SKU: BT.SLB-00595000
English-German-French-Italian.
This volume in the series “Les éditions originales Durand • Salabert • Eschig†contains Frederic Mompou’s works for piano taken from the editions in Salabert catalogue. The original engravings are reproduced, giving musicians a valuable record of howthese major works were first published, whether in the composer’s lifetime or posthumously.Der vorliegende Band aus der Reihe Les éditions originales Durand • Salabert • Eschig enthält die Werke für Klavier von Frederic Mompou aus dem Salabert-Katalog. Abgedruckt ist der ursprüngliche Notensatz, der den Interpreten ein lebendiges Bildvon den Erstausgaben vermittelt, wie sie zu Lebzeiten des Komponisten und nach seinem Tod veröffentlicht wurden.Ce volume dans la série «Les éditions originales Durand • Salabert • Eschig» présente le répertoire pour piano de Frederic Mompou repris des éditions qui figurent au catalogue Salabert. Ces gravures originales, publiées du vivant du compositeur ou titre posthume, fournissent aux interprètes un cliché de l’apparence initiale de ces œuvres devenues incontournables.In questo volume della collana “Les éditions originales Durand • Salabert • Eschig†è presentata l’opera per pianoforte di Frederic Mompou tratta dalle edizioni del catalogo Salabert. Le incisioni originali qui riprodotte forniscono agli interpretil’immagine di come tali opere siano state pubblicate per la prima volta, vivente il compositore o postume.
SKU: HL.50610016
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece No. 13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later No. 7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. CONTENTS: 1. Rhapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 5 No. 12 Héroide élégiaque 2.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 6 No. 13 3.Rapsodien hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 7 No. 14 4.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 8 No. 15 5.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 9 No. 16 6.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 10 No. 17 7.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 18 8.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 19 9.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 20 10.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 21 11. Mosonyis Grabgeleit - Original version R 110, SW/SH 194, NG2 A249, 3rd conclusion or conclusion of the 2nd version of Historische ungarische Bilndnisse no. 7 (R 112/7, SW 205/7), SH 205a/7ii, (NG2 A335/7) 12.Dem Andenken Petofis. Mélodie R 111, SW/SH 195, NG2 A279 13.Appendix - Rákóczi-Marsch. Leichtere Version (Fragment) R-, SW-, SH 692d, NG2 A59 (simplified version) 14.Appendix - Rapsodies hongroises R-, SW-, SH 242a, NG2 A59 (simplified version) No. 13 Album leaf 15.Appendix - Ungarische Königslied R 215, SW/SH 544, NG2 A328 - Memorial leaf 16.Appendix - Album leaf R-, SW/SH-, NG2-.
SKU: BR.PB-15110-07
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).
ISBN 9790004212677. 6.5 x 9 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: BT.EMBZ20004A
English-German-Hungarian.
Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832; the second a copy in an unidentified hand from the same period or slightly later; and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes.
SKU: BT.PWM3066
English.
These combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski.
SKU: HL.48182068
UPC: 888680850975. 9.0x12.0x0.27 inches.
“The Bird Catalogue by Olivier Messiaenis a set of 7 books with 13 pieces for Piano composed between 1956 and 1958. Each volume refers to a special bird and to the French region where the bird is typically from. The piece does not only describe the bird, it also depicts its surroundings, such as other birds, the landscape of its area, the colours and the temperature. Book 1 - Le Chocard des Alpes (Alpine Chough) - Le Loriot (Golden Oriole) IH Le Merle Bleu (Blue Rock Thrush) Book 2 - Le Traquet Stapazin (Black-Eared Wheatear) Book 3 - La Chouette Hulotte (Tawny Owl) - L'Alouette Lulu (Wood Lark) Book 4 - La Rousserolle Effarvatte (Reed Warbler) Book 5 - L'Alouette Calandrelle (Short-Toed Lark) - La Bouscarle (Cetti's Warbler) Book 6 - Le Merle de Roche (Rock Thrush) Book 7 - La Buse Variable (Buzzard) - Le Traquet Rieur (Black Wheatear) - Le Courlis Cendré (Curlew) As mentioned above, this 7th Volume focuses on the buzzard, the black wheatear and the curlew. The first one, the Buzzard represents ?La matheysine? in the Dauphiny area, the Black Wheatear, the area of Roussillion and the Curlew, the west coast of Brittany. The interpretation of these pieces requires a strong level of ability on Piano (upper advanced), due to some complex techniques required. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Treatise on rhythm, colour and ornithology' in 7 volumes.â€.
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