SKU: BT.ESZ-01490700

Italian-English.

Ercole Pasquini (1550 ca-ante 1620), working for many years in Ferrara, then Frescobaldi’s predecessor as organist of the Cappella Giulia, leaves a considerable corpus of keyboard music that identify him as a link between Frescobaldi and Naples. It is half a century since the first critical edition of Ercole Pasquinis keyboard music was published (CEKM, vol. 12). This new edition (in two volumes) appears in the light of subsequent scholarship. It offers new solutions for some troublesome passages. It includes a number of pieces that were not included in the previous edition, but which do seem to have been attributed to Pasquini, as well as unattributed pieces which maywell have been by him. It also takes account of a source (ms. Naples 48, dated ca.1600) which has come to light in the intervening years. This manuscript includes a copy of a Canzona by Pasquini that is older and generally superior to the other surviving copies of this piece. The preface contains detailed discussion of the composers biography, the provenance of the sources, and the performance implications of the notation. Both preface and commentary are in English and Italian.

Attivo per molti anni in Ferrara, poi predecessore di Frescobaldi come organista della Cappella Giulia, Ercole Pasquini (1550 ca-ante 1620) lascia un consistente corpus di musica per tastiera che si pone come punto di raccordo tra Frescobaldi el’ambiente napoletano.Dopo mezzo secolo dalla pubblicazione della prima edizione critica della sua musica per tastiera (CEKM, vol. 12), il volume che qui si presenta (primo di due) appare alla luce degli studi più recenti e offre nuove soluzioni per alcuni passaggiproblematici. Comprende altresì una serie di pezzi non inclusi nella precedente edizioni, ma ascritti a Pasquini, così come pezzi non attribuiti, ma probabilmente da lui composti. Si tiene conto anche di una fonte (ms. Napoli 48, databile ca 1600),venuta alla luce in anni recenti, particolarmente autorevole nella trasmissione di una Canzona. La prefazione contiene la presentazione dettagliata della biografia del compositore, la provenienza delle fonti e le questioni notazionali in rapporto all’esecuzione. Prefazione e commento sono in italiano e in inglese.

SKU: FJ.FJH2295

ISBN 9781619282735. UPC: 241444407998. English.

Favorite FJH solos from beloved composers for piano solo! Book 6 in the continuing series, FJH Solos at Their Best includes Late Intermediate solos from Melody Bober, Timothy Brown, Martín Cuéllar, Lee Evans, Christopher Goldston, Mary Leaf, and Kevin Olson. With eleven titles, such as Shadows in the Snow, Front Range, Tribute to Pikes Peak, Son cubano and Round 'Em Up, this book will have you exploring themed pieces in Americana, Cuban rhythms, nature scapes and fantastical scenes.

SKU: BT.9780008353247

ISBN 9780008353247. English.

My First Piano Pieces, Puzzles & Activities follows and supplements the tried-and-tested progression of Get Set! Piano My First Piano Book. It includes favourites like ‘Ring-a-Ring-a-Roses’, ‘Peter Taps with One Hammer’ and ‘TheWheels on the Bus’, as well as playful new pieces, featuring dinosaurs, superheroes, aliens, scooters and more!

Some pieces have straightforward teacher duet parts to encourage ensemble playing from the start, and thereare lots of music theory puzzles and activities to consolidate learning and offer an extra layer of fun and exploration. The book is illustrated throughout in the charming Get Set! style, and students are encouraged to decorateand colour in the drawings to reflect their progress. Suitable for children aged 5+.

SKU: PR.114423350

ISBN 9781491135112. UPC: 680160686339.

This stunning addition to the bassoon repertory features dramatic outer movements framing a slow and plaintive aria. Harberg’s program notes put the drama and its crying-out high notes in the context of writing in 2021: “The composition was deeply influenced by disruptive forces unfolding around us. While this unrest made writing difficult at times and brought me to uncomfortable places within myself, the process was also full of unexpected discoveries and musical solutions I never would have found in less troubled times.”.
Connections are all around us. I first met bassoonist Adrian Morejon while writing my Suite for Wind Quintet for the Dorian Wind Quintet in 2017. He and I quickly became fast friends and decided to collaborate on a new piece. Over the next two years, Adrian assembled a phenomenal group of 28 bassoonists from around the world to be co-commissioners. Adrian and I premiered the resulting sonata at the International Double Reed Society’s 2021 Virtual Symposium.The SONATA was composed between January and June 2021. In composing it, my goal was to offer bassoonists a substantial work that would show off the instrument’s remarkable strengths including its athletic agility, gorgeous singing qualities, and enormous range. While I generally avoid being programmatic, this composition was deeply influenced by the disruptive forces unfolding around us. While this unrest made writing difficult at times and often brought me to uncomfortable places within myself, the process was also full of unexpected discoveries and musical solutions I never would have found in less troubled times.I am deeply grateful to Adrian for our collaboration, and to everyone in the consortium for making the SONATA possible.

SKU: BT.MUSMS0356

Spanish.

La meta de nuestro libro es hacerle practicar las escalas en el piano en un marco puramente musical, o sea en situación de toque, en unos clichés de acompañamiento, unas melodías y unos solos. La idea no es trabajarlos técnicamente sino musicalmente... ¡seguro que le va a gustar! Este libro se dedica también a hacerle tocar “en situación” las 7 principales escalas que son la escala mayor, la escala pentatónica mayor, la escala menor natural, la escala pentatónica menor, la escala blues, la escala menor melódica, y por último, la escala menor armónica. Para cada una de ellas, Vddescubrirá no sólo la estructura y las notas que la componen en las doce tonalidades, sino también y sobre todo múltiples aplicaciones musicales (acompañamiento, melodía o solo) a tocar en el playback. En el disco de datos (audio, mp3 y vídeo mp4) incluido en el método Vd encontrará y eso para cada toque, la demostración grabada en vídeo y un playback específico (en dos aires diferentes) que le permitirá aprender a tocar a compás y se divertirá... como si tocara dentro de una banda, con otros músicos.