SKU: BR.EB-8292
ISBN 9790004176085. 9 x 12 inches. German.
The three volumes of the Little Marienstatt Organ Book contain chorale preludes and their respective chorales by contemporary composers. All the works are intended for practical liturgical use and were based on the most commonly performed chorales of the Catholic and Protestant hymnals.Choral preludes and organ settings by various authors.
SKU: HL.48181042
UPC: 888680868949. 9.0x12.0x0.088 inches.
The Glorious Bodies, by Olivier Messiaen is a composition that exhibits his Roman Catholic faith. Written for organ in 1939, it is a mix between Indian music and Gregorian Plainsong. This first volume includes the first three pieces of the whole composition: 1. Subtilite des Corps Glorieux, 2. Les eaux de la Grace and 3. L'ange aux parfums. This piece is divided in 7 sections: 1. Subtilite des Corps Glorieux 2. Les eaux de la Grace 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilite des Corps Glorieux 6. Joie et clarte des Corps Glorieux 7. Le Mystere de la Sainte-Trinite. Olivier Messiaen (1908-1992) was a French organist and composer passionate about ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the Bird Catalogue in 7 volumes and the Treatise on Rhythm, Colour and Ornithology in 7 volumes.
SKU: SU.80101447
Kennebunkport Suite (2016) was written for and is dedicated to Joyce Painter Rice, First Congregational Church, Kennebunkport, Maine, and the church's 1854 E. & G. G. Hook pipe organ (Opus 177). First Congregational Church is a congregation that particularly enjoys singing the classic hymns, and this organ suite thus consists of preludes on three well-known old American hymns: Foundation (How Firm a Foundation), Bethany (Nearer, My God, To Thee), and Land of Rest (Jerusalem, My Happy Home.) (Although conceived originally for a small one-manual pipe organ with divided stops and pedals, the work can be played effectively on any organ.) Instrumentation: Organ Duration: 2016 Composed: 9' Published by: Zimbel Press.
SKU: HL.48184614
UPC: 888680839840. 9.0x12.0x0.167 inches.
As a famous contributor to classical Organ music, Cesar Franck's (1822-1890) catalogue is extensive. Moreover, being an organist himself, his Organ works are significant and remain ever-popular to this day. When French organist, Marcel Dupre (1886-1971) compiled the series of Franck's Organ Works, it was well-received, and to this day remains popular with all organists. The fourth volume includes a favoured selection of Franck's works, including three of his chorales. In addition, Dupre's annotations in Organ Works comprise fingerings, rules on technique and instructions on ornamentation, amongst other aspects. This compilation of Franck's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument..
SKU: HL.49046018
ISBN 9790001166539. UPC: 841886026728. 9.0x12.0 inches. English - Danish.
This toccata is based on the introit to the Christian Epiphany festival and solemnly announces the appearance of the Lord. As a toccata, the work is an introduction to Hakim's Adoration (Schott, ED 22614) for voice, flute and organ, a paraphrase of the first three introitus to Epiphany. The Toccata develops a series of symphonic variations with virtuoso movements that emphasize the expressiveness of the words of the Gregorian text: Ecce advenit dominator dominus: et regnum in manu ejus, et potestas, et empium. Deus, judicium tuum regi da: et justitiam tuam Filio regis. (Behold, the Lord, the ruler, comes: and the kingdom is in his hand, and the power and the dominion. God, give your judicial office to the king: and yours Justice to the son of the king.) (Malachi 3: 1, I Chronicles 29:12, Psalm 71: 1, 10, 11).
SKU: BR.EB-8938
ISBN 9790004186077. 12 x 9 inches.
Heinrich Scheidemann is regarded as one of the most influential organists of the 17th century. His most significant achievement lies within his further developing of his teacher J. P. Sweelinck's chorale arrangements into a wide-ranging chorale fantasia primarily to display in full the organ's sound. The present volume constitutes a complete edition of all nine Chorale Fantasias based on Lutheran chorales that, except for one, are extant as individual works. The authenticity of six fantasias is considered certain, with the attribution of the three anonymously transmitted works being based on the source situation and style. The repertoire as a whole provides an insight into the progressive development of the chorale fantasia and concurrently represents Scheidemann's three main creative phases.
SKU: LO.70-2139L
ISBN 9780787763527.
Ovid Young's distinguished career as a pianist, organist, and teacher was complemented by his activities as a composer and arranger. Available once again, the Ovid Young Organ Book is a terrific collection of original pieces from 1984 that represent some of Young's finest writing. The pieces arose from his experience as a church musician and, in particular, the desire for shorter pieces that still make a powerful impression. None of the pieces are longer than three minutes in length, though the composer also provides two suggested suites for occasions when a longer work is needed.
SKU: CA.5280700
ISBN 9790007164164.
Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.
SKU: BR.EB-8604
ISBN 9790004180143. 9 x 12 inches.
Gerard Bunk worked in Dortmund and was highly esteemed as a composer and organist by such illustrious contemporaries as Sigfrid Karg-Elert, Max Reger and Albert Schweitzer. His works in the late-romantic vein fell into oblivion in the 1930s with the rise of the Baroque-oriented organ movement. This edition, with commentaries by Jan Bocker, invites us to discover three of Bunk's masterpieces.
SKU: HL.49044350
ISBN 9790001197892. UPC: 841886022713. 0.155 inches.
Sweelinck's '6 Fantasien op de manier van een echo' probably represent the first collection of organ pieces in which the echo is used as a structural component. At the basis of this collection is a three-part structure: imitations, echo section, toccata.
SKU: LO.30-1111L
UPC: 000308025415.
A playful dialogue of organ and bells characterize this well crafted medley of three European carols. Incorporating NOEL NOUVELET, PERSONENT HODIE and II EST DE LE DIVIN ENFANT, the work uses martellato, martellato lift, shakes, and mallets. For worship or concert, a unique expression of Christmas joy!
SKU: PL.9515
This three movement work is based upon the chant hymn Pange Lingua (Now my tongue, the mystery telling) for the feast of Corpus Christi. Movement I, Pange Lingua, is set as a duet between flute stops over a quiet pedal drone. Movement II, Verbum Caro, Panem verum has the chant at 4' pitch in the pedal with rich string accompaniment in the manuals. The final movement Genitori, Genitoque, is a French-style toccata on full organ. Of medium difficulty, this work can be used effectively as a prelude, offertory, and postlude or as a recital piece.
SKU: ST.EC65
ISBN 9780852499719.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
SKU: CA.5012700
ISBN 9790007240998. Key: F minor. Language: all languages.
The three-movement Organ Sonata no. 7 in F minor op. 127 dates from 1881. A Praeludium with five striking themes is followed by an Andante, which Rheinberger himself arranged a few years later as a Rhapsody for violin or oboe and organ. The Finale contains a fugue with two themes. Separate edition from the Rheinberger Complete Edition.
SKU: LO.70-2425L
ISBN 9780787778118.
The musical counterpoint possible in two and three-voice compositions make them a natural fit for the organ, and such works have been a part of the instrument’s repertoire since the very beginning. David Lasky has written seven free duos, eight free trios, and seven trios on familiar hymns to comprise this useful collection. The pieces are all short—most are less than two minutes—and thus can serve, individually or in groups, as fitting music anywhere in a service. Additionally, they will work well as teaching pieces at the early intermediate or intermediate level.
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