SKU: BT.MUSMS0350
Spanish.
Nuestro libro presenta las bases claras y prácticas del estudio de los acordes en el piano. Este primer volumen dedicado a los acordes principales de tres o cuatro sonidos, mayores, menores y séptimos (may7, 7, m7 y dim7) consta de numerosos ejemplos, a la vez precisos, pedagógicos, y si embargo plenamente musicales, que abren un camino a través de la armonía, las secuencias de acordes, el acompañamiento y la composición... Practicando los ejercicios propuestos al estudio Ud se va a familiarizar con la armonía, progresando con prudencia a través del mundo flexible y variable de los acordes. Tendrá una ideamás precisa del tema y comprenderá por fin el misterio que rodea un toque musical... porque habrá estudiado parte de sus componentes. En la base de datos (audios mp3 y vídeos mp4) incluida en el libro encontrará la demostración en vídeo de todos los ejemplos tocados en el piano, y también las múltiples grabaciones que le permitirán expresarse en los playbacks hechos para nuestro libro.
SKU: ST.C463
ISBN 9790570814633.
This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??EloÃsaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.
SKU: BU.EBR-A064
ISBN 9790560151472. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.La partition ici présentée est une transcription pianistique du deuxième mouvement de la suite n°3 de Jean-Sébastien Bach, une des pages les plus justement célèbres du compositeur allemand. Écrite à l’origine pour un effectif instrumental constitué de cordes seules et d’un continuo joué au clavecin, cet Aria doit sans doute sa popularité à son caractère grandiose, sa puissance expressive et la beauté immuable de son discours musical. La ligne mélodique, très flexible, est soutenue par le rythme régulier de la basse qui alterne les sauts d’octaves ascendants et descendants. Les enchevêtrements contrapuntiques, situés vers le milieu de la deuxième partie de l’Aria, constituent le sommet expressif de la pièce qui se termine comme elle a commencé, dans un climat d’une grande sérénité.
SKU: BT.MUSMI0306
Italian.
Quest’opera presenta una serie di accompagnamenti ed assoli di Pianoforte negli stili Jazz e Swing. Scoprirete quindi delle ritmiche che riprendono le principali tecniche ed armonie proprie degli standards di Jazz.
Tutte le nozioni di accompagnamento “in quattro”, walking bass, riarmonizzazione, modulazione, sostituzione tritonica, rivolti… sono affrontate qui su dei giri di tipo Blues/Jazz, Anatole, Jazz/Bossa…Suonerete poi assoli caratteristici i quali illustrano e sviluppano i principali gimmicks propri del jazz, che siano melodici o ritmici.
Il tutto nello spirito di Thelonious Monk o Erroll Garner passando per OscarPeterson,Nat King Cole… e tanti altri ancora! Per ogni accompagnamento ed assolo, troverete 5 registrazioni diverse sul CD MP3 allegato, distribuite nel modo seguente: il Pianoforte da solo, a velocità normale poiridotta, la stessa parte di Pianoforte suonata però sulla sua base musicale ed infine la sola base musicale, prima a velocità normale, poi ridotta... per permettere ad ognuno di suonare secondo il proprio ritmo, ilproprio livello e le proprie capacità.
Ossia più di 4 ore di musica in tutto!
SKU: BT.MS0363
Nuestro libro dedicado a la armonía y al estudio de los acordes, es la continuación del trabajo empezado en el volumen 1... y va un poco más allá en el conocimiento de un tema muyrelevante.
Siel volumen 1 lo dedicamos al estudio de las bases, o sea a los acordes principales, de tres o cuatro sonidos, mayores, menores y séptimos (M7, 7, m7 y dism7) este segundo volumen está dedicado alos demásgrados que uno puede añadirle a una armonía principal o a un núcleo constituido: segunda, cuarta, sexta, novena, décima tercera... las reglas que rigen los acordes ampliados asíconseguidosestán expuestas y aclaradas para guiarle entre las secuencias y partituras de armonías ricas y desarrolladas.
Nuestro método quiere ser, ante todo, práctico, y se vale de ejemplosmusicalesprecisos y pedagógicos, es un auténtico sendero que corre a través de la armonía, las secuencias de acordes, el acompañamiento y la composición... En el disco de datos (audios mp3yvídeos mp4) incluido en el método, Ud encontrará la demostración grabada en vídeo de los ejemplos tocados en el piano, y también las múltiples grabaciones audios quelepermitirán expresarse en los playbacks.
SKU: BT.MI0302
Quest'opera presenta una serie di accompagnamenti ed assoli di pianoforte nello stile Rock ’n’ Roll. Scoprirete quindi delle ritmiche nel più puro stile Rock ‘n’ Roll dell’epoca. Si tratta di veri standards, decisamente intramontabili, in cui sono esposti i diversi procedimenti armonici e ritmici propri di questo stile. Suonerete poi degli assoli indiavolati, con tutte le caratteri-stiche proprie del Rock ‘n’ Roll: timing, velocit , energia, punti di tensione e di stasi, intervalli ripetuti, acciaccature… Il tutto nello spirito di Jerry Lee Lewis o Little Richard passando per Ray Charles… e tanti altri ancora! Per ogni accompagnamento ed assolo, troverete 5registrazioni diverse sul CD MP3 allegato, distribuite nel modo seguente: il pianoforte da solo, a velocit normale poi ridotta, la stessa parte di pianoforte suonata però sulla sua base musicale ed infine la sola base musicale, prima a velocit normale, poi ridotta... per permettere ad ognuno di suonare secondo il proprio ritmo, il proprio livello e le proprie capacit . Ossia più di 4 ore di musica in tutto!
SKU: M7.VHR-3565
ISBN 9783864340864.
Der vorliegende Band ist eine Sammlung von über 100 Liedern durch das ganze Jahr. Alle Lieder, ob zu Tages- und Jahreszeiten, zum Geburtstag oder zu den großen Festen im Jahreslauf wie Ostern, Pfingsten und Weihnachten, sind mit Texten unterlegt. Natürlich dürfen auch Laternenlieder und Tanzlieder nicht fehlen. Für den Klaviersatz wurden Tonarten bevorzugt, die ein Mitsingen ermöglichen. Der Schwierigkeitsgrad bewegt sich zwischen leicht und mittelschwer. Die Anordnung innerhalb der Kapitel ist progressiv. So findet sowohl der Anfänger als auch der etwas fortgeschrittene Spieler das passende Stück.
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