Par MINDY PAUL / SAMMUT ERIC. Mﾃｩtissages est nﾃｩ d'une rencontre artistique entre Paul Mindy et Eric Sammut. C'est tout naturellement que ces deux musiciens, par ailleurs passionnﾃｩs de pﾃｩdagogie, ont voulu crﾃｩer une passerelle entre les classes de percussions traditionnelles et classiques. Les piﾃｨces prﾃｩsentﾃｩes dans ce recueil sont de styles variﾃｩs, offrant un large ﾃｩventail de musiques : classique, traditionnelle, originale. Elles revﾃｪtent toutes un indﾃｩniable intﾃｩrﾃｪt pﾃｩdagogique, tant d'un point de vue technique que de l'interprﾃｩtation et de la connaissance des styles. Percussionniste et chanteur, Paul Mindy, professeur au CNR d'Aubervilliers-la-Courneuve, est spﾃｩcialiste des musiques du Brﾃｩsil. Il anime des masterclasses dans le monde entier. Il reﾃｧoit le prix Georges Brassens et se produit en tant que chanteur ﾃ� l'Olympia. Il reﾃｧoit ﾃｩgalement en 2001 le prix de l'Assemblﾃｩe Nationale et en 2002 le prix de l'Acadﾃｩmie Charles Cros. Son talent de percussionniste lui a permis de jouer avec de grands musiciens : Richard Galliano, Roland Dyens, Carlo Rizzo, Franck Tortillier, Dave Samuel, Baden Powell... Il joue aussi avec le groupe 'Quai #5', l'Orchestre pour la paix, Flavio Esposito. Sa discographie comprend des enregistrements en solo (Le monde ﾃ� l'envers, Mosaﾃｯque), en trio avec J.C. Hoarau et A. Vﾃｩritﾃｩ (Notre Brﾃｩsil), et avec la chanteuse Fabienne Magnant (Canto instrumental), un DVD 'mﾃｩthode pour percussion africaine, brﾃｩsilienne et cubaine' (site internet www.drumvision.fr.st). Paul Mindy est aussi l'auteur de livres-CD ﾃ� succﾃｨs aux ﾃｩditions Didier Jeunesse : A l'ombre de l'olivier, Comptines du Baobab, Papagaio, Comptines crﾃｩoles... En 2006, il participe au festival Percpan ﾃ� Salvador de Bahia. Eric Sammut a dﾃｩbutﾃｩ ses ﾃｩtudes musicales par l'apprentissage du piano, puis a suivi la classe de percussion de Michel Ventula au CNR de Toulouse. En 1989, l'annﾃｩe mﾃｪme oﾃｹ il obtient un premier prix ﾃ� l'unanimitﾃｩ dans la classe de Franﾃｧois Dupin et Georges van Gucht au CNSM de Lyon, Eric Sammut entre comme premier percussionniste ﾃ� l'Orchestre de l'Opﾃｩra National de Lyon. Puis en 1995, le premier prix international de marimba de New York lui est dﾃｩcernﾃｩ - il effectue alors une tournﾃｩe de rﾃｩcitals et de masterclasses aux Etats-Unis, mais aussi en Europe et au Japon. Il enseigne le marimba au CNR de Toulouse depuis 1997, au CNR de Paris, ainsi qu'ﾃ� la Royal Academy of London, et il est soliste ﾃ� l'Orchestre de Paris. Aprﾃｨs avoir participﾃｩ ﾃ� de nombreux enregistrements discographiques et vidﾃｩos avec l'Orchestre du Capitole de Toulouse, l'Orchestre National de Bordeaux-Aquitaine, l'Orchestre National de Lyon, l'Orchestre de l'Opﾃｩra National de Lyon, l'Orchestre de Paris, il rﾃｩalise en 2005 un album de marimba solo, 'Four-Mallet Ballet'. Un enregistrement pour un nouveau CD est prﾃｩvu en 2006, avec les musiciens Philippe Berrod, Eric Echampard et David Patrois. Nobody Knows the Trouble I've seen Percu. classique : ﾃ� interprﾃｩter d'une maniﾃｨre joyeuse et dans l'esprit gospel en rﾃｩponse ﾃ� l'esprit africain des percussions traditionnelles. Percu. trad. : travail de coordination sur kenkeni, sangbang et doumdoum - chaque musicien devra travailler chacune des parties sﾃｩparﾃｩment. Le travail d'ensemble sur kenkeni, sangbang et doumdoum dﾃｩveloppe l'ﾃｩcoute polyrythmique Prﾃｩlude en mi mineur Percu. classique : l'esprit rubato de la musique romantique est ici remplacﾃｩ par le cﾃｴtﾃｩ balancﾃｩ de la bossa-nova - la mﾃｩlodie doit rester libre et aﾃｩrienne. Percu. trad. : rythme de la bossa-nova - jouer piano la technique de chaque instrument constituera une initiation ﾃ� la batucada, concert de percussions traditionnelles brﾃｩsiliennes carnavalesques. Antonio Carlos Jobim a dit un jour que la premiﾃｨre bossa avait ﾃｩtﾃｩ composﾃｩe par Chopin avec ce prﾃｩlude. Guantanamera Percu. classique : le marimba doit ﾃｪtre interprﾃｩtﾃｩ librement, presque en dehors rythmiquement - le vibra trﾃｨs colorﾃｩ et aﾃｩrien - le marimba basse toujours en osmose avec les percussions traditionnelles. Percu. trad. : intﾃｩressant pour se familiariser avec le rythme de la salsa cubaine, techniques de base des congas, maracas, cloche, guiro et claves. Maracatu de la Saint Valentin Percu. classique : dﾃｩbut et milieu de la piﾃｨce doivent ﾃｪtre interprﾃｩtﾃｩs dans un esprit festif - la fin nﾃｩcessite une grande souplesse ainsi qu'une ﾃｩcoute attentive du triangle. Percu. trad. : rythme trﾃｨs important de la rﾃｩgion de Rﾃｩcife. Bien ﾃｩcouter le CD pour les doubles croches. A la fin, le travail technique au triangle est intﾃｩressant pour l'ﾃｩvolution de tout percussionniste. Hava Nagila Percu. classique : intﾃｩrﾃｪt particulier pour le travail de l'accelerando collectif. Percu. trad. : travail des diffﾃｩrentes figures du contretemps au tambour de basque. La partie de marimba basse 4 octaves un tiers est tﾃｩlﾃｩchargeable gratuitement ici : 28356.pdf / Niveau : Dﾃｩbutant / variﾃｩtﾃｩ - jazz / Mﾃｩthode / Percussions

Concerto for Percussion and Orchestra - Percussion duo parts only.What determines the special character of a piece of music written for percussion instruments is the very choice of sets of instruments. In Udacrep Akubrad I have chosen a similar set of instruments for each of the players: a marimba two Darbuka and a tom-tom. This piece draws its inspiration from the ?Eastern? music extending the boundaries of the region as far as the Indian sub-continent. The main source materials in this piece are scales and the rhythms emanating from the traditional classical music of the peoples of the Mediterranean; and repetitive minimalism fromthe music tradition of the Middle East as well as the recently developed techniques in western music. ? Avner Dorman

Purchasing Maintenance Troubleshooting and More-Why does that Snare Drum sound like a cardboard box? Why don't the pedals on the Timpani stay in position? What kind of Cymbals should I buy for a Drum set? Why does the Bass Drum rattle when struck? These and countless other questions are answered in this comprehensive text for anyone who deals with Percussion instruments. If you have ever struggled with questions on purchasing maintaining troubleshooting or storing your Percussion instruments then this book will provide you with a wealth of information on these topics and more!

Keyboard Percussion Easy Instrumental Play-Along: Classic Rock features ten classic rock songs in accessible arrangements designed specifically for Keyboard Percussion students in their first year of study. Audio demonstration tracks featuring real instruments are available to download allowing novices to hear how the song should sound and backing tracks are also included so learners can play along with the band.This songbook includes the hits I Heard It Through The Grapevine Brown Eyed Girl Fly Like An Eagle Another One Bites The Dust and more.

Score of Rolf Wallin's Stonewave for solo Percussion. Composer's Notes:The last few years I have become increasingly involved in some peculiar mathematical formulas called 'fractals'. These formulas used inthe fast growing field of 'Chaos theory' are relatively simple but they generate fascinating and surprisingly 'organic' patterns when shown graphically on a computer screen or played as music. One should think that such amathematical approach would lead to sterile and 'theoretical' music. The sound world of 'Stonewave' however is not one you would associate with math books. The steady insistent pulse and the use of sequences put squarely upagainst each other or divided by long rests suggest an invisible ritual. A ritual for what? Well then let it be a ritual for the exorcism of some 'evil spirits' which now ride our part of the world under the name ofLiberalism making people the servants of the Market Forces instead of vice versa.'Stonewave' is therefore an incantation as it seems that only divine forces can save European culture from a political system that proclaimsthe Jungle Law as the guiding principle in social and cultural life. Rolf Wallin

POD-Nico Muhly's Pulses Cycles Clouds for large mixed Percussion ensemble was written for the 50th anniversary of the Boston University Tanglewood Institute. At its core it is a group of four marimbas surrounded by various bells and other mallet instruments; unpitched instruments here are primarily played by an ensemble of amateur percussionists. The piece obsesses over a cycle of eleven chords introduced slowly through the beginning of the piece. Each chord is announced by a large vertical moment with bells vibraphone and a sudden shift in tonality. The four marimbas then relax into a series of soft interlockingpatterns over which an ensemble of glockenspiels and crotales plays a simple rhythm in a complex relationship to the other instruments. Eventually the pulse disintegrates entirely into a vision of a night sky; insects unexpected interruptions - a walk around a quiet landscape. Eventually the pulse returns but nocturnally subdued. The piece is meant to echo in its way the thrill of community music making the joy of sharing a pulse and the various connections both rhythmic and interpersonal I made at BUTI two decades ago. - Nico Muhly

Inspire your students to make some noise with Teach and Play Balinese Gamelan!The six pieces in this book represent an exciting and varied selection of music from the island of Bali from a Balinese warrior dance and a traditional lullaby to rhythmic 'monkey' chanting and a shadow-puppet play. Each piece is broken down into clear and simple steps that show you how to build up the music gradually with your class. Combined with the accompanying DVD - which contains 60 short clips of the author and a group of KS3 students demonstrating all of the instruments and patterns to each piece - teaching and learning world music has neverbeen so easy or enjoyable.The six pieces are supplemented with valuable background information about the music and culture cross-curricular projects composing ideas advice on assessment and guidance on teaching whole-class world-music ensembles. The material in this book has been designed primarily for use with KS2 and KS3 classes but the addition of higher-ability parts for each piece means the book can be tailored easily to KS4 as well. It is not necessary to own authentic instruments to get the most out of this book as classroom alternatives are suggested and demonstrated. 'This series has been written by a genuine expert who has thorough knowledge of his subject and shares this with the reader in a lively enthusiastic and passionate way. I have never found any books before that are so clear in explaining the fundamentals of these world-music genres and doing so in a format based around practical relevant and achievable tasks is even more remarkable. I can see these books becoming one of those series that every music teacher will have either read or heard about in years to come.'Matt Allen Head of Music Chessington Community College Kingston

Description Inspire your students to make some noise with Teach and Play African Drums ! The six pieces in this book represent an exciting and varied selection of music from across the African continent, from traditional djembe drumming and gumboot dancing to a Senegalese pop song. Each piece is broken down into clear and simple steps that show you how to build up the music gradually with your class. Combined with the accompanying DVD ? which contains over 60 short clips of the author and a group of KS3 students demonstrating all of the instruments and patterns to each piece ? teaching and learning world music has never been so easy or enjoyable. The six pieces are supplemented with valuable background information about the music and culture, cross-curricular projects, composing ideas, advice on assessment and guidance on teaching whole-class world-music ensembles. The material has been designed primarily for use with KS2 and KS3 classes, but the addition of higher-ability parts for each piece means the book can be tailored easily to KS4 as well. It is not necessary to own authentic instruments to get the most out of this book as classroom alternatives are suggested and demonstrated. ?This series has been written by a genuine expert who has thorough knowledge of his subject and shares this with the reader in a lively, enthusiastic and passionate way. I have never found any books before that are so clear in explaining the fundamentals of these world-music genres, and doing so in a format based around practical, relevant and achievable tasks is even more remarkable. I can see these books becoming one of those series that every music teacher will have either read or heard about in years to come.? Matt Allen, Head of Music, Chessington Community College, Kingston

Grades 1 and 2-This Snare Drum Handbook includes the rudiments and pieces for each grade sample viva voce questions sight reading extracts and aural tests.Each Handbook comes with a CD which includes the backing tracks for accompanied pieces in the following formats: (i) Drums + backing track; (ii) backing track only.

Giovanni Hidalgo ne met aucune restrictions ou limitations sur ce qu'il peut faire musicalement avec ses mains. Ce phﾃｩnomﾃｨne de ses fans crﾃｩdit ﾃ� capacitﾃｩ remarquable de Giovanni d'incorporer son travail son imagination, sagesse musicale et expereiences de la vie. Hidalgo est le considﾃｩrﾃｩe comme le leader conguero de notre temps. Son enregistrement diversifiﾃｩe et la tournﾃｩe des crﾃｩdits comprennent Dizzy Gillespie, Eddie Palmieri, Dave Valentin et Mickey Hart. Sur cet magistral DVD bilingue (anglais/espagnol), il introduit des sons de base, tuning et technique - patrons de son montuno, Bolﾃｩro, la charanga et danzon - et les applications multi-percussion de ces formes. # Particularitﾃｩs : Lﾃｩgendaires reprﾃｩsentations : Karl Perazzo, Giovanni Hidalgo/Changuito # Drums d'autour du monde # Additional produit Prﾃｩvisualisations # DVD-Roms caractﾃｩristiques : Glossaire Latin percussion de termes, de rﾃｩglage et de maintenance, de connectivitﾃｩ internet / Percussions Diverses / Dvd

Pop Duets for All est une sﾃｩrie de plaisir versatile destinﾃｩs ﾃ� des instruments similaires ou mixte ﾃ� effectuer dans n'importe quel groupe de taille ou d'une combinaison d'instruments. Tous les livres sont au format score ﾃ� chaque ligne de plus en plus difficile de niveau 1 au niveau 3-4. Passages alternatifs et la notation sont inclus pour convenir plages instrumentales. En l'absence page se tourne nﾃｩcessaire, les chansons et les mesures sont conformes qui permet de trouver des points de rﾃｩpﾃｩtition rapide et pratique. Parfait pour des concerts avec la famille et les amis, rﾃｩcitals, auditions et festivals. Disponible pour les cuivres, vents, cordes et percussions. / Percussions