SKU: HL.14005630
8.25x11.75x0.06 inches.
The Prelude and Fugue In G Minor (Op. 84) was first published in 1960. It is scored for solo Organ.
Craig Seller Lang (1891-1971) was a British composer, organist and musical pedagogue, who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ's Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books, but he also created prolific volumes of material in both sacred and secular choral genres.
SKU: HL.14005631
8.25x11.75x0.063 inches.
Prelude, Pastorale and Fugue is scored for solo Organ.
SKU: HL.14005623
8.25x11.75x0.082 inches.
Introduction and Passacaglia In A Minor is written for solo Organ. It is dedicated to David Willcocks, who at the time of composition was organist at Worcester Cathedral.
SKU: HL.14005599
9.0x12.0x0.061 inches.
Work for Organ.
SKU: GI.G-RB521
English.
SKU: AP.6-296962
ISBN 9780486296968. UPC: 9780486296968. 9x12 inches. English.
These 40 beautiful French pieces by Daquin, Dandrieu and Balbastre are sure to charm organ-loving audiences everywhere.
SKU: FZ.5010
ISBN 9790230650106. 23.50 x 31.50 cm inches.
This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, P. Baillon, c. 1678. The copy reproduced here was used in the organ loft of Troyes cathedral. It may have belonged to the Siret family. We have added the Troyes fauxbourdons for the Magnificat. Preface by: Jean Saint-Arroman: the copy from the Biblioheque Municipale de Troyes. Philippe Lescat: the organs of Lebegue. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: JK.01980
UPC: 093285019805.
From the highly-acclaimed Postludes collection, we bring you Christmas Postludes Volume Two. This book brings with it the familiar beauty and playability of the other Postludes volumes and adds more favorite Christmas songs with some wonderful surprises. Use these intermediate arrangements in church for prelude, postlude, or special musical numbers. Click here to view the entire Postludes collection. Pieces included in this volume: Away in a Manger Far, Far Away on Judea's Plains O Little Town of Bethlehem Of the Father's Love Begotten Oh, Come, All Ye Faithful Once in Royal David's City The First Noel Composers: Various Arranger: James C. Kasen Difficulty: Intermediate - Late Intermediate.
SKU: BR.EB-8041
World premiere: Dusseldorf, May 20, 1978
ISBN 9790004174401. 9 x 12 inches.
During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.World premiere: Dusseldorf, May 20, 1978.
SKU: CF.CAS160F
ISBN 9781491165454. UPC: 680160924363. Key: C major.
The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World†Symphony.
SKU: HH.HH241-SOL
ISBN 9790708059837.
The second instalment of the three volume collection of Zinck’s complete keyboard music contains the printed sonatas which followed his enormously successful 1783 set together with the first appearance in print of two sonatas from a manuscript source in the Royal Library, Copenhagen. The published sonatas show Zinck’s mastery of the styles of both C.P.E. Bach (his teacher) and Haydn, while the manuscript works are simpler in their technical demands, but include original fingering from the composer. All the sonatas in this volume would be effective on either clavichord or fortepiano.
SKU: HH.HH300-SOL
ISBN 9790708092490.
Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.
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