SKU: HL.49044612
ISBN 9790001187282. 9.0x12.0x0.099 inches. Latin.
The rushing of the Holy Spirit to which the hymn 'Veni creator' refers is symbolized by fast semiquaver runs of the organ which return again and again during the whole piece. Alternately, the text is interpreted musically in seven verses according to the respective content. Traditional melodies appear in a contemporary harmonic makeup. From this context emerges a field of tension between old and new which eventually dissolves in the 'Amen' of the vocal soloist. The work on the rather demanding piece is rewarding for every performer and the performance at the church is very impressive.
SKU: SU.80101258
Organ Duration: 11 ' Composed: 1996 Published by: Zimbel Press A creative and compelling recital work. The first movement is in the spirit of a choral prelude, the second is a quick toccata in 5/8 time, and the third is set as a chorale.
SKU: SU.80402140
Organ Duration: 15' Published by: Paulus Publications (SP 111).
SKU: OU.9780193756014
ISBN 9780193756014. 12 x 9 inches.
Georgi Mushel's Toccata, edited for publication by Noel Rawsthorne, is very much in the spirit and style of a Ukrainian Cossack dance; the feel is improvisatory, with contrasting sections allowing different dancers to express themselves, before typically culminating in a fast and furious finish.
SKU: SU.80101204
A two movement work of spirit and character. Both movements are very rhythmic with a little humor thrown in too. An strong service or recital piece. 16 pages Published by: Zimbel Press.
SKU: HL.48024624
ISBN 9781540052834. UPC: 888680940782. 9.0x12.0 inches.
Organ transcription of Anthony Payne's 2006 orchestral completion from Elgar's sketches. Robert Gower comments, Working from the orchestral score confirms Payne's musical intuition in taking fragments and developing them into an entirely convincing whole, one imbued with Elgarian spirit and characterised through the economical precision of his own art. Here, intellectual and artistic integrity combine to construct overall architecture in which not a note is wasted, painstaking care is evident in the subtle details of instrumental coloring, and where there is thrilling rhythmic forward propulsion. In saluting the skills of both composers, I have sought to open out for organists the excitement and sincerity of their work, being designed for performance not only on larger organs with a full range of orchestral color, but also made entirely feasible for performance on smaller two-manual instruments..
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