SKU: HL.14078275
SKU: M7.RMP-3001
ISBN 9783795716585. English Russian.
Sergei Rachmaninoff (1873-1943) was a pianist and composer of international stature and one of the towering figures of early 20th century music. He left behind an ouvre consisting of some 170 works, many of which await discovery or are known only in forms far removed from the composer's intentions. Sergei Rachmaninoff : Critical Edition of the Complete Works (RCW), a project issued by Russian Music Publishing, is the first complete edition of Rachmaninoff 's music prepared in accordance with scholarly criteria while meeting the demands of performers. It catalogues, explores, and annotates every available musical, literary, and iconographic source on Rachmaninoff 's music. The RCW is published under the scholarly auspices of Dr. Valentin Antipov. The editorial standards of the RCW satisfy the most discerning criteria and are safeguarded by an Editorial Board of internationally acknowledged authorities in Rachmaninoff scholarship. Alexandre Rachmaninoff (1933-2012), the composer's grandson, has been retained as a special advisor. The RCW is furthermore realized in close cooperation with the Glinka State Central Museum of Musical Culture, which houses one of the most extensive collections of Rachmaninoff autographs worldwide. All sources are consulted for the first time and all compositions are presented in their authentic form with all existing versions from the composer.
SKU: BR.SON-504
ISBN 9790004802526. 10 x 12.5 inches.
Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.
SKU: M7.RMP-3002
ISBN 9783795716592. English Russian.
SKU: BR.SON-510
ISBN 9790004803356. 9 x 12 inches.
SKU: HL.49015463
ISBN 9783795751401. 9.0x12.0x0.485 inches. German.
Die Jazzmethode fur Klavier 1 wendet sich an jazzinteressierte Pianisten im Anfanger- oder fortgeschrittenen Stadium, die grundlegende Voicings fur Begleitung, Unterricht oder zum Komponieren benotigen. Das Buch gibt einen systematischen Uberblick uber die vielfaltigen Moglichkeiten von Voicings: vom einfachen zweistimmigen Voicing fur die rechte Hand bis hin zu sechsstimmigen Upper Structures oder Cluster Voicings. Auszuge des Inhalts in Stichwortern: Akkodsymbole entschlusseln - Jazzharmonik - Stimmfuhrung - Walking Bass - Ausschmucken von Akkorden - Rhythmus-Pattern Zu jedem Kapitel gibt es eine Reihe von Ubungen und Aufgaben, so dass die vorher theoretisch dargestellten Grundlagen auch in die Praxis umgesetzt werden konnen. Dabei hilft die dem Buch beiliegende CD, mit der neben den Kadenzen auch Akkordfolgen von bekannten Standards wie Black Orpheus, Here's That Rainy Day, Satin Doll, Joy Spring, Maiden Voyage geubt werden.
SKU: BT.MUSMI0266
Italian.
Un metodo esclusivamente dedicato all’arte dell’improvvisazione Jazz al pianoforte che metter quindi a dura prova la mano destra. Dopo un breve ripasso dei rudimenti teorici essenziali, imparerete a stimolare la vostra ispirazione, passo dopo passo, improvvisando su un accordo, poi due, poi su una tipica successione di accordi ossia l’anatole. Progressivamente acquisterete un linguaggio musicale più ricco grazie all’uso degli arpeggi, delle scale e dei modi. Gli esercizi tecnici vi aiuteranno inoltre ad arricchire il vostro fraseggio. Affronterete persino l’improvvisazione “out†nonché alcune tecniche avanzate come l’accelerazione, l’attenuazione, il cromatismo, letensioni, l’escamotaggio, il fraseggio be-bop, gli accordi “pivot†e di sostituzione... Cominciando dalle tonalit semplici, andrete avanti gradualmente fino ad improvvisare sui giri completi dei più grandi standards. Il DVD Video riprende gli esempi essenziali per facilitarne la comprensione, mentre il CD Audio propone le basi musicali su cui potrete applicare gli insegnamenti nonché esercitarvi liberamente.
SKU: M7.RMP-3003
ISBN 9783795716615. English Russian.
SKU: BT.WMP2214
ISBN 9789810751203. English.
Teachers' Choice, Selected Piano Repertory & Studies for Grade 8 is compiled to provide teachers and students with good options for the 2013-2014 ABRSM piano examinations.
SKU: BT.WMP2213
ISBN 9789810751197. English.
Teachers' Choice, Selected Piano Repertory & Studies for Grade 6 & 7 is compiled to provide teachers and students with good options for the 2013-2014 ABRSM piano examinations.
SKU: BT.WMP2211
ISBN 9789810751173. English.
Teachers' Choice, Selected Piano Repertory & Studies for Grade 1, 2 & 3 is compiled to provide teachers and students with good options for the 2013-2014 ABRSM piano examinations.
SKU: HL.48186018
UPC: 888680842482. 9.0x12.0x0.246 inches.
Initiation et perfectionnement a l'improvisation (Texte Fr/Ang/All/Esp)Improvisation for beginners and advanced players10 Compositions sur des grilles standards10 Compositions on standard patterns.
SKU: BR.PB-15110-07
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).
ISBN 9790004212677. 6.5 x 9 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: BR.PB-15112
ISBN 9790004212691. 6.5 x 9 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
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