SKU: BR.BHM-367
ISBN 9783765103674. 9 x 12 inches.
Seek (ricercare) and you will find! The little angel on the cover of the book shows the organist the way to the music he's looking for! In an incredibly time-consuming endeavor, Martin Bieri has compiled all currently available chorale-based organ works, cataloguing about 15,600 works. The bulk of the work is devoted to (chorale) melodies that can be found in the major German-language hymnals. The Ricercare Book offers concise information along with indexes of arrangements, composers, editions and publishers. Nach acht Jahren Laufzeit war es soweit: Ricercare der Sherlock Holmes des Organisten brauchte dringend eine Frischzellenkur d. h. neue Informationen und technische Updates. Das Lifting hat der CD-ROM gut getan. Ricercare saust nunmehr mit neuer Kraft (neuen Informationen) prestissimo durch die weite Datenwelt von uber 20.000 cantus-firmus-gebundenen Orgelwerken und gibt umfassend Auskunft uber Melodien Komponisten Ausgaben Bearbeitungen Verlage u. a. m. After eight years on the beat it was finally time for Ricercare the Sherlock Holmes of the Organ to get a badly needed makeover i.e. to be supplied with new information and technical updates. The makeover did a world of good to the CD-ROM. Loaded with new info Ricercare now zips along prestissimo through the vast data world of more than 20 000 cantus-firmus-related organ works and provides comprehensive information on melodies composers editions arrangements publishers and much more. The present edition is based on the music text of the ,,Gesamtausgabe of Robert Schumann's works edited by Clara Schumann together with Johannes Brahms and others between 1879 und 1893. This publication is almost entirely free from arbitrary alterations in the text. A few obvious errors and unjustifiable alterations of the musical text were eliminated after a thorough comparison with the first editions. Die vorliegende Ausgabe folgt dem Notentext der von Clara Schumann in Zusammenarbeit mit Johannes Brahms u. a. zwischen 1879 und 1893 herausgegebenen Gesamtausgabe von Robert Schumanns Werken. Diese Edition ist von willkurlichen Veranderungen des Textes weitgehend frei. Einige offensichtliche Irrtumer und nicht zu rechtfertigende Eingriffe in den Notentext wurden nach Vergleich mit der Erstausgabe und dem Autograph beseitigt. The present edition is based on the music text of the ,,Gesamtausgabe of Robert Schumann's works edited by Clara Schumann together with Johannes Brahms and others between 1879 und 1893. This publication is almost entirely free from arbitrary alterations in the text. A few obvious errors and unjustifiable alterations of the musical text were eliminated after a thorough comparison with the first edition and the autograph.
SKU: HL.49032242
ISBN 9790001118156. 12.0x8.75x0.278 inches.
SKU: HL.49018389
ISBN 9790543501478. 9.0x12.0x0.25 inches.
SKU: CA.1822000
ISBN 9790007294441.
Edited by the Deutscher Musikrat (German Music Council) with Richard Mailander and Kord MichaelisCatholic and Protestant churches are familiar with the tradition that in times of crisis, new works are composed to comfort the faithful, and are performed in worship. Following in this tradition, the project Orgelmusik in Zeiten von Corona (Organ Music in Times of Corona) was devised. 17 new compositions were commissioned which reflect Corona times, creatively confront the past and the present, and will enrich the repertoire of organ music in a lasting way.The 17 compositions depict a wide range of styles including avant-garde, jazz and classical, and some refer to music from previous eras and church music traditions. They are conceived for different levels of difficulty, are for 2 or 3-manual organs, and last between four and ten minutes. They are particularly suitable for concerts, but can also be played in church services.* 17 thematic reflections on the Corona pandemic: on the horsemen of the apocalypse, the Coeur bleu, the thunder of time, timelines, trust and confidence, and many more* compositions by Timo Bocking, Kathrin A. Denner, Barbara Dennerlein, Dorothee Hahne, Peter Michael Hamel, Frank Heckel, Dorothea Hofmann, Nicole Johanntgen, Anna Korsun, Roland Kunz, Eckhart Kuper, Johannes M. Michel, Iris Rieg, Maximilian Schnaus, Enjott Schneider, Dominik Susteck, and Maximilian Wallrath* stylistic variety and breadth - from classically-influenced compositions, through jazz and pop, to avant-garde and experimental sounds* different levels of difficulty, for 2 or 3-manual organ, 4 to 10 minutes' duration* suitable for concerts and church services.
SKU: BR.EB-9345
World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019)Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019ISBN 9790004188095. 12 x 9 inches.
Lar in Roman mythology refers to the so-called Lares, gods of households, fields and pathways, deified souls of the deceased and tutelary deities, especially of the house and its inhabitants. Lar is also the fireplace in a house - and thus a place where you feel protected. Lar II is part of a cycle. Each piece focusses on a kind of movement or transition between the interior (the house) and the unknown (the outside, the adventure). Gilles Deleuze speaks of deterritorialization; it is precisely this process that is also used in music as a metaphor. For Deleuze, a melody can act as a ritornello, for example, representing the house, the acquainted. Lar II plays with ritornellos which are developed alternatingly - like breathing- with certain movements to the outside and back again. Musically, the instrument organ opens/introduces as a topos something within a space and focusses on the concept of space as the central point of a continuous musical transition. (Jose M. Sanchez-Verdu, 2018)World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019) Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019.
SKU: AP.6-296962
ISBN 9780486296968. UPC: 9780486296968. 9x12 inches. English.
These 40 beautiful French pieces by Daquin, Dandrieu and Balbastre are sure to charm organ-loving audiences everywhere.
SKU: CA.1804200
ISBN M-007-24102-5.
Carson Cooman is surely one of the most exciting and versatile contemporary composers in the USA. Born in New York in 1982, he has already written over 1,200 works. Many of these are compositions for organ - the instrument which Cooman, himself a concert organist, feels a particular affinity towards. A selection of these organ works is now available in this publication, including freely-composed preludes, chorale preludes, and festive and quieter pieces, meditative in style. The compositions are in an extended tonal framework and are of moderate difficulty. A superb addition to the repertoire both for concerts and worship!
SKU: SU.80101473
This anthology contains 12 varied works for organ useful for service or concert. Includes: Spirituals Variations I (on three early American hymns), Spiritual Variations II (Where I May Wander), Spiritual Variations III (I'm Gonna Live So God Can Use Me), Chanson Variations, Prelude on Add One More Seat to the Table, Chorale Prelude and Fugue on a Lullaby, Offertorium, Postludium, Golgotha, Fantasy on Rondeau Carol, and Three and a Half Little Carol Settings. Two of the works are based on original hymn tunes by the composer, and the hymns are included for congregational use. Instrumentation: Organ Composed: 2008-2020 Published by: Zimbel Press.
SKU: CA.2741045
ISBN 9790007300029. Key: C major. German/English.
Bruckner described his setting of Psalm 150 (1892) as “my best festive cantata of allâ€. With its monumental Halleluja theme and the great fugue on “Alles, was Odem hat, lobe den Herrnâ€, the psalm setting has a pronounced festive character.For this edition, Marius Popp has transcribed the orchestral writing for organ. Originally scored for large orchestra and large choir, this festive cantata can now also be performed by smaller choral forces in a sacred space. The fascinating combination of filigree motifs, powerful passages and chromatically bold complexities are expressed in a completely new way in this arrangement. An exciting setting of one of the most popular psalms for more experienced choirs to perform in festive church services or concerts.The vocal and choral scores from the original version (also available as Carus 27.410/00) can be used with the organ version.. Score available separately - see item CA.2741000.
SKU: HL.49032198
ISBN 9790001118071. 12.0x8.75x0.302 inches.
SKU: BR.EB-9300
ISBN 9790004187647. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: Stuttgart, Hospitalkirche, March 28, 2018.
SKU: HL.49046130
Taking as a basis the events at the funeral service for Pope John Paul I, the conclave, the inauguration of the new pope, and the visit of Benedict XVI at the Synagogue of Cologne, through Benedicere - Litanei, Helmschrott presents a piece of 'experienced music'. He translates his experiences into music - which is exemplified in the All Saints' Day litany that was heard again and againat the festivities in Rome, or the shofar which was played in Cologne. He sees his work as a symbol of what he has experienced and an invocation of the past, as an appeal for a better future.
SKU: HL.49019362
ISBN 9790001176552. UPC: 884088924263. 9.0x12.0x0.166 inches.
Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.
SKU: HL.14015534
12.0x8.25x0.427 inches.
The Partita, composed in 1971, is inscribed “For the Rt Hon. Edward Heath, M.P., Prime Ministerâ€. Its five movements enjoy the almost improvisatory freedom that is characteristic for Howells' writing, yet they are bound together by a kind of cyclic feeling engendered by a fairly consistent use of an original mode: it descends from C to C as follows: C, B, B flat, G, F sharp, E, E flat, C. The Partita exploits both the melodic and harmonic implications of the mode.
SKU: GI.G-8394
UPC: 785147839460.
Six Carols of Christmas is a wonderful collection of short, easy-to-prepare organ pieces based on the folk songs of distant lands. They are flexible enough to use at any moment in the liturgy, whether prelude, interlude, or postlude. These carols require moderate skill and are best played on a 2-manual organ. CONTENTS: Come, All Ye Shepherds (Czech) - Gabriel to the Virgin Came (Irish) - How Far Is It to Bethlehem? (English) - On December Five and Twenty (Catalan) - The Babe in Bethl’em’s Manger Laid (English) - To Bethl’em I Would Go (Czech).
SKU: HL.49017930
ISBN 9790001150774. 9.0x12.0x0.153 inches.
Robert Helmschrott, born in 1938, was professor at the Munich Musikhochschule where he was also headmaster from 1995-2003. He wrote numerous choral and orchestral works and is one of the most important German representatives of contemporary church music. His work 'Salut' is a one-movement concert piece which is rewarding for both players. After a lengthy introduction for solo trumpet, both instruments present fireworks of brilliant idiomatic figurations, yet also make sure that pensive, lyrical tones get their fair share too. A rewarding concert piece of ca. 8 minutes' duration.
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