SKU: SU.80101362
A three movement (Ostinato, Scherzo, Fugue) work inspired by a footnote theme from Robert Schumann's piano work Carnaval. Instrumentation: Organ. Composed: 2012 Published by: Zimbel Press.
SKU: HL.48185859
UPC: 888680857431. 9.0x12.0x0.089 inches.
“Fantasy on several themes from the works of JS Bach for the full Organ, by Naji Hakim.â€.
SKU: HL.49018083
ISBN 9790001168670. 9.0x12.0x0.24 inches.
In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.
SKU: SU.80101492
Variazioni sawiane (2021) was written for organist Jan Bart?omiej Bokszczanin. The title refers to the Polish composer Marian Sawa (1937-2005), and the variations are based on a theme from his music. The theme is a metricized version of the original psalm chant from his final composition, Missa Claromontona (2005) for chorus, organ, and timpani. An introduction based on the theme's opening motive leads to a gentle aria that presents the melodic theme twice in its entirety. This is followed by a quasi-ricercare, a scherzetto, a meditation, and a festive return to the opening material. Instrumentation: Organ Duration: 8 Composed: 2021 Published by: Zimbel Press.
SKU: HL.49045701
ISBN 9790001167468. UPC: 841886033566. 9.0x12.0x0.047 inches.
This Cantilena is based on stage music by Francisco A. Barbieri (1823-1894), from Don Quijote de la Mancha, drama in three acts by Ventura de la Vega (1807-1865), inspired by the work of Miguel de Cervantes (1547-1616).
SKU: SU.80101219
This work begins with a reflective theme, followed by six variations of differing characters -- ranging from introspective contemplation to joyous praise. Any of the variations can be played alone as a voluntary (and many have optional endings for that purpose). The entire work is highly suitable for either service or recital. 19 pages Published by: Zimbel Press.
SKU: HL.14010764
11.75x8.25x0.425 inches.
Bridge's early works - those written before the first World War - were more late Romantic in style, warmly expansive, than his mature works. The Adagio is a four-Voice fugue of poetic expressiveness that makes full use of the instrument's tonal resources.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher - his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge's pieces for String quartet.
SKU: HL.49044122
ISBN 9790001191234. 12.0x8.75x0.42 inches.
The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony No. 8; in the second movement, the first four tones of the 'Adagio' from Symphony No. 9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective.
SKU: PL.9107
Leslie Betteridge has chosen to use the Sanctus from the Pater Cuncta Gregorian mass as the main theme for this set of variations. The majestic opening statement heralds the beginning of a dynamic and rhythmic crescendo which pervades the entire piece. Betteridge leaves no doubt that the subtext of this work is Sanctus! Sanctus! Sanctus!.
SKU: SU.80101233
A set of three movements usable individually or together for service or recital. The first movement is based on the theme from the Finale of Beethoven's ninth symphony Ode to Joy. The second movement is based on the Shaker melody Simple Gifts, and the last movement combines the two together. 24 pages Published by: Zimbel Press.
SKU: HL.14000749
Work for Organ dating from 1911.
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