SKU: FZ.3288
ISBN 9790230632881. 22.00 x 31.00 cm inches.
This facsimile of an original by Gaspard Corrette is part of our French classical music collection. Edition : Paris, Rouen, Foucault, l'Auteur, 1703. In his preface, Gaspard Corrette gives valuable indications about his registrations, the touch and character of the pieces, and their ornamentation. The engraving is very fine. Preface by: Philippe Lescat: the life and works of Gaspard Corrette. Marcel Degrutere: Gaspard Corrette's organ. Jean Saint-Arroman: on the interpretation of the score and the preface. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5881
ISBN 9790230658812. 23.50 x 31.50 cm inches.
This facsimile of an original by Jacques Boyvin is part of our French classical music collection. Edition : Paris, Baussend, Le Maire, Rouen, l'Auteur, 1690. These two books figure among the finest classical organ works, combining a beautiful, and sometimes bold, harmony, elegance and high melodic expressiveness. The accompanying Boyvin treatise comes with his second book. Preface by Marcel Degrutere: the life and works of Boyvin. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Bordeaux (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CA.4007305
ISBN 9790007060732. Language: German/English.
The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score available separately - see item CA.4007300.
SKU: HL.48181071
UPC: 888680902278. 9.0x12.0x0.128 inches.
Jehan Alain (1911-1940) was a French organist and composer. The third volume of Alain's Organ Works comprise Prélude Profane and Lamento, as well as other favourites from the composer. Alain studied with organ virtuosos, Guilmant and Vierne, and was primarily an organist and composer of religious music. Whilst at the Paris Conservatoire, Alain won many prizes and his composition catalogue comprises some 140 works. The compositions in the third volume of organ works by Jehan Alain are full of life, mirroring his personality. From lively and comical pieces, to sensitive and unexpected works, Alain's pieces are diverse in musicality. Moreover, the composer exploits organ techniques, making for an exciting and varied collection for intermediate to advanced level organists.
SKU: HL.48181058
UPC: 888680902223. 9.0x12.0x0.15 inches.
Jehan Alain (1911-1940) was a French organist and composer. The second volume of Alain's Organ Works is comprised of Variations on a Theme by Clément Jannequin, The Suspended Garden and Aria, as well as other favourites from the composer. Alain studied with organ virtuosos, Guilmant and Vierne and was primarily an organist and composer of religious music. Whilst at the Paris Conservatoire, Alain won many prizes and his composition catalogue comprises some 140 works. The compositions in the second volume of Organ Works by Jehan Alain are full of life, mirroring his personality. From lively and comical pieces, to sensitive and unexpected works, Alain's pieces are diverse in musicality. Moreover, the composer exploits organ techniques, making for an exciting and varied collection for intermediate to advanced level organists.
SKU: HL.48181053
UPC: 888680902186. 9.0x12.5x0.189 inches.
First of a series of three tomes by Jehan Alain, The Organ Work – Tome 1 is a set of two pieces in three parts each. For upper intermediate players and above, this first tome is quite difficult, with fairly fast movements that also feature the use of pedals. This first tome includes: I. Suite (Introduction et Variations JA 69, Scherzo JA 70 and Choral JA 82) II. Trois danses JA 120 (Joie, Deuils JA 120 bis and Luttes). The second tome consists of seven pieces while the third tome is the biggest with a total of fourteen. Jehan Alain is a French organist who became famous with his Suite for Organ. Student of Marcel Dupré and Roger Ducasse, among others, he kept composing all his life. One of his most famous international pieces is Litanies.
SKU: HL.49016185
ISBN 9790001145411. UPC: 884088202507. 9.0x12.0x0.141 inches.
As a counterpart to theOrgan Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve Regina grows from the mystic source, followed by Berceuse pour Marie as a lullaby of the Christmas events. The third movement Mater Dolorosa falls back on the well-known Gregorian sequence Stabat Mater, taking Mary's pain at the cross as its central theme. The finale treats the Ave Maris Stella in a crescendo from pp to ff in a positive and solemn manner, in memory of Mary's assumption. It is advisable to use an organ with at least three manuals.
SKU: HL.49017070
ISBN 9790001149433. UPC: 841886009639. 9.0x12.0x0.105 inches.
The overall oeuvre of Johanna Senfter only includes three free organ works: 'Fantasie und Fuge' Op. 30a (in: Female Composers, ED 9741), the present variations 'Morgenglanz der Ewigkeit' Op. 66 and an organ piece in D minor without opus number. Together with the three cycles of chorale preludes Op. 30b, Op. 70 (Schott ED 9603) and Op. 73, the instrument of the organ occupies a rather small part in her oeuvre. That puts the obvious point of view, namely to see the composer of such a 'choral fantasia' mainly as a student of Reger, into perspective. It is, on the contrary, worth to get to know this major work as a facet of the long life of an artist whose major works still wait to be rediscovered.
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