB) in which the dignity and the admiration of the heroic deeds of the Archangel Michael find their musical expression in a very compact form. The underlying melody (GL 924) dates from 1623. The author of the text of the Song of Michael is the German hymn writer Friedrich Spee. A very charming choral setting that can be easily mastered by any church choir; its five verses have to be sung alternately by the choir and the congregation. Apart from the a cappella choral setting, the practical congregational edition also contains a chorale prelude and the organ chorale which can, of course, be used as accompaniment for the congregation, but also for the choral setting.
SKU: CA.1808700
ISBN 9790007171360. Language: all languages.
Song of Hope, composed by Kay Johannsen the Kantor of the Stiftskirche in Stuttgart in 2016, is a Fantasia in G minor based on a six-measure melody. It is improvisatory in style and has a melancholy basic character. Over the course of the work, the melodic idea is varied rhythmically several times, and is heard in the treble, tenor and bass registers. Against a quiet basic pulse, the accompanying harmonies appear in the manuals and pedals mostly in subtly matching rhythms, reminiscent of a saxophone soloist with a discreet supporting jazz band. The dynamic of the piece grows from piano to a fundamental forte, and for the conclusion a fine pianissimo is required. Song of Hope is composed for two-manual organ, with a duration of four-and-a-half minutes. The expressive harmonies and the hidden swing of the music communicate directly with audiences, including those with less musical experience.
SKU: HL.49018082
ISBN 9790001168809. UPC: 884088535094. 9.0x12.0x0.2 inches.
Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in ancient beginnings ('In principio' - 1st movement) and periodic to the intellectually incomprehensible revolving ('Zeit der Sterne' - 2nd movement). After the third movement ('Zeit des Menschen'), a valse triste, infused by an almost humorous hectic atmosphere, the symphony ends with a kind of 'Amen!' in the fourth movement. Schneider sums it up: 'It is good as it is, we do not understand the course of time anyway.' With regard to style, his composition is based on elements of minimal music which he combines with the tradition of the European organ composition; it is at the same time a testimony to the composer's flexibility and versatility.
SKU: HL.280395
Hymn preludes and choral arrangements by Bendt Fabricus (2018). Foreword: This small collection of preludes and choral arrangements is a selection of movements, created through more than 30 years of work as an organist in the Danish National Church. The collectionis first and foremost intended as a useful work tool for all my colleagues around the Danish organ benches. There are movements thatare suitable for the small one-manual organ in the village church and others that are intended for the concert organ in the large city church. Some movements are easy to follow, even with a simple and traditionally constructed structure, while others, both harmonious and rhythmic, offer greater complexity and degree of difficulty. Virtually all the kits composed for two manuals and pedal can also be realized on organs that have only one manual and pedal. As far as registration instructions are concerned, my statements are only intended as a guide to the sonorous expression in a given movement, as of course everyone is free to find exactly the registration that is deemed appropriate on the instrument in question. It is my wish that all organists can benefit fromthe collection and that it will prove to be a useful and beneficial supplement in the daily work. Bendt Fabricius.
SKU: HL.49019668
ISBN 9790001189873. Latin.
The movements of 'Missa di Sant' Anna' were composed over the course of several years, each one for the 'Madchenchor am Essener Dom' (girls' choir of the Cathedral of Essen). The title of the Mass is related to the dedication of the 'Agnus Dei', commemorating the innocent victims of the massacre in the Tuscany village of S. Anna di Stazzema in the year of war 1944 and appreciating the idea and spirit of the peace centre there.'Kyrie' and 'Agnus Dei' are sung solely by the choir a cappella, whereas 'Gloria' and 'Sanctus' are jointly sung by choir and congregation. This exciting piece of music can be performed either with organ accompaniment or with additional brass instruments.
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