The Almost Unknown in the title of this collection refers to the fact that some of the songs, though never before published, have been recorded, and might be known to the most knowledgeable of Sondheim connoisseurs. However, it is safe to say that the songs in this landmark collection are among the least known of Sondheim's creations. This book includes contents by show or film title as well as by song title, an introduction about Sondheim, a preface by the editor, and detailed notes about each work and the show it came from. The piano/vocal editions were all personally approved by Sondheim. / Piano/Vocal/Guitare (PVG)

Twelve captivating songs for children arranged for voice, piano and guitar, suitable for either individual or classroom use.This collection provides opportunities for actions, mask-making, mime and project work.Ideal concert use, these songs can be performed in any order.Words by Carol Barratt, music by Carol Barratt and Karl Jenkins.Suitable for pianists from grade 3. / Piano, Voix Et Guitare

15 Chansons de vaudeville-style depuis le début de la période de la brillante carrière de Berlin, arrangé pour voix et piano. / Piano/Vocal/Guitare (PVG)

Partitions Pour Piano Solos.. Par ARMSTRONG CRAIG. Craig Armstrong's output is extensive and varied. As well as his classical and film works (including Scores for 'The Bone Collector' and Baz Luhman's 'Romeo and Juliet'), he has worked with such artists as Massive Attack, Madonna, U2, The Future Sound Of London and Bjork, and orchestrated the themes to 'GoldenEye', 'Batman Forever' and 'Mission Impossible'. 'Piano Works' features a selection of these works and the mood is intimate and reflective. Contents: In My Own Words - Heatmiser 2 - Hidden - Gentle Piece - Weather Storm - Diffuse - Leaving Paris - Fugue - Theme from Orphans - 1st Waltz - Satine's Theme (from Moulin Rouge) - Morning Breaks - Laura's Theme - Glasgow Love Theme (from Love Actually) - Delay - Hymn 3 - Angelina - Childhood 2 - Sunrise / TV, Film, Comédie musicale / Recueil / Chant, Piano et/ou Guitare

Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words ?I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?.
All Is Full Of Love
The Anchor Song
Atom Dance
Aurora
Bachelorette
Black Lake
Cover Me
Declare Independence
Desired Constellation
The Dull Flame Of Desire
Gratitude
I've Seen It All
Immature
Isobel
Joga
Mother Heroic
My Juvenile
New World
Notget
Oceania
Pagan Poetry
Pleasure Is All Mine
Pneumonia
Stonemilker
Sun In My Mouth
Unravel
Venus As A Boy
Vertebrae by Vertebrae
Where Is The Line?
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD