Guitar and Piano

SKU: HL.14028080

Composed by Antonio Ruiz-Pipo. Music Sales America. Folk Music. Book [Softcover]. 40 pages. Music Sales #UMG22420. Published by Music Sales (HL.14028080).

9.0x12.0x0.135 inches.

A Spanish work which was originally composed for Guitar and Orchestra, is seen here for Guitar and Piano reduction. Book only, no solo part.

By Bruce Pearson. Band Methods. Standard of Excellence. Level: Book C,3. Music Book. Published by Neil A. Kjos Music Company.

By Bruce Pearson. Band Methods. Standard of Excellence. Level: Book B,2. Music Book. Published by Neil A. Kjos Music Company.

Guitar and Piano

SKU: IS.GP4535EM

Composed by Raymond Baervoets. Plucked - Guitar. Metropolis Music Publishers #GP4535EM. Published by Metropolis Music Publishers (IS.GP4535EM).

ISBN 9790365045358.

Belgian composer Raymond Baervoets (1930 - 1989) was born in Brussels and studied music composition with Jean Absil, Rene Barbier, and Rene Defossez. His Concerto for Guitar was composed in 1958 and is presented here in reduction form for guitar and piano.

Guitar and piano

SKU: M7.BBA-4027

Composed by Abel Carlevaro. Sheet music. 61 pages. MDS (Music Distribution Services) #BBA 4027. Published by MDS (Music Distribution Services) (M7.BBA-4027).

Guitar

SKU: UT.CH-322

Composed by Giovanni Scapecchi. Edited by Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Score and Parts. Ut Orpheus #CH 322. Published by Ut Orpheus (UT.CH-322).

ISBN 9790215326309. 9 x 12 inches.

I am delighted to include in this series â?? so far almost totally made up of pieces written for me â?? this piece for guitar and piano composed by Giovanni Scapecchi and dedicated to the duo made up of my former student Raffaello Ravasio, who edited the fingering of the guitar part, and of Samuele Amidei. I am also particularly delighted because this piece was commissioned by the Duo Ravasio-Amidei as part of their full project in homage to Mario Castelnuovo-Tedesco on the fiftieth anniversary of his death.
In this composition, there are many references to the figure and work of Mario Castelnuovo-Tedesco. First of all the duo guitar-piano is the same as in Fantasia Op. 145 by Castelnuovo-Tedesco (written for Andrés Segovia and Paquita Madrigueira), the most famous piece of the twentieth century composed for this formation. The piece by Giovanni Scapecchi, in the form of a Suite of dances, refers explicitly to the one by the famous dedicatee by means of some references which appear in the Sarabanda and in the Giga. The Crete mentioned in the title are, of course, the famous Senese clays which, with their colours and shapes, make up a remarkable part of the Tuscan landscape. Furthermore, profound meanings are attributed by Giovanni Scapecchi to the earth which makes up the clays (like Castelnuovo-Tedesco, he is a native of Tuscany, where he still lives). The Composer recalls first of all that the book of Genesis tells us that the first man was taken from the earth (there is therefore this primordial connection between man and earth). Moreover, the historic man, Mario Castelnuovo-Tedesco, honoured here, maintained a deep relationship with his homeland â?? despite the dramatic separation due to the enforced exile to the USA, which took place in 1939 following the racial laws. Stylistically, I then found a further link between this piece and its dedicatee â?? who was influenced in his early works by musical Impressionism â?? in a certain French atmosphere running through the Suite.
(Piero Bonaguri).