SKU: FZ.1278

ISBN 9790230612784. 24.00 x 33.00 cm inches.

This facsimile of an original by Girolamo Frescobaldi is part of our Dominantes collection. Editions : Venetia, Vicenti, 1635Presentation by Philippe Lescat : the liturgical role of the organ in seventheenth century Italy the organ of Frescobaldi - Frescobaldi's preface (Al lettore). Annexes: translation of Frescobaldi's preface - note figures used in the Fiori Musicali - interpretation of the score - restoration of the score. The preface gives the liturgical context and the alternation of organ pieces and plainchant. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Civico Museo Bibliografico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.50529

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.

SKU: FZ.5930

ISBN 9790230659307. 23.50 x 31.50 cm inches.

This facsimile of an original by Lambert Chaumont is part of our French classical music collection. Edition : Liege, 1695. Preface by Jean Saint-Arroman: notation - table of ornaments - ornamentation Du melange des jeux et du mouvement propre a chaque espece de verset - Explication des marques qui servent aux agrements (table). This organ book contains pieces close to the style of Nivers, a text about mixing genres, a treatise on accompaniment, and a method for tuning the harpsichord.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Conservatory Library of Liege (Belgium). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.3288

ISBN 9790230632881. 22.00 x 31.00 cm inches.

This facsimile of an original by Gaspard Corrette is part of our French classical music collection. Edition : Paris, Rouen, Foucault, l'Auteur, 1703. In his preface, Gaspard Corrette gives valuable indications about his registrations, the touch and character of the pieces, and their ornamentation. The engraving is very fine. Preface by: Philippe Lescat: the life and works of Gaspard Corrette. Marcel Degrutere: Gaspard Corrette's organ. Jean Saint-Arroman: on the interpretation of the score and the preface.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.700

ISBN 9790230607001. 24.00 x 33.00 cm inches.

This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Dominantes collection. Classical music scores - Sheet music - Marpurg - Fughe e capricci pel' clavicembalo o per l'organo Opera primera - Harpsichord organ. Edition : Berlin, (undated = 1777). These fugues and caprices are designed for the keyboard: organ, harpsichord, clavichord. Introduction by Philippe Lescat: I. Edition - II. Hints for performance. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France(Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Central Library of Zurich (Suisse). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.5882

ISBN 9790230658829. 23.50 x 31.50 cm inches.

This facsimile of an original by Jacques Boyvin is part of our French classical music collection. Edition : Paris, C. Ballard, 1700.
Preface by Jean Saint-Arroman: notation - ornament table - ornamentation. These two books figure among the finest classical organ works, combining a beautiful, and sometimes bold, harmony, elegance and high melodic expressiveness. The accompanying Boyvin treatise comes with his second book.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Bordeaux (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.508

ISBN 9782841690183. 21.00 x 21.00 cm inches.

Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from ans aesthetic point of view. We have tried to make this collection thoroughly pratical one, deliberately limiting the format, and providing texts in four language ( French, English, German and Japenese ) aiming for maximum clarity. These individual studies should be helpful to musicians, musicologists, historians, instrument makers and enthusiasts. The history. Description. Tuning and temperament. Aesthetic consideration. The builders. Bibliography. Archives. Delve into the memory of music with the Old instruments monographies collection from Anne Fuzeau Classique.

SKU: FZ.5393

ISBN 9790540053932. 23.50 x 32.50 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, (s. d. = 1685). Facsimile of a copy in the Troyes city library which, like the second book, probably belonged tothe Siret family. Preface by: Jean Saint-Arroman: the Troyes copy. Philippe Lescat: Nicolas Lebegue's obligations.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FZ.2662

ISBN 9790230626620. 24.00 x 33.00 cm inches.

This facsimile of an original by Nicolas Clerambault is part of our French classical music collection. Clerambault - First organ book - Organ. Edition : Paris, l'Auteur, Foucault, c. 1714. Extremely elegant and legible engraving, allowing the music to be easily read. Preface by: Philippe Lescat: Clerambault's organs,Jean Saint-Arroman: use of the organ pieces - notation - terminology - ornamentation - registrations.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France).

SKU: FZ.5641

ISBN 9790230656412. 24.00 x 33.00 cm inches.

This facsimile of an original by Jean-Francois and Pierre Dandrieu is part of our French classical music collection. Editions : P. Dandrieu - Paris 1729. J. F. Dandrieu - Paris 1759. This score also includes Noels de Pierre Dandrieu. The Noels of Pierre and those of his nephew Jean-Francois are very different. Joint publication of both works is therefore quite justified. Preface by: Philippe Lescat: biography of Pierre Dandrieu - the editions of Pierre Dandrieu's Livre de Noels. Jean Saint-Arroman: comparison between the books of Pierre and Jean-Francois Dandrieu.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.