Arrangements of the Most- Requested Popular Classics (Easy Piano). Arranged by Dan Coates. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental; Sing-Along. Timeless Popular Classics. Movie; Pop; Standard. 132 pages. Published by Alfred Music

(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Top 50. Movie; TV. Easy Piano. 188 pages. Published by Alfred Music Publishing

By Various. Piano Solo Songbook. Softcover. 80 pages. Published by Hal Leonard

By Various. Easy Piano Songbook. Softcover. 218 pages. Published by Hal Leonard

By Denes Agay. Book. Published by Music Sales. (YK21053) Designed for use as a method book, this book allows the teacher to vary the approach according to the needs of the student. The book can also be used as a source of carefully graded pieces, for use with any first-year method.

(21 Pieces from Famous and Fun: Pop, Classics, Favorites, Rock, Duets). Arranged by Carol Matz. For Piano. Book; Piano Collection; Piano Supplemental. Famous and Fun. Intermediate. 64 pages. Published by Alfred Music

By Various. Custom. Pop. Softcover Audio Online. Duration 240 seconds. Published by Hal Leonard

(Grade 1-4). Edited by Anthony Williams. For Piano. Book; Piano Collection; Piano Supplemental. Faber Edition. Early Intermediate; Elementary; Late Elementary. Published by Faber Music

By Nancy Faber, Randall Faber. For Piano. Accelerated Piano Adventures. Level: Primer/Level 1. Book. Published by The FJH Music Company, Inc.

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Jazz Standards by Various. Note-for-Note Keyboard Transcriptions. Softcover. 226 pages. Published by Hal Leonard (HL.311731). ISBN 1423438515. 9x12 inches.

Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. Dan Coates Popular Piano Library. Form: Medley. Christmas; Holiday Pops; Pop; Secular; Winter. Intermediate; Late Intermediate. 56 pages. Published by Alfred Music Publishing