SKU: MN.10-035

UPC: 688670100352.

This creative and well-constructed music would be useful for a recital or a worship service. Sometimes the melody is stated straight out, sometimes it's charmingly disguised or altered. Duration 7:00

SKU: HL.49045845

UPC: 841886033801.

New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.

SKU: SU.80101404

Organ Symphony No. 2 (2017) was written for and is dedicated to German organist Philip Hartmann. In all of my works that employ larger-scale forms (not just organ compositions), I am continually looking for different ways of providing the form and structure. My first organ symphony (2013) comprised three larger movements that charted a progression from dark to light. By contrast, this second organ symphony comprises 12 shorter movements that together build a larger structure out of varied emotional states. Although the movements are different in character, there are connections of harmony and motive across them. One goal behind this work is that it be suitable for effective performance on almost any organ, small or large. Most organ symphonies require a large instrument. By contrast, this piece can be played effectively on even a small organ with a limited number of stops (even a one manual organ with an octave pedal board). It can also be very effective on a large symphonic organ with many different colors and a huge tutti. Registration is left to the performer's discretion, and the organist is strongly encouraged to use the full extent of whatever resources are available. Instrumentation: Organ Duration: 34' Composed: 2017 Published by: Zimbel Press.

SKU: LO.70-2211L

ISBN 9780787768003.

Christina Harmon's decades of activity as a church musician and organ teacher of every level have resulted in this collection of ten arrangements of familiar hymns. Her experience with beginning and intermediate players has led to a strong understanding of what can work best, and these arrangements will be useful preludes, offertories, and postludes to enrich services.

SKU: SU.27020280

Commissioned for the 2017 Montréal Organ Festival, Concordia Salus: A Fantasy for Organ received its name from the motto of the city of Montréal, of which the Latin component translates as salvation through harmony. The work divides roughly into 3 sections. The first section introduces two main contrasting themes. The second section develops the main material through a series of gestures that have an improvisatory feeling--something akin to an extended cadenza. The final section of the piece recapitulates the primary thematic material through bold, triumphant, and fanfare-like statements, culminating in a tipple forte, full organ sound.Organ Duration: 8' Composed: 2017 Published by: Distributed Composer.

SKU: HL.48180210

UPC: 888680794859. 9x12 inches.

French organist and composer, Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. However, his prominence within the organ repertoire remains absolute with sublime works, including his Variations on a Noel. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for piano, organ and fugue, as well as the Grand Prix de Rome. He was a famous organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré's Op. 20, the Variations on a Noel for organ was composed in 1922. It is based on an old Noel (Pastorale) in D minor. The variations displays contrast through tonality, rhythm, timbre and harmony, among other aspects. Dupré's compositions and didactic works remain important to organists today and his Variations on a Noel is no exception.