| Thine Is The Glory Organ Carl Fischer
Chamber Music Solo Organ SKU: CF.SGB502 Composed by Albert Peace, Anonymo...(+)
Chamber Music Solo Organ SKU: CF.SGB502 Composed by Albert Peace, Anonymous, Felice Giardini, Felix Bartholdy Mendelssohn, George Frideric Handel, Henry Gauntlett, John Bacchus Dykes, John Wyeth, William Kirkpatrick, William Monk, William Sherwin, and William Walker. Arranged by A. Whitworth. SWS. Performance Score. With Standard notation. 40 pages. Carl Fischer Music #SGB502. Published by Carl Fischer Music (CF.SGB502). ISBN 9780825856907. UPC: 798408056902. 9 X 12 inches. A noted church workshop and conference leader, Whitworth has published numerous keyboard collections for the church musician. Thine Is The Glory, one of Whitworth's most useful books, is back in print by popular demand. The updated folio brings the church organist 12 classic hymn settings that are appropriate for the various seasons in the church calendar. The book includes: Thine Is the Glory, We Would See Jesus, What Wondrous Love Is This?, Once in Royal David's City, I Heard the Voice of Jesus Say, O Love That Wilt Not Let Me Go, 'Tis So Sweet to Trust in Jesus, Come, Thou Almighty King, My Shepherd Will Supply My Need, Break Thou the Bread of Life, Come, Thou Fount of Every Blessing, and Abide With Me. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christ Is the Life Organ [Score] Augsburg Fortress
Organ - Medium Advanced SKU: AU.9781506487328 Organ Settings for the C...(+)
Organ - Medium Advanced SKU: AU.9781506487328 Organ Settings for the Church Year. Composed by Brenda Portman. Christian. Score. Augsburg Fortress #9781506487328. Published by Augsburg Fortress (AU.9781506487328). ISBN 9781506487328. 9x12 inches. Brenda Portman's understanding of the organ comes to life in her collection of ten arrangements of hymns found in the worship supplement All Creation Sings, with writing that makes use of styles and techniques characteristic of the organ. Included is a festival fanfare on Day of Delight and Beauty Unbounded (IN DIR IST FREUDE), a trio on Down Galilee's Slow Roadways (Merle's Tune), a toccata on God's Work Our Hands (Earth and All Stars), and a gospel setting of Sometimes Our Only Song Is Weeping (Wayfaring Stranger). $21.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jumbo Songbook Organ Hal Leonard
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In the Very Midst of Life Organ - Intermediate Schott
Organ - intermediate SKU: HL.49045554 For Organ. Composed by Enjot...(+)
Organ - intermediate SKU: HL.49045554 For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 12 pages. Duration 5'. Schott Music #ED22806. Published by Schott Music (HL.49045554). ISBN 9790001165884. UPC: 841886032262. 9.0x12.0x0.069 inches. An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the 'dance of death' was a popular motif in those years. Luther's chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form. $11.99 - See more - Buy online | | |
| Trinity Fugues Organ CanticaNOVA Publications
Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb...(+)
Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Works by Uuno Klami arranged for organ Organ [Score] Fennica Gehrman
Organ SKU: FG.55011-448-7 Uuno Klamin savellyksia urkusovituksina....(+)
Organ SKU: FG.55011-448-7 Uuno Klamin savellyksia urkusovituksina. Composed by Uuno Klami. Edited by Esa Ylonen. Score. Fennica Gehrman #55011-448-7. Published by Fennica Gehrman (FG.55011-448-7). ISBN 9790550114487. Uuno Klami (1900-1961) was born in Virolahti and studied in Helsinki, Paris and Vienna. While living in the capital city Helsinki, he always spent his summers in the original homestead in Virolahti. Klami is most known for his colourful orchestral works, but works for piano frame the different times of the composer's life nicely. The piano works are so joyous that transcribing from for organ is firmly based. Surumarssi (Trauermarsch) Op. 8 was composed when Klami was 16 years old, most likely in memory of his late mother. Pastoral A-flat major was composed in December 1919; I find it contains the feeling of Christmas. Barcarole Op. 5 is a French-influenced work. I often find myself thinking of a boat bobbing on waves, while I play this work. I believe these organ transcriptions bring many joyful moments in concerts as well as in other congregational use. And not only that: they can be used as pedagogic material as well. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gloria - Full Score Organ [Score] Choristers Guild
By Antonio Vivaldi (1678-1741). Arranged by Gary Jungkeit. For organ. Christmas,...(+)
By Antonio Vivaldi (1678-1741). Arranged by Gary Jungkeit. For organ. Christmas, General, Sacred. Level 3. Full score. Published by Chorister's Guild . full score. Christmas, General, Sacred.
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Organist's Library, Vol. 43 Organ [Sheet music] Lorenz Publishing Company
For organ. Sacred. Level: 3-staff. Sacred organ. Published by Lorenz Publishing ...(+)
For organ. Sacred. Level: 3-staff. Sacred organ. Published by Lorenz Publishing Company. (70/1644L)
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jesus, Bread of Life, I Pray Thee Organ - Intermediate MorningStar Music Publishers
Organ - Intermediate SKU: MN.10-827 Composed by Richard Wegner. Preludes....(+)
Organ - Intermediate SKU: MN.10-827 Composed by Richard Wegner. Preludes. Catholic Year A Solemnity of the Most Holy Trinity. Feast of Corpus Christi, Reformation. MorningStar Music Publishers #10-827. Published by MorningStar Music Publishers (MN.10-827). UPC: 688670108273. Lovely juxtaposition of J.S. Bach's harmonization of SCHMUCKE DICHSoul, Adorn Yourself with Gladness and W.A. Mozart's AVE VERUMJesu, Word Incarnate that clarifies the close kinship of text, spirit, and feeling of these two works. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| St. John's Suite Organ Shawnee Press
(four chorale preludes for organ). By Dan Locklair (1949-). For organ solo. Comp...(+)
(four chorale preludes for organ). By Dan Locklair (1949-). For organ solo. Composed 2007. Duration 12'
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Laudate, Volume 5 Organ Concordia Publishing House
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. ...(+)
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. Level: Moderately Easy.
$24.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orgelsinfonie No. 16 'Martin Luther' Organ - Advanced Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437). ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'. $28.99 - See more - Buy online | | |
| Passacaglia on the Name John McCabe Organ University Of York Music Press
Organ SKU: HL.14047929 For Organ. Composed by Robert Saxton. Music...(+)
Organ SKU: HL.14047929 For Organ. Composed by Robert Saxton. Music Sales America. Classical. Softcover. 10 pages. University of York Music Press #M570366422. Published by University of York Music Press (HL.14047929). 12.0x8.25 inches. Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church, Kent, on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca. A review in the June 2016 edition of Organist's Review calls this piece a beautifully produced work that features the pleasing disorientation of false relations and is as inventive as it is impressive. A similarly glowing review in the August-October edtion of The Organ magazine calls this piece a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge thismusic on all recital organists - it is a splendid piece, and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita , especially. Robert Saxton's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church, Kent, on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca.
A review in the June 2016 edition of Organist's Review calls this piece a 'beautifully produced work' that features 'the pleasing disorientation of false relations' and is 'as inventive as it is impressive.' A similarly glowing review in the August-October edtion of The Organ magazine calls thispiece 'a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge this music on all recital organists - it is a splendid piece, and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita, especially.' $11.99 - See more - Buy online | | |
| Organ Chains for Funerals Organ Jackman Music Corporation
Organ - Medium SKU: JK.01885 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium SKU: JK.01885 Composed by Various. Arranged by Brent Jorgensen. Organ Chains, Organ Postludes, Organ Preludes, Organ Solos, Special Events Funeral and Memorial, Comfort, Eternal Life, Funeral, Plan of Salvation, Resurrection. Christian, Inspirational. Jackman Music Corporation #01885. Published by Jackman Music Corporation (JK.01885). UPC: 093285018853. Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7. Thirty-one favorite funeral hymns arranged in a continuous medley for organ prelude/postlude. You can start anywhere in the book and end anywhere! Pedals are included within the staff. Songs included in this book: Comfort and Hope Be Still, My Soul The Lord is My Shepherd Nearer, My God, To Thee Where Can I Turn For Peace? Come unto Jesus Lead, Kindly Light Jesus Christ I Know That My Redeemer Lives Beautiful Savior I Believe in Christ I Stand All Amazed He Sent His Son How Great Thou Art The Love of God Our Savior's Love Love One Another My Heavenly Father Loves Me I Feel My Savior's Love Where Love Is Faith and Devotion Come, Follow Me I Need Thee Every Hour Because I Have Been Given Much Amazing Grace In the Garden Softly and Tenderly Come, Thou Fount of Every Blessing Each Life That Touches Ours For Good Eternal Families Families Can Be Together Forever Love at Home Oh, What Songs of the Heart I Am a Child of God O My Father Closing God Be With You Till We Meet Again Abide with Me! Abide with Me, 'Tis Eventide Anthems Goin' home Consider the Lilies Holy Art Thou Jesu, Joy of Man's Desiring Composer: Various Arranger: Brent Jorgensen Difficulty: Medium Reference: Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7. $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orgelsinfonie No. 9 (organ Symphony) Organ Solo Organ - Advanced Schott
Organ - advanced SKU: HL.49018084 Pathetique. Composed by Enjott S...(+)
Organ - advanced SKU: HL.49018084 Pathetique. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Naturlich denkt man beim Titel Orgelsinfonie Nr. 9 Pathetique von Enjott Schneider an ein anderes Werk mit diesem Beinamen: an Tschaikowskys Sinfonie Nr. 6. Und das ist kein Zufall: Der Komponist sieht sein Orgelwerk als Hommage an diese grosse Schwester. Composed 2009. 52 pages. Schott Music #ED20670. Published by Schott Music (HL.49018084). ISBN 9790001168687. UPC: 884088531089. 9.0x12.0x0.218 inches. One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathetique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And that is no coincidence: The composer regards his organ work as an homage to this 'elder sister'. While Tchaikovsky, in a secret programme, made out his own life to be a struggle and long ordeal to the point of his suspected suicide, Enjott Schneider presents those hours as the ultimate tale of woe in which Jesus had well and truly become human, fatefully bearing the pain and misery of all people. 'Gethsemane', 'Geiselung: Ecce homo', 'Golgatha' and 'Grablegung': Maria Magdalena' are the names of the stages and movements. The Greek word 'pathos' means 'strong emotion, feeling, passion or suffering' - in Schneider's Organ Symphony No. 9, this comes true, musically, in his inner conflict, struggle, wrestling with his fate, cruelty of the crucifixion and deathly silence. $28.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Edwin Lemare: Toccata Di Concerto For Organ Organ Music Sales
Organ SKU: HL.14009590 Composed by Edwin H. Lemare. Music Sales America. ...(+)
Organ SKU: HL.14009590 Composed by Edwin H. Lemare. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV950225. Published by Music Sales (HL.14009590). Lemare's compositions are uneven in quality, but the best are still active in the repertoire. The Toccata di Concerto is certainly full of fireworks and has the capacity to show the abilities of a great Organ. The upper parts have plenty of French toccata style, but the theme in the pedals gives the piece substance, as does the romantic, chromatic interlude in the middle of the work.Organ virtuoso and composer Edwin Lemare was the world's highest-paid Organist at the height of his career in the early 1900's, drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. After having served as a church Organist for a relativelyshort period, he began the life of a travelling recitalist, beginning with a hundred-recital tour of the USA and Canada in 1900, a career that continued until the stock market crash of 1929. Lemare was also virtuosic in his ability to transcribe great Orchestral works for the Organ, allowing audiences in those less urban times to hear works played live that they might have heard no other way. $13.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto in E-Flat for Organ (Dumbarton Oaks) Organ Schott
Organ SKU: HL.49046414 Version for organ by Leif Thybo (1952) based on...(+)
Organ SKU: HL.49046414 Version for organ by Leif Thybo (1952) based on the original version for chamber orchestra. Composed by Igor Stravinsky. Organ Large Works. Classical. Softcover. 52 pages. Duration 900 seconds. Schott Music #ED23092. Published by Schott Music (HL.49046414). ISBN 9781540090522. UPC: 842819103974. The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the premiere of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home 'Dumbarton Oaks' in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinskys mostsuccessful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer's very public commitment to American cultural life helped pave the way for Stravinskys emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life. $34.00 - See more - Buy online | | |
| Orgelbuchlein Organ Concordia Publishing House
By Js Bach/Clark/Peterson. For organ. General, sacred. Published by Concordia Pu...(+)
By Js Bach/Clark/Peterson. For organ. General, sacred. Published by Concordia Publishing House. Level: Moderately Easy.
(2)$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Chains - Book 4 Organ [Sheet music] Jackman Music Corporation | | |
| Fantasie fur Orgel in e (Fantasy for Organ in E-minor) Organ [Score] Carus Verlag
By Robert Fuchs (1847-1927). For organ. This edition: paperbound. Works for Orga...(+)
By Robert Fuchs (1847-1927). For organ. This edition: paperbound. Works for Organ and Choir. Score. Language: all languages. Composed 1911. 91. 16 pages. Published by Carus Verlag
$8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Really Little Organ Book Organ Concordia Publishing House
By Mahnke. For organ. General. Level: Easy-Moderately Easy. Published by Concord...(+)
By Mahnke. For organ. General. Level: Easy-Moderately Easy. Published by Concordia Publishing House.
$38.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Percy E. Fletcher: Fountain Reverie For Organ Organ Music Sales
Organ SKU: HL.14024513 Composed by Percy E. Fletcher. Music Sales America...(+)
Organ SKU: HL.14024513 Composed by Percy E. Fletcher. Music Sales America. Post-1900. Book [Softcover]. 12 pages. Music Sales #NOV590043. Published by Music Sales (HL.14024513). UPC: 884088488635. 9.0x12.0x0.049 inches. The Fountain Reverie features soft, rippling arpeggios with a contrasting middle section. As with the Festival Toccata, published at the same time, the brilliance of Fountain Reverie disguises the fact that one does not need to be a virtuoso to play it well and effectively, and it plays well on many different Organs.Percy Fletcher was an English composer, conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres, including His Majesty's Theatre for the last seventeen years of his life. He was the Orchestrator and conductorfor the big budget spectacular theatre piece Chu Chin Chow which ran for five years, a record that remained unbroken for forty years. In addition to his myriad works of light music, Fletcher also wrote a serious church cantata, The Passion of Christ, as well as the delightful children's work, The Walrus and the Carpenter. $10.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For All the Saints (for Funerals) Organ [Sheet music] Hope Publishing Company
Arranged by Jack Schrader. For Organ. Funeral and Sacred. Print Music Collection...(+)
Arranged by Jack Schrader. For Organ. Funeral and Sacred. Print Music Collection (Piano Collection). Published by Hope Publishing Company.
$22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Trois Pieces pour Grande Orgue Organ Leduc, Alphonse
Organ SKU: HL.48180923 Composed by Jehan Alain. Leduc. Post-1900. Softcov...(+)
Organ SKU: HL.48180923 Composed by Jehan Alain. Leduc. Post-1900. Softcover. 16 pages. Alphonse Leduc #AL19744. Published by Alphonse Leduc (HL.48180923). UPC: 888680907976. 9.0x12.0x0.092 inches. Composed by Jehan Alain, Three Pieces is a set of upper intermediate / advanced works for organ, with pedal-use. The first piece, ?Variations sur un theme de Clement Jannequin (Variations on a Clement Jannequin's Tune), should be played?in the same way as Couperin's Preludes: freshly and softly. It contains four distinctive parts: Affetuoso, Maggiore, Fuggato and Grave. The second piece is called ?Le jardin suspendu (The hanging garden) and features three different parts that can't be played separately. The last piece, Litanies, is quite religious and consists of the repetition of lamentations. Its introduction in vivo is played only by the right hand, then followed by a?Lirico ma sempre vivo part. These are followed by switches between the main tempo and some vivacissimo parts, sounding declamatory. This third piece ends really harmoniously. Jehan Alain is a French organist who became famous with his Suite for Organ. Student of Marcel Dupre and Roger Ducasse among others, he kept composing all his life. One of his most famous international pieces is Litanies. $25.80 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Organ Adventure Organ Course Part Two Organ [Sheet music] Hal Leonard | | |
| Easy Organ Library, Vol. 39 Organ [Sheet music] Lorenz Publishing Company
By Gilbert M. Martin. Organ. Level: 2-staff. Sacred organ. Published by Lorenz P...(+)
By Gilbert M. Martin. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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