Composed by Mark Siebert. For organ. Chant hymns are the basis of these creative preludes. General. Published by CanticaNOVA Publications

For Organ. Hymn preludes. Sacred. Intermediate. Book. Published by Kevin Mayhew Publishers Textbook Sacred

SATTBarB vocal soli, SATB choir, congregation, 2 violins, viola, cello/contrabass, armo, organ

SKU: CA.4019719

Oratorium fur Grundonnerstag und Karfreitag. Composed by Heinrich von Herzogenberg. Complete orchestral parts. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Op. 93. Duration 150 minutes. Carus Verlag #CV 40.197/19. Published by Carus Verlag (CA.4019719).

ISBN 9790007133153. Language: German.

There are two main innovations: firstly the inclusion of the congregation through communal songs, and secondly, the frequent use of the main organ - as accompaniment to the congregational hymns as well as during the important preludes and postludes of the two parts 'Maundy Thursday' and 'Good Friday,' of which the Passion consists. (Kirchenmusik im Bistum Limburg 1/1990). Score and parts available separately - see item CA.4019700.

SATTBarB vocal soli, SATB choir, congregation, 2 violins, viola, cello/contrabass, armo, organ

SKU: CA.4019715

Oratorium fur Grundonnerstag und Karfreitag. Composed by Heinrich von Herzogenberg. Double bass. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Double Bass. Op. 93. 32 pages. Duration 150 minutes. Carus Verlag #CV 40.197/15. Published by Carus Verlag (CA.4019715).

ISBN 9790007065027. Language: German.

There are two main innovations: firstly the inclusion of the congregation through communal songs, and secondly, the frequent use of the main organ - as accompaniment to the congregational hymns as well as during the important preludes and postludes of the two parts 'Maundy Thursday' and 'Good Friday,' of which the Passion consists. (Kirchenmusik im Bistum Limburg 1/1990). Score and part available separately - see item CA.4019700.

Viola

SKU: CA.4019713

Oratorium fur Grundonnerstag und Karfreitag. Composed by Heinrich von Herzogenberg. Viola. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Individual part. Op. 93. 24 pages. Duration 150 minutes. Carus Verlag #CV 40.197/13. Published by Carus Verlag (CA.4019713).

ISBN 9790007065003. Language: German.

There are two main innovations: firstly the inclusion of the congregation through communal songs, and secondly, the frequent use of the main organ - as accompaniment to the congregational hymns as well as during the important preludes and postludes of the two parts 'Maundy Thursday' and 'Good Friday,' of which the Passion consists. (Kirchenmusik im Bistum Limburg 1/1990). Score and part available separately - see item CA.4019700.

EG 58-98. Composed by Gunther Martin Gottsche, Martin Weyer. Paperback. Small chorale preludes and accompaniments to the German Protestant Hymn Book. EG 58-98. Performance score, anthology. Baerenreiter Verlag #BA09272. Published by Baerenreiter Verlag (BA.BA09272).

By Jeffrey Blersch. For organ. General. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

Organ

SKU: BR.EB-8293

Composed by Gabriel Hammer. Edited by Gabriel Hammer. Solo instruments; Softbound. Edition Breitkopf. Music post-1945. Score. 68 pages. Breitkopf and Haertel #EB 8293. Published by Breitkopf and Haertel (BR.EB-8293).

ISBN 9790004176092. 9 x 12 inches. German.

The third Little Organ Book establishes thematic accents (Praise and Thanks - Trust and Prayer). We called upon the leading names of contemporary organ music such as Jurg Baur, Karl Holler, Jean Langlais, Hermann Schroeder and Wolfgang Stockmeier to arrange a selection of well-known hymns from the Catholic and Evangelical hymn books. As in the two volumes (Passion - Easter - Pentecost and Advent - Christmas) the Little Marienstatt Organ Book offers a Chorale prelude as well as a polyphonic organ setting of the respective church hymn, which are almost all firnt publications.

Choral preludes and organ settings by various authors.

Organ: 2-staff - Moderately Easy

SKU: LO.70-2452L

Composed by Carson Cooman. Sacred, Eastertide, General, Holy Week, Lent, Pentecost, Palm/Palm-Passion Sunday, Trinity Sunday. Lorenz Publishing Company #70/2452L. Published by Lorenz Publishing Company (LO.70-2452L).

ISBN 9780787779115.

This valuable collection offers a generous selection of ready-to-go� preludes, offertories, interludes, and postludes, designed especially for busy organists facing limited preparation time. Included are original compositions as well as organ arrangements of familiar hymns with modest pedaling demands. This volume focuses on seasonal repertoire for the spring and summer.

Organ - Medium

SKU: PL.0618

Composed by Robert Lind. Chant, Eucharist, Lent. Sheet music. Paraclete Press #0618. Published by Paraclete Press (PL.0618).

* based on the chant, this work begins simply with flutes and mutations in duet * detailed registrations, appropriate for small or large instruments, as well as manual indications make the execution of this work very direct * registration indications and harmonic colors increase as the piece gradually builds * final section with octave chords and strong pedal foundation carries the piece to a dynamic climax * tempo slows by increments in the final measures, leading to the final modal cadence * a passionate instrumental expression of the text: printing the text of this hymn in a program or bulletin

Musically, this is a rather interesting piece with harmonic language that is more advanced than one might normally use in services, but here one can allways follow the hymn tune. The registration is highly colorful, using at 16' Quintaton played an octave higher, or substituting an 8' and 2 2/3'. As in the chorale preludes mentioned earlier, this work, too, creates a continuing crescendo to the end. Harmonically, this work makes use of some interesting ideas-mirroring short sections of the hymn tune as a motivic device, short canonic imitation, etc. Technically, it is fairly easy reading until about halfway, when close attention must be paid to accidentals. The last page will require some working of fingering in the right hand to maintain the legato sense of the phrase. - The Journal of the Association of Anglican Musicians March 2006.