| North-German organ music from the classical and romantical time Organ Carus Verlag
Organ SKU: CA.1802600 Composed by Various. Edited by Konrad Kuster. This ...(+)
Organ SKU: CA.1802600 Composed by Various. Edited by Konrad Kuster. This edition: Paperbound. Norddeutsche Orgelmusik 1780-1860. 3 Bande. Organ music based on hymns, Free organ music. Collection. Carus Verlag #CV 18.026/00. Published by Carus Verlag (CA.1802600). ISBN 9790007093150. For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, more recent organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Green Album. Hits for Organ II Organ - Intermediate Carus Verlag
Composed by Various. Edited by Helmut Volkl. Free organ music. Collection. Car...(+)
Composed by Various. Edited
by Helmut Volkl. Free organ
music. Collection. Carus
Verlag #CV 18.089/00.
Published by Carus Verlag
$44.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| in Ewigkeit dich loben Organ Breitkopf & Härtel
Organ SKU: BR.EB-8670 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ SKU: BR.EB-8670 Chorale Preludes from 5 Centuries to the Evang. Gesangbuch. Composed by Gardonyi / Ludwig / Schweizer (Hrsg.). Edited by Klaus Uwe Ludwig. Solo instruments; Softbound. Edition Breitkopf. Music pedagogy. Score. 112 pages. Breitkopf and Haertel #EB 8670. Published by Breitkopf and Haertel (BR.EB-8670). ISBN 9790004180624. 9 x 12 inches. In Ewigkeit dich loben has now become a permanent fixture in the every-day repertoire of many church musicians. The editor's four-volume concept has proven to be both handy and compelling. With its limitation to the main section of the new Evangelical Hymnal, however, many eager organists increasingly began to ask for preludes to beloved church hymns that are found in the various regional sections of the Hymnal, such as Als ich bei meinen Schafen wacht, Freunde, dass der Mandelzweig and Herr, deine Liebe. In this selection from the approximately 700 hymns of the regional section, the editor has included hymns which have a long history and are thus quite well known, but also certain hymns which are found in more than one regional section. The result is a stylistically varied palette of traditional pieces and newer, lesser known ones that should stimulate the imagination of every organist.
in Ewigkeit dich loben features preludes for all the hymns contained in the new Protestant Hymnbook (Evangelisches Gesangbuch, EG).. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Choral Le don des larmes Organ Carus Verlag
Organ SKU: CA.1801600 Pour grand orgue symphonique. Composed by Be...(+)
Organ SKU: CA.1801600 Pour grand orgue symphonique. Composed by Benoit Mernier. This edition: Paperbound. German title: Orgelchoral Le Don Des Larmes. Full score. 24 pages. Duration 15 minutes. Carus Verlag #CV 18.016/00. Published by Carus Verlag (CA.1801600). ISBN 9790007161248. Language: all languages. The choral Le don des larmes by the Belgian organist and composer Benoit Mernier is conceived as a symphonic work for a great organ of the Cavaille-Coll type. The Chorale is more a chaconne than a Lutheran chorale and it appears in various forms in the manner of an improvisation, repeatedly changing. The subtitle Le don des larmes (the gift of tears) derives from the mystical Catholic tradition which considers crying to be a boon. A finely worked-out, striking piece for organ, marked by a delight in rich and varied sounds. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Choral for Elke Mascha Blankenburg Organ - Easy Schott
Clarinet; Organ - easy to intermediate SKU: HL.49045022 For Clarinet i...(+)
Clarinet; Organ - easy to intermediate SKU: HL.49045022 For Clarinet in B Flat and Organ. Composed by Barbara Heller. Edited by Irith Gabriely. This edition: Saddle stitching. Sheet music. Woodwind Solo. Dieser Orgelchoral mit Soloklarinette folgt in der formalen Anlage einem Judischen Totengebet. Dabei steht die Soloklarinette fur den Gesang des traditionellen Vorbeters, die Orgel mimt den Nachgesang der Synagogengemeinde. Classical. Softcover. 16 pages. Duration 8'. Schott Music #KLB99. Published by Schott Music (HL.49045022). ISBN 9790001154277. UPC: 841886027794. The formal structure of this organ chorale with solo clarinet follows a Jewish death prayer. The solo clarinet represents the chant of the traditional prayer leader while the organ plays the response of the congregation of the synagogue. The piece ends with a cadenza of the solo clarinet to which an optional organ improvisation can be added.Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality. $16.99 - See more - Buy online | | |
| Postludes - Vol 8 - Organ Organ - Intermediate Jackman Music Corporation
Organ - Intermediate SKU: JK.02025 Composed by Various. Arranged by James...(+)
Organ - Intermediate SKU: JK.02025 Composed by Various. Arranged by James C. Kasen. Organ Postludes, Organ Solos, Grace, Gratitude, Jesus Christ - Creator, Jesus Christ - Savior, Jesus Christ - Shepherd, Thanksgiving. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #02025. Published by Jackman Music Corporation (JK.02025). UPC: 093285020252. Postludes Volume 8 continues in the rich tradition of spirit-filled arrangements by the acclaimed James C. Kasen. Offering a refined touch, these beautiful arrangements are appropriate for a wide variety of worship services, large and small. Intermediate in difficulty, these variations on beloved hymns are almost as easy under the fingers as they are on discerning ears.
Contents: Count Your Blessings God Be with You Till We Meet Again God, Our Father, Hear Us Pray Sing Praise to Him Sing We Now at Parting Softly and Tenderly Jesus Is Calling There Is a Green Hill Far Away 'Tis Sweet to Sing the Matchless Love Composer: Various Arranger: James C. Kasen Difficulty: Late Intermediate
Postludes for Church Services Volume 8.
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Seven Versets on Wie schön leuchtet der Morgenstern: How Brightly Beams the Morning Star Organ - Intermediate Schirmer
Composed by Tom Mueller. Advent, Christmas, Epiphany. E.C. Schirmer Publishing...(+)
Composed by Tom Mueller.
Advent, Christmas, Epiphany.
E.C. Schirmer Publishing
#9138. Published by E.C.
Schirmer Publishing
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Grosse Mariazeller Messe in C Organ Carus Verlag
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ SKU: CA.4060449 Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1766. Hob. XXII:5. 48 pages. Duration 68 minutes. Carus Verlag #CV 40.604/49. Published by Carus Verlag (CA.4060449). ISBN 9790007219437. Key: C major. Language: Latin. When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and part available separately - see item CA.4060400. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fantasia on "All People That on Earth Do Dwell", op. 109 Organ - Intermediate Barenreiter
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong....(+)
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong. Stapled. Performance score. Opus 109. Baerenreiter Verlag #BA11264_00. Published by Baerenreiter Verlag (BA.BA11264). ISBN 9790006569724. 30 x 23 cm inches. Preface: Clement, Albert. This fantasia for organ was composed in 2019. The composition is based on a melody attributed to the French composer Louis Bourgeois (approx. 1510–1560) which is one of the most well-known melodies in the Christian musical tradition. It has also been sung to various other texts, such as Lutheran chorales. In Bach’s work, the melody appears in the cantata “Lord God, we praise Thee all of us†BWV 130.
The composer has retained the style of French Romanticism. The character of the work corresponds to the content of the text and culminates in a festive finale. This music is suitable for many church music occasions.
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Grosse Mariazeller Messe in C Organ Carus Verlag
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ SKU: CA.4060419 Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/19. Published by Carus Verlag (CA.4060419). ISBN 9790007133214. Key: C major. Language: Latin. When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400. $370.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Mariazeller Messe in C Organ Carus Verlag
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ SKU: CA.4060409 Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. 1x 40.604/21 oboe 1, 1x 40.604/22 oboe 2, 2x 40.604/23 2 bassoons, 1x 40.604/31 horn 1, 1x 40.604/32 horn 2, 1x 40.604/33 clarino 1, 1x 40.604/34 clarino 2, 1x 40.604/41 timpani. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1766. Hob. XXII:5. 72 pages. Duration 68 minutes. Carus Verlag #CV 40.604/09. Published by Carus Verlag (CA.4060409). ISBN 9790007219383. Key: C major. Language: Latin. When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400. $66.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Mariazeller Messe in C Organ Carus Verlag
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ SKU: CA.4060403 Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/03. Published by Carus Verlag (CA.4060403). ISBN 9790007092078. Key: C major. Language: Latin. When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score available separately - see item CA.4060400. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Mariazeller Messe in C Organ Carus Verlag
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ SKU: CA.4060400 Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Full score. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/00. Published by Carus Verlag (CA.4060400). ISBN 9790007091385. Key: C major. Language: Latin. When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. $89.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Postludes - Vol 9 Organ - Intermediate Jackman Music Corporation
Organ - Late Intermediate SKU: JK.02066 Composed by Various. Arranged by ...(+)
Organ - Late Intermediate SKU: JK.02066 Composed by Various. Arranged by James C. Kasen. Christian, Contemporary Christian, Gospel, Inspirational. Score. Jackman Music Corporation #02066. Published by Jackman Music Corporation (JK.02066). UPC: 093285020665. Postludes Volume 9Â continues in the rich tradition of spirit-filled arrangements by the acclaimed James C. Kasen. Offering a refined touch, these beautiful arrangements are appropriate for a wide variety of worship services, large and small. Intermediate in difficulty, these variations on beloved hymns are almost as easy under the fingers as they are on discerning ears.
Contents: How Great Thou Art Lord, We Come before Thee Now Now Let Us Rejoice Now Thank We All Our God Oh, May My Soul Commune with Thee Precious Savior, Dear Redeemer Sweet Hour of Prayer. $11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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