SKU: BR.EB-9345
World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019)Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019ISBN 9790004188095. 12 x 9 inches.
Lar in Roman mythology refers to the so-called Lares, gods of households, fields and pathways, deified souls of the deceased and tutelary deities, especially of the house and its inhabitants. Lar is also the fireplace in a house - and thus a place where you feel protected. Lar II is part of a cycle. Each piece focusses on a kind of movement or transition between the interior (the house) and the unknown (the outside, the adventure). Gilles Deleuze speaks of deterritorialization; it is precisely this process that is also used in music as a metaphor. For Deleuze, a melody can act as a ritornello, for example, representing the house, the acquainted. Lar II plays with ritornellos which are developed alternatingly - like breathing- with certain movements to the outside and back again. Musically, the instrument organ opens/introduces as a topos something within a space and focusses on the concept of space as the central point of a continuous musical transition. (Jose M. Sanchez-Verdu, 2018)World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019) Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019.
SKU: HL.49044122
ISBN 9790001191234. 12.0x8.75x0.42 inches.
The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony No. 8; in the second movement, the first four tones of the 'Adagio' from Symphony No. 9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective.
SKU: HL.49019222
ISBN 9790001179805. UPC: 884088907372. 9.0x12.0x0.225 inches.
The pieces are meant as a kind of organ proper of Mass. Chorales and chants from the Catholic hymnbook are used for the music of the movements 'Halleluja', 'Offertorium' and 'Communio'. According to the spiritual content of the texts, there are both meditative and lively, virtuoso sections. The fourth movement, a toccata on the 'Ite missa est', ends the work with lavish organ sounds. The world premiere of the piece took place at the Cathedral of Salzburg in 1994 in the rare and demanding instrumentation for two organs.
SKU: CA.3110207
ISBN 9790007047382. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.
SKU: CA.3550300
ISBN 9790007165161. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass.
SKU: CA.3550305
ISBN 9790007165222. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score available separately - see item CA.3550300.
SKU: SU.80101379
This collection contains 17 freely-composed organ pieces useful for service or recital either as individual pieces or in varied groupings. They are of varied character: most have a meditative and expressive character, while several are grand and bold. Instrumentation: Organ Composed: 2016 Published by: Zimbel Press.
SKU: BA.BA08452
ISBN 9790006506521. 30 x 23 cm inches.
Our “Symphonic Organ†series focuses mainly on organ works from the late 19th century and early modern period: lt includes unjustly neglected or previously unknown literature and rarities, all of masterly workmanship and superior quality.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: LO.70-2253S
ISBN 9780787771096.
Alla Borzova's sacred organ music draws on both her Belarusian heritage and her many decades living in the U. S. through the tunes chosen and their treatments. Each work in this collection is a set of variations that treats the melody with varied expression. Ranging from the ebullient bell-inspired We Wish You a Merry Christmas to the bold and powerful God the Omnipotent, these are excellent pieces for worship and recitals.
SKU: BR.EB-8041
World premiere: Dusseldorf, May 20, 1978
ISBN 9790004174401. 9 x 12 inches.
During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.World premiere: Dusseldorf, May 20, 1978.
SKU: BA.BA09352
ISBN 9790006499830. 21 x 29.5 cm inches. Language: German. Preface: Thomas Daniel Schlee.
The first piece “Sicut ros Hermon†(Psalm 133) meditates on the path God’s mercy takes, whereby the initial slow descending harmonic sequences develop into an emphatic song followed by a tender chorale-like coda. “Si sumpsero pennas aurorae†(Psalm 139) relates to a highly poetic, consolatory but also admonishing image of the psalm: As far as our wings may carry us, God’s hand will take hold of us. We cannot escape his mercy or his judgement. At the end of this striking movement the music conveys almost haptic moments; one can sense the mighty ‘hand’ by means of the tutti sound. Finally the music becomes as calm as at the start of this piece, though dialogue-like figurations convey repercussions of what was experienced and acknowledged.
SKU: HL.49008236
ISBN 9790001125185. UPC: 073999492941. 8.25x11.75x0.02 inches. German.
For mixed choir or solo voice and piano (organ).
SKU: CA.4004909
ISBN 9790007058937. Key: C major. Language: Latin.
Score available separately - see item CA.4004900.
SKU: CA.4004913
ISBN 9790007058968. Key: C major. Language: Latin.
SKU: CA.4004919
ISBN 9790007137656. Key: C major. Language: Latin.
Score and parts available separately - see item CA.4004900.
SKU: CA.4004905
ISBN 9790007058920. Key: C major. Language: Latin.
SKU: CA.4004911
ISBN 9790007058944. Key: C major. Language: Latin.
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