SKU: SU.80101120
Six contemporary composers were invited to write new hymn preludes for this collection. The result is a set of fresh, accessible compositions, highly suitable for worship or recital use. The six compositions are: Prelude on Wachet auf (Frederick Frahm), Prelude on Melita (John S. Dixon), Prelude on Kingsfold (Bruce Polay), Trio on Wareham (Sandra Gay), Prelude on Gelobt sei Gott (David W. Solomons), and Jubilee-Postlude on Converse (Carson Cooman). Published by: Zimbel Press.
SKU: OU.9780193531550
ISBN 9780193531550. 12 x 9 inches.
Elegy, with its warmly expressive tenor-range melodies, is highly suitable for use at funerals, while the cascading joy of Festive Bells makes it perfect as a wedding recessional. Both pieces have that warm sense of Englishness that makes them very accessible to the first-time listener.
SKU: OU.9780193565005
ISBN 9780193565005. Other inches.
For SATB and organ This is a tender, meditative setting of the well-known text from the New Testament, 'If ye love me, keep my commandments' (John 14:15). Mack Wilberg has woven together melting legato vocal lines, supported by pulsing quaver chords from the organ and warmed by gentle dynamic swells.
SKU: SU.80101164
This work is a brief prelude on the familar hymn tune. It begins quietly, builds to climax in the middle, and ends quietly. Suitable for prelude or offertory. 8 pages Published by: Zimbel Press.
SKU: AD.ADG203
ISBN 9781934163986. UPC: 663389120327. 9 x 12 inches.
Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound.Customer Comment About This Book:Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought.
Scherzo For Organ was first published in 1917. It is dedicated to John Connell, a South African organist and Organ builder, with whom the composer became great friends when he travelled to Cape Town and Johannesburg.
Alfred Hollins (1865-1942) was an inspirational British organist, composer and teacher. Blind from birth, he travelled all over the UK and the British Empire, giving concerts and designing Organs. He eventually settled in Scotland, where he was an organist in Edinburgh for over forty years
SKU: SU.80101162
This stunning collection contains five useful organ compositions based on African-American spirituals. Treatments are exciting, original, and always highly appropriate. The five movements are: The Lord Is My Shepherd, I Want Jesus to Walk with Me, I Want to Be a Christian, The Old Ship of Zion, and Bless That Wonderful Name. 24 pages Published by: Zimbel Press.
SKU: LO.70-2482S
ISBN 9780787789534.
Organists and congregations alike love trumpet tunes, and this book is perfect for organists with an instrument including a large trumpet stop that begs to be played on festive occasions. Brenda Portman has written six original trumpet tunes (each in a common key) that sit within the festive American trumpet tune tradition, as exemplified by the work of David N. Johnson. The volume also contains two hymn-based pieces in trumpet tune style.
SKU: ST.H345
ISBN 9790220200571.
A legend from the days of silent cinema, pianist Ena Baga was also the gifted composer of many short pieces that fall into the category of 'light music'. Bagatelle was used as her signature tune whilst organist at the famous Tower Ballroom, Blackpool.
SKU: OU.9780193570566
ISBN 9780193570566. 11 x 7 inches.
For SATB and organ This compelling anthem presents an assortment of historic sacred texts, artfully compiled by the composer to form a complete setting, with alternative text for Lenten use. Firmly rooted in the English cathedral tradition, it was composed to mark the 900th anniversary of the Priory Church of St Bartholomew the Great, Smithfield.
SKU: GI.G-003072
UPC: 641151030722.
This collection for organ brings together music based on chants and hymns from different centuries. Commissioned for the 2001 San Diego Regional AGO Convention, it celebrates the rich heritage of Church literature with a wide variety of styles and levels of difficulty. Works by John Karl Hirten, Emma Lou Deimer, Mary Beth Bennett, Pamela Decker, Robert Jones, Kathleen Scheide, Norberto Guinaldo, and Miguel del Aguila.
SKU: GI.G-000660
UPC: 641151006604.
First published in 1962, this WLP classic by Russell Woollen has certainly endured the test of time. This flexible composition deserves a twenty-first–century audience. The composer has suggested several options for performance of this setting of the Good Shepherd passage from John: two-part men, two-part women, or two-part mixed voices.
SKU: HL.14034568
There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs, but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want, so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple, without being uninteresting,and effective where the instrumental resources are limited.
SKU: HL.14034562
SKU: CA.2044305
ISBN 9790007036416. Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score available separately - see item CA.2044300.
SKU: CA.2044311
Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score and part available separately - see item CA.2044300.
SKU: CA.2044306
ISBN 9790007188672. Key: D dorian. Language: German.
SKU: BA.BA09071-67
ISBN 9790006527601. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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