SKU: HL.49045022
ISBN 9790001154277. UPC: 841886027794.
The formal structure of this organ chorale with solo clarinet follows a Jewish death prayer. The solo clarinet represents the chant of the traditional prayer leader while the organ plays the response of the congregation of the synagogue. The piece ends with a cadenza of the solo clarinet to which an optional organ improvisation can be added.Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality.
SKU: HL.49044058
ISBN 9790001197854.
Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality. The registration for this edition was devised in the Church of the Resurrection in Furth. It is a model that may be adapted freely for other organs, perhaps substituting new and different sound features.Also available for clarinet and organ (KLB 99).
SKU: SU.80101422
Suite circulaire (2018) for organ is dedicated to Elisa Williams Bickers. The music takes a free, contemporary approach to the historical genre of circulating (or modulating) compositions, where the basic material moves through a variety of keys before returning home again. The goal is not simply to play a modulation game, but rather to construct a true musical discourse where the varied keys are an essential part of the concept. The first movement, Praeludium, is bright in character. Besides moving through varied keys, the movement is also animated with various looping patterns that provide another link to the circulating concept. The second movement, Ricercare, takes its content very literally from the title, which means to search out. Instead of being a proto-fugue, like many ricercares from the late Renaissance or early Baroque, the music searches through the keys by means of a wandering melody and a modulating accompaniment. The third movement, Toccata, is slightly manic in character. The syncopated theme heard at the start animates the movement as it moves through both tonal, modal, and bitonal/modal harmonies before reaching an excited conclusion. (When the suite is performed on an organ tuned in an unequal, circulating temperament, there is an additional circular effect provided by the quite varied key colors that are heard as the material moves through them.)Organ Duration: 14’ Composed: 2018 Published by: Zimbel Press.
SKU: FZ.2662
ISBN 9790230626620. 24.00 x 33.00 cm inches.
This facsimile of an original by Nicolas Clerambault is part of our French classical music collection. Clerambault - First organ book - Organ. Edition : Paris, l'Auteur, Foucault, c. 1714. Extremely elegant and legible engraving, allowing the music to be easily read. Preface by: Philippe Lescat: Clerambault's organs,Jean Saint-Arroman: use of the organ pieces - notation - terminology - ornamentation - registrations. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France).
SKU: SU.80101321
Organ Duration: 28 ' Composed: 2012 Published by: Zimbel Press This work features seven meditations on the Seven Last Words of Jesus Christ from the cross. Each part of the composition is musically and spiritually connected with one of the words. The music attempts to portray the meaning of the words, and to heighten how they sound. Often the left hand of the organ represents Christ’s body, the right hand represents his soul, and the pedals represent his breath. In many passages, the listener can observe the instrument in its search for forgiveness, hope, and light..
SKU: FZ.2632
ISBN 9790230626323. 24.50 x 33.50 cm inches.
This manuscript is in facsimile on French classical music collection. Anonyme - Limoges organ book - Organ. Edition: Unpublished manuscript. It contains several pieces by A. Raison, G. Julien and G. Corrette. Most of the pieces are new and of very fine quality. Preface by Guy Marissal. Time signatures, notation, tonalities, terminology, registrations, tempi, fingerings, attributions [1er ton : concerns the first pieces, the other tons are not indicated]. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Limoges (France).
SKU: CA.1808200
ISBN 9790007164003.
This volume presents 64 Pastorale compositions for organ (harpsichord/pianoforte) of the 18th century from Germany, Bohemia, Austria and South Tyrol. Charming melodies shaped by natural notes, bordoun basses, a lyrical-cheerful or sensitive tone - these are some of the common characteristics of the works in this collection. Several of them are connected to the custom of the Kindlwiegen or cradle song. Those in search of new discoveries will also find a number of first editions here. Almost all of the pieces can be played manualiter and range from easy to moderate level of difficulty. Together, both Pastorale volumes display an impressive kaleidoscope of the different national characteristics of the pastorale and offer a rich repertoire for organists, not only at Christmas time.
SKU: FZ.50510
ISBN 9790049505109. 24.00 x 33.00 cm inches.
This facsimile of an original by Michel Corrette is part of our French classical music collection. Pieces pour l'orgue dans un genre nouveau, a l'usage des Dames Religieuses et a ceux qui touchent l'orgue. Avec le melange des jeux et la maniere d'imiter le tonnerre. Edition : Paris, (s. d. = 1787). Presentation: Edition - Terminology - Registrations - Ornamentation. These organ pieces, largley written in late eighteenth century style, are technically quite easy. They are therefore ideal for young musicians studying the organ. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BR.BV-371
ISBN 9783765103711. 8.5 x 11.5 inches.
Search (= ricercare) successfully for chorale settings and find them!After eight years on the beat, it was finally time for Ricercare, the Sherlock Holmes of the Organ, to get a badly needed makeover, i.e. to be supplied with new information and technical updates. The makeover did a world of good to the CD-ROM. Loaded with new info, Ricercare now zips along prestissimo through the vast data world of more than 20,000 cantus-firmus-related organ works and provides comprehensive information on melodies, composers, editions, arrangements, publishers and much more.Note:The CD-ROM is only executable under 32-bit systems. An update that allows the content to be used on 64-bit systems is currently not available.
SKU: FZ.1278
ISBN 9790230612784. 24.00 x 33.00 cm inches.
This facsimile of an original by Girolamo Frescobaldi is part of our Dominantes collection. Editions : Venetia, Vicenti, 1635Presentation by Philippe Lescat : the liturgical role of the organ in seventheenth century Italy the organ of Frescobaldi - Frescobaldi's preface (Al lettore). Annexes: translation of Frescobaldi's preface - note figures used in the Fiori Musicali - interpretation of the score - restoration of the score. The preface gives the liturgical context and the alternation of organ pieces and plainchant. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Civico Museo Bibliografico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5930
ISBN 9790230659307. 23.50 x 31.50 cm inches.
This facsimile of an original by Lambert Chaumont is part of our French classical music collection. Edition : Liege, 1695. Preface by Jean Saint-Arroman: notation - table of ornaments - ornamentation Du melange des jeux et du mouvement propre a chaque espece de verset - Explication des marques qui servent aux agrements (table). This organ book contains pieces close to the style of Nivers, a text about mixing genres, a treatise on accompaniment, and a method for tuning the harpsichord. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Conservatory Library of Liege (Belgium). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.50139
ISBN 9790049501392. 21.00 x 29.70 cm inches.
This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Facsimusic collection. Berlin, Amsterdam, J. J. Hummel, s. d. = c. 1789. Versuch in figurierten Choralen sowohl fur die Orgel, als fur das Clavichord. 21 chorals varies for organ or clavichord, followed by an afterword. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.3288
ISBN 9790230632881. 22.00 x 31.00 cm inches.
This facsimile of an original by Gaspard Corrette is part of our French classical music collection. Edition : Paris, Rouen, Foucault, l'Auteur, 1703. In his preface, Gaspard Corrette gives valuable indications about his registrations, the touch and character of the pieces, and their ornamentation. The engraving is very fine. Preface by: Philippe Lescat: the life and works of Gaspard Corrette. Marcel Degrutere: Gaspard Corrette's organ. Jean Saint-Arroman: on the interpretation of the score and the preface. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5010
ISBN 9790230650106. 23.50 x 31.50 cm inches.
This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, P. Baillon, c. 1678. The copy reproduced here was used in the organ loft of Troyes cathedral. It may have belonged to the Siret family. We have added the Troyes fauxbourdons for the Magnificat. Preface by: Jean Saint-Arroman: the copy from the Biblioheque Municipale de Troyes. Philippe Lescat: the organs of Lebegue. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.700
ISBN 9790230607001. 24.00 x 33.00 cm inches.
This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Dominantes collection. Classical music scores - Sheet music - Marpurg - Fughe e capricci pel' clavicembalo o per l'organo Opera primera - Harpsichord organ. Edition : Berlin, (undated = 1777). These fugues and caprices are designed for the keyboard: organ, harpsichord, clavichord. Introduction by Philippe Lescat: I. Edition - II. Hints for performance. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France(Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Central Library of Zurich (Suisse). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5881
ISBN 9790230658812. 23.50 x 31.50 cm inches.
This facsimile of an original by Jacques Boyvin is part of our French classical music collection. Edition : Paris, Baussend, Le Maire, Rouen, l'Auteur, 1690. These two books figure among the finest classical organ works, combining a beautiful, and sometimes bold, harmony, elegance and high melodic expressiveness. The accompanying Boyvin treatise comes with his second book. Preface by Marcel Degrutere: the life and works of Boyvin. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Bordeaux (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5882
ISBN 9790230658829. 23.50 x 31.50 cm inches.
This facsimile of an original by Jacques Boyvin is part of our French classical music collection. Edition : Paris, C. Ballard, 1700. Preface by Jean Saint-Arroman: notation - ornament table - ornamentation. These two books figure among the finest classical organ works, combining a beautiful, and sometimes bold, harmony, elegance and high melodic expressiveness. The accompanying Boyvin treatise comes with his second book. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Bordeaux (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.50140
ISBN 9790049501408. 21.00 x 29.70 cm inches.
This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Facsimusic collection. Berlin, Amsterdam, J. J. Hummel, s. d. = 1793. Zweyter Versuch in figurirten Choralen und Fugen sowohl fur die Orgel, als fur das Clavicord. 15 chorals varies et fugues for organ or clavichord. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5690
ISBN 9790230656900. 12.50 x 17.50 cm inches.
This Pierre Attaignant's original publication is in facsimile on Dominantes collection. Tablature pour le jeu dorgues spinet and manicordion sur le plain-chant de Cunctipotens et Kyrie fonsEdition : Paris, 1531. Presentation of Marcel Degrutere : Principles of notation remarks on the notation summary utilisation documents annexed: plain chant. The earliest surviving organ mass with plain chant alternation published in France. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Bayerische Staatsbibliothek of Munich (Germany).
SKU: FZ.5393
ISBN 9790540053932. 23.50 x 32.50 cm inches.
This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, (s. d. = 1685). Facsimile of a copy in the Troyes city library which, like the second book, probably belonged tothe Siret family. Preface by: Jean Saint-Arroman: the Troyes copy. Philippe Lescat: Nicolas Lebegue's obligations. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.6069
ISBN 9790230660693. 23.50 x 31.50 cm inches.
This facsimile of the manuscript by Guillaume Lasceux is part of our Dominantes collection. Presentation by Jean Saint-Arroman: Registrations for the Annuaire de l'organiste. Index. In a different style, this work is nevertheless in the tradition of the liturgical organist of the XVIIIth century. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
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