SKU: HL.14001903
ISBN 9788759859605. Danish.
Animals In Concert - Three pieces for Piano solo by Per Norgard. Programme Note 1. A Tortoise's Tango (1984) - dur.: 4' 2. Light of a Night - Paul meets bird (1989) - dur.: 6' 3. Hermit Crab Tango - Esperanza (1997) - dur.: 5' The pieces can be performed together or one by one. In the1980s, quite a few finds turned up in Per Norgard's music. The material could be, say, a number of song birds' equilibrist melodic lines, the overtones of the ocean surf, or waltzing themes by the schizophrenic artist Adolf Wolfli (1864-1930). Or again, as heard here, it can be the rhythms and motifs of the tango and a Beatles song (with bird), explored in three independent piano pieces that form the Animals in Concert suite, about which the composer writes: A Tortoise's Tango: The tortoise as tango dancer must presumably possess certain rhythmic peculiarities, which I have chosen to express by letting the tune of the tortoise shuffle broadly, tripartite through the strict four partite time of tango. Tortoise Tango was the original title of this piece, written for Achilles (the pianist Yvar Mikhashoff), for his so called tango project, including new tangos for piano by composers from all over the world. Light of a Night (Paul meets bird) was commissioned by pianist Aki Takahashi. It is a reworked arrangement for piano of the Beatles song Blackbird. As some of us will recall, the Beatles on The White Album let the beautiful song to the blackbird be accompanied by an (apparently) live blackbird song. It is this authentic bird-motif world that in Light of a Night weaves itself into the Beatles melody and in turn is gradually infected by it, so that a completely new third entity ensues: a kind of Bird-rock ballad (or maybe it is a Beatle-bird?). Hermit Crab Tango (Esperanza): The tango situation is quite special for a Hermit Crab. It is a well-known fact that the hermit crab - this soft animal - must run the gauntlet among the many perils at the bottom of the sea when it must move hose. I have chosen to express the angers by a tango pattern - sharp as a cactus - through which the tune, optimistic, slips to its new shelter. I have borrowed the tune from songwriter Hanne Methling's Introduction: 'I want to get through this time!' she sings in a ecstatically ascending melody line - and I believe that these words must correspond very well to the mood of the hermit crab: 'Esperanza'- the green runners of hope wind among the latticework formed by the tango rows.
SKU: HL.1488596
UPC: 196288217121. 9.0x12.0x0.124 inches.
Featuring 24 brief and elegantly arranged carols that can be played at a yearend recital, or sightread and sung by family and friends around the piano at Christmas, these familiar tunes are sure to put you into the holiday mood! These arrangements are mostly at the early intermediate level but do progress slightly in order of difficulty. Titles include: Angels We Have Heard on High ⢠Away in a Manager ⢠Coventry Carol ⢠The First Noel ⢠Good King Wenceslas ⢠Jingle Bells ⢠Joy to the World ⢠O Come, All Ye Faithful ⢠O Little Town of Bethlehem ⢠We Wish You a Merry Christmas ⢠and more.
SKU: GI.G-7884
UPC: 785147788430. English.
Recorded Live in Baltimore! Like the previous ?ve recordings and collections, I Heard the Voice highlights some of the ?nest selections from GIA’s African American Church Music series except this time these powerful anthems, spirituals, and gospel selections were recorded before a live audience. Featuring the incomparable Joseph Joubert on Piano and charismatic conductor James Abbington directing a powerful group of Morgan State and Oakwood University grads, this live performance engaged, thrilled, and inspired an enthusiastic crowd. Feel the excitement for yourself—add I Heard the Voice to your growing collection today! Contains a CD recording and one of each of the following octavos: Sing a New World into Being (From New Wine in Old Wineskins, Volume 2, G-7857)* - Jesus, Lay Yo' Head in de Winda' JOUBERT - Praise the Lord, All Ye Nations RANDEGGER - Sanctus SIMON - Study War No More—down by the Riverside JOUBERT - Jesus Is the King BURLEIGH - Holy, Holy, Holy, Lord God Almighty* JOUBERT - The Glorious Medley DICKENSON - I Sing the Mighty Power of God BURTON - If My People WADDLES - Just for Me HOLLAND - Even Me REID - Higest Praise JOUBERT - I Heard the Voice WOOTEN *on CD, but not included in music collection  .
SKU: HL.49046935
ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches.
SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears.
SKU: AD.ADG247
ISBN 9781958017395. UPC: 663389124721. 9 x 12 inches.
Step into the dynamic world of contemporary jazz-funk with Andrew D. Gordon's latest masterpiece, 100 Ultimate Jazz-Funk Grooves for Piano/Keyboards. Renowned for his expertise in jazz and funk music, Gordon brings forth a comprehensive collection, offering a wealth of inspiration and exploration for pianists and keyboard enthusiasts.As a distinguished composer, educator, and performer, Andrew D. Gordon is celebrated for his ability to seamlessly weave intricate jazz harmonies with the infectious energy of funk rhythms pushing the boundaries of musical expression and inspiring a new wave of creativity.With a career steeped in jazz and funk, he seamlessly blends the sophistication of jazz harmonies with the infectious grooves of funk, providing a captivating experience for musicians of all levels.100 Ultimate Jazz-Funk Grooves is a journey through the heart of jazz-funk, featuring mainly eight measure grooves that capture the essence of this vibrant genre. Gordon's grooves allows pianists and keyboardists to explore the rich tapestry of jazz-funk while adding their own creative flair.Each of the 100 grooves have been recorded twice, the first version has the piano/keyboard part playing along with a rhythm section of guitar, bass, drums and percussion as well as other instruments. The second version consists of a 2-3 minute play-a-long track to practice the piano/keyboard part with.Whether you are a seasoned performer looking to expand your repertoire or a hobbyist/student who is interested in the world of jazz-funk, this book offers a diverse array of, chord progressions, and melodic lines that will challenge and inspire.100 Ultimate Jazz-Funk Grooves for Piano/Keyboards is an invitation to explore the syncopated rhythms, sophisticated harmonies, and infectious energy that define the genre. Step into the world of limitless musical possibilities, and let the pages of this extraordinary collection be your guide to unlocking the vibrant and soulful world of jazz-funk.
SKU: BT.MEX288829A
English.
In Concert contains nine piano works, selected from the Diploma of the London College of Music (DipLCM) Piano Syllabus. These works give a snapshot of the huge range of repertoire available to pianiststoday,spanning nearly three hundred years of music from all over the world. We hope that this collection of works will provide inspiration for building original and creative concert programmes, be it in the exam room, at anaudition ora professional recital.
In Concert includes an introduction and performance notes from one of the world’s most innovative musicians, Joanna MacGregor — concert pianist, curator,collaborator, Headof Piano at the Royal Academy of Music and Professor of the University of London. Joanna’s distinctive insights into the technical and interpretative aspects of each work are drawn from her own extensiveperformingexperience. As a director of numerous innovative festivals and concert series, she is also uniquely qualified to write about how to build a programme, one of the most creative and important skills for a musician todevelop.
SKU: HL.14040983
French.
The Modal Column is a cycle of paired pieces for piano, starting from the classical structure- prelude-fugue - used by Bach in Das wohltemperierte Klavier. The modes that are being used have a relatively simple octavizing structure, hence an almost infinite variety of combinations that can generate a large number of pieces, impossible to exhaust by a composer. Therein lies the idea of a column, in the sense given by Brancusi, i.e. an endless succession of modules.
In the vision of the author, the mechanism of the mode is a secondary (ancillary) aspect, the primary goal is deciphering the ethos incorporated in it.
The prelude-fugue structure hypostatizesthe musical discourse at the two possible extremes. free-constructed. While Romanian music rules in free areas, like any old music with an (especially oral) tradition, the constructed pieces start from Dutch (Flemish) or Venetian polyphony, which precedes the idea of fugue, understood as a technology of the movement (dynamics) of sound, after the models of Giovanni Gabrieli or Ockeghem.
The Modal Column is first of all the presentation of a melodic world but, as the subtitle indicates, also an investigation into the ethos of Romanian music. The forms in which the pieces are thought are simple, non-ostentatious, the whole cycle being in fact a musical workshop, whose better parts may be worth including in ampler works. Before the succinct description of the six couples in Books I and II, a few observations, necessary from a musicological point of view:
SKU: BR.SON-612
ISBN 9790004802786. 9 x 12 inches.
The present volume of the Complete Edition comprises a truly homogenous group: all the piano works from the Ten Piano Pieces op. 58 to the Treize Morceaux Op. 76. No doubt the best known pieces among them are the Three Sonatinas op. 67, which were played so masterfully (and were so highly esteemed) by Glenn Gould. All the pieces were written within the space of ten years, between 1909 and 1919, at a time when Sibelius was already an internationally renowned composer. He was, however, dependent on the smaller, short-term commissions and their honorariums for his livelihood. During World War I, it was impossible for Sibelius in Helsinki to maintain his contacts with the major European concert halls. This difficult situation also helped prompt the creation of the pieces written after 1914 and grouped by the composer and his Finnish publishers into the opp. 75 and 76.
SKU: YM.GTP01097982
ISBN 9784636979824.
This is the matched scorebook of the same name of Yukie Nishimura's CD album, and all works are newly composed for the album. I want as many people as possible to turn on their musical switch to enjoy the piano sound, she created the album with this wish in mind. She speaks gently to the piano and plays melodies that touch the heart, making the listeners' hearts flutter. This scorebook will bring you even more love towards piano as well as a connection to the wonderful musical world. There are two bonus arrangements included in the scorebook. The Quartet on the Keys is arranged for beginners. She has made the Merry-Go-Round - Dedicated to Piazzolla into a slightly gentler arrangement, yet still perfect for performing at recitals and competitions.
SKU: JK.00420
Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
Elementary piano arrangements of songs included in the LDS 2018 outline 'Sharing Time for Primary,' arranged by Kristen Allred. Written in big-note format, each song includes words and suggested fingering, with an optional teacher duet. Footnotes add insight into each composer.* Easy violin parts available separately #09020.Songs included in this volume: A Child's Prayer Children All Over the World Families Can Be Together Forever For Health and Strength I Am a Child of God I Think the World is Glorious If the Savior Stood Beside Me My Heavenly Father Loves Me Thanks to Our Father When I Am BaptizedComposer: various Arranger: Kristen Allred Lyricist: various Difficulty: Elementary (Primer)Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7
SKU: BT.LCMLL375
In concert: book 2 contains twelve piano works selected from London College of Music’s ALCM and LLCM Piano syllabus. These works give a snapshot of the huge range of repertoire available to pianists today, spanning nearly three hundred years of music from all over the world. We hope that this collection of works will provide inspiration for building original and creative concert programmes, be it in the exam room, at an audition or a professional recital. Includes an introduction and performance notes from one of the world’s most innovative musicians, Joanna MacGregor — concert pianist, curator, collaborator, Head of Piano at the Royal Academy of Music and Professor of theUniversity of London. Joanna’s distinctive insights into the technical and interpretative aspects of each work are drawn from her own extensive performing experience. As a director of numerous innovative festivals and concert series, she is also uniquely qualified to write about how to build a programme, one of the most creative and important skills for a musician to develop.
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