SKU: LO.70-2253S
ISBN 9780787771096.
Alla Borzova's sacred organ music draws on both her Belarusian heritage and her many decades living in the U. S. through the tunes chosen and their treatments. Each work in this collection is a set of variations that treats the melody with varied expression. Ranging from the ebullient bell-inspired We Wish You a Merry Christmas to the bold and powerful God the Omnipotent, these are excellent pieces for worship and recitals.
SKU: CA.1804200
ISBN M-007-24102-5.
Carson Cooman is surely one of the most exciting and versatile contemporary composers in the USA. Born in New York in 1982, he has already written over 1,200 works. Many of these are compositions for organ - the instrument which Cooman, himself a concert organist, feels a particular affinity towards. A selection of these organ works is now available in this publication, including freely-composed preludes, chorale preludes, and festive and quieter pieces, meditative in style. The compositions are in an extended tonal framework and are of moderate difficulty. A superb addition to the repertoire both for concerts and worship!
SKU: LO.70-2138S
ISBN 9780787763534.
Angela Kraft Cross's career as a church musician, touring recitalist, and teacher has resulted in numerous organ compositions. Five striking works have been selected to form her first published collection. The pieces employ a variety of styles and moods: two in a contemporary style inspired by the classic English trumpet voluntaries, a delightful pastorale, a deeply expressive Kyrie eleison, and the powerful passacaglia Tree of Life inspired by the seasons of the year and our faith. Kraft Cross's stunning writing is sure to make a strong impact in recital or as service voluntaries.
SKU: MN.12-128
UPC: 688670121289.
The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.
SKU: AD.ADG244
ISBN 9781958017333. UPC: 663389124424. 9 x 12 inches.
The Blues Scale for Organ is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.
SKU: LO.70-2314S
ISBN 9780787772994.
Angela Kraft Cross has written a volume of superb pieces for use in recitals or services during the Advent and Christmas season. Included are pieces that quote familiar carols/hymns and an original work inspired by the Magnificat. Kraft Cross's expressive moods and richly-varied colors and textures make for music of great impact for congregations or recital audiences.
SKU: LO.70-2483S
ISBN 9780787789541.
This collection of deeply thoughtful and expressive music by Angela Kraft Cross includes works of varied inspiration suitable for worship and recital. The selections range from a piece based on classic childrenâ??s hymns to a meditation on the plainchant â??Divinum mysteriumâ? to a moving tribute to the ministry and activism of Martin Luther King, Jr.
SKU: LO.70-2184S
ISBN 9780787765019.
Following his Simply Lent collection, J. William Greene has written a collection of sophisticated yet practical hymn settings for the weeks before Christmas. Greene's rich compositional craft and love for traditional forms and techniques are evident in music that expresses the anticipation of the Advent season.
SKU: MN.10-033
UPC: 688670100338.
Perfect for a celebratory recital or worship service, five carols are presented in an exuberant style. A nice contrast is found in the section featuring THE HOLLY AND THE IVY, set as a warm, expressive meditation. The fantasia concludes with a restatement of DING DONG MERRILY in 7/8 meter. A duet version is also available. Jubilant and fun!
SKU: LO.70-2251S
ISBN 9780787771089.
This collection of hymn settings by J. William Greene provides valuable material for worship and concert settings. Each work is in a different form, ranging from baroque praeludium to expressive adagio. Greene's masterful craftsmanship and creativity is always in evidence.
SKU: LO.70-2245L
ISBN 9780787769611.
David Lasky's music is well known for its immediacy and practicality. David intends the pieces he writes to meet the needs of organists on the bench Sunday after Sunday. For this collection, he has written twenty pieces with accessible manual and pedal parts particularly suited for less-experienced organists, as well as those preparing for Sunday with limited practice time. The result is a diverse collection of hymn-based and original pieces intended for use throughout the year as preludes, offertories, interludes, and postludes.
SKU: BR.EB-9300
ISBN 9790004187647. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: Stuttgart, Hospitalkirche, March 28, 2018.
SKU: SU.80101364
The composer writes: This three movement sonata da chiesa for organ strives to combine elements of traditionalism, expressionism, and Spanish nationalism in order to provide organists with a warm blooded, romantic expression of God's glory. It is meant to be suitable for both concert organists and church music programs. Instrumentation: Organ. Composed: 2014 Published by: Zimbel Press.
SKU: HL.49046018
ISBN 9790001166539. UPC: 841886026728. 9.0x12.0 inches. English - Danish.
This toccata is based on the introit to the Christian Epiphany festival and solemnly announces the appearance of the Lord. As a toccata, the work is an introduction to Hakim's Adoration (Schott, ED 22614) for voice, flute and organ, a paraphrase of the first three introitus to Epiphany. The Toccata develops a series of symphonic variations with virtuoso movements that emphasize the expressiveness of the words of the Gregorian text: Ecce advenit dominator dominus: et regnum in manu ejus, et potestas, et empium. Deus, judicium tuum regi da: et justitiam tuam Filio regis. (Behold, the Lord, the ruler, comes: and the kingdom is in his hand, and the power and the dominion. God, give your judicial office to the king: and yours Justice to the son of the king.) (Malachi 3: 1, I Chronicles 29:12, Psalm 71: 1, 10, 11).
SKU: FZ.5881
ISBN 9790230658812. 23.50 x 31.50 cm inches.
This facsimile of an original by Jacques Boyvin is part of our French classical music collection. Edition : Paris, Baussend, Le Maire, Rouen, l'Auteur, 1690. These two books figure among the finest classical organ works, combining a beautiful, and sometimes bold, harmony, elegance and high melodic expressiveness. The accompanying Boyvin treatise comes with his second book. Preface by Marcel Degrutere: the life and works of Boyvin. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Bordeaux (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5882
ISBN 9790230658829. 23.50 x 31.50 cm inches.
This facsimile of an original by Jacques Boyvin is part of our French classical music collection. Edition : Paris, C. Ballard, 1700. Preface by Jean Saint-Arroman: notation - ornament table - ornamentation. These two books figure among the finest classical organ works, combining a beautiful, and sometimes bold, harmony, elegance and high melodic expressiveness. The accompanying Boyvin treatise comes with his second book. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Bordeaux (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: SU.80101452
Two Contrasts (2018) is dedicated to Timothy Miller. The two movements (which may be performed together or separately) form contrasts to each other in a number of musical ways. However, in addition to the differences, there are also connections of motivic material that link the two movements together. Sharagan refers to a style of monodic hymn in the Armenian Orthodox Church. Madrigal alternates between declamatory, expressive music and buoyant, dance-like music. Instrumentation: Organ Duration: 8' Composed: 2018 Published by: Zimbel Press.
SKU: CA.2332609
ISBN 9790007198787. Key: G major. Language: Latin.
Following its edition of the beautiful Messe Sainte Cecile by Gounod in an arrangement for Coro SA and organ (CV 27.025), Carus presents a further sacred work by this composer: his Te Deum for soli, choir, two harps and two organs (choir organ and great organ). As Peter Kaiser, the editor, has expressed in his foreword, this work from 1886 realizes a strict, almost ascetic musical language, an inward awe and praise of God.. Score and parts available separately - see item CA.2332600.
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