Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ RĂ©pertoire / Solistes, SATB et Orgue

?The Glagolitic Mass? one of the 20th century masterpieces of sacred music has a very complex genesis and constitutes an intricate editorial challenge. This new critical edition presents two different versions of the work in two separate volumes (B/5-I BA 6862 und B/5-II BA 6863): the ?September 1927? version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek?s death by Universal Edition Wien in 1930. Known as the ?final authorised version? it has been newly edited for thispublication which is based on the engraver?s copy of the score prepared by Janacek?s regular copyist Václav Sedlacek. The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The ?September 1927? version can be seen more as a supplement and appears without text commentary.

Saint Francis of Assisi is an opera in 3 acts by Olivier Messiaen. This first volume is focused on the Act 1 – 1. La croix 2. Les laudes 3. Le baiser au lĂ©preux. It depicts the moments when Saint Francis explains what is the 'Perfect Joy' according to the love of the Christ his request to God to meet a leper and to be able to love him and finally his meeting with a leper assisted by an Angel. The leper is cured from this meeting. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3.Le baiser au lĂ©preux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prĂŞche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.

Britta Byström's Gállabártnit - A Stage Work in 8 Scenes for Soli Choir Dancers and Ensemble. Libretto in Sami by Rawdna Carita Eira. Initiated by Soundstreams; Music commissioned by Music i Syd with support from Swedish Arts Council.Llibretto created with support from Norwegian Sametinget Kulturrådet TONO and Tekstforfatterfondet Vocal score: WH32727C Parts are available on hire: hire@ewh.dk  

Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. “A widely-accepted form for the Christmas Oratorio is to perform parts I–III exclusively. In their concentration on the actual Christmas story they form a rounded whole. The present edition is conceived especially for this kind of performance. ” [Singen und Musizieren im Gottesdienst, Juli/August 2000] / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. ?A widely-accepted form for the Christmas Oratorio is to perform parts I?III exclusively. In their concentration on the actual Christmas story they form a rounded whole. The present edition is conceived especially for this kind of performance. ? [Singen und Musizieren im Gottesdienst, Juli/August 2000] / Oratorio / RĂ©pertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. ?A widely-accepted form for the Christmas Oratorio is to perform parts I?III exclusively. In their concentration on the actual Christmas story they form a rounded whole. The present edition is conceived especially for this kind of performance. ? [Singen und Musizieren im Gottesdienst, Juli/August 2000] / Oratorio / RĂ©pertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) BWV 248/ RĂ©pertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) BWV 248/ RĂ©pertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) BWV 248/ RĂ©pertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales