SKU: BR.EB-9118
World premiere: Ludwigslust, July 20, 1997
ISBN 9790004181324. 9 x 12 inches.
World premiere: Ludwigslust, July 20, 1997.
SKU: BR.EB-8888
ISBN 9790004185117. 0 x 0 inches. German.
The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.Miriam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.
SKU: HL.49006944
ISBN 9783795727369. 10.25x8.5x0.383 inches. German. Ludwig Zumbusch.
Dieser schone Reprint ist auch fur Liebhaber und Sammler von alten Kinderbuchern interessant. Alle Lieder sind fur Kinderstimmen und Klavier gesetzt und mit farbigen Illustrationen von Ludwig Zumbusch versehen.
SKU: HL.49041362
The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of Unpublished pieces for an eventual complete edition. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.
SKU: HL.51480545
ISBN 9790201805450. UPC: 884088177164. 7.5x10.5x0.032 inches.
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SKU: AP.36-M283191
UPC: 660355174605. English.
"L'horizon chimerique," Op. 118 is a four movement song cycle for voice and piano. It is based on four poems from the collection of the same name by French poet Jean de La Ville de Mirmont. This piece premiered at the Societe Nationale de Musique in 1922 by Swiss born French baritone Charles Panzera, to whom the work was dedicated.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-M181291
UPC: 660355185809. English.
Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was giving on Greek folksong. Initially given five folksongs from which to choose, Ravel supplied a piano accompaniment for them in only thirty-six hours. Having impressed those who supplied the original five, three more were produced, which Ravel also quickly set to piano accompaniment, in a style imitative of the Mediterranean lands, but remaining distinctly French in its execution. The five melodies in this collection were selected from those eight. Ravel had started orchestrating all five as well, completing two, leaving Manuel Rosenthal to complete the remaining three. Songs in the collection: I. Le Réveil de la Mariée (Wake Up, My Dear), II. Là -bas, vers l'église (Out There, Where the Church Tower), III. Quel galant m'est comparable (Which Gallant Can Compare With Me?), IV. Chanson des cueilleuses de lentisques (Song of the Lentisk Gatherers), and V. Tout gai! (Be Gay!). The Ravel/Rosenthal orchestrations have been edited by Clinton Nieweg in an edition available from E.F. Kalmus.
SKU: GH.LUN-570-0485
Text: Johan Ludwig Runeberg.
No. 3 from Himfys Karlekssanger for voice and piano.German translation by Ture Rangstrom.
SKU: GH.LUN-570-0484
No. 1 from Himfys Karlekssanger for voice and piano.
SKU: AP.36-M303491
UPC: 660355185960. English.
These three early (1891) songs by the great American composer, Amy Beach (1867-1944), are settings of texts by Robert Burns: 1. Wilt Thou Be My Dearie?, 2. Ye Banks and Braes O' Bonnie Doon, and 3. My Luve is Like a Red, Red Rose.
SKU: GH.CG-2615
Text: Ludwig Uhland.
For voice and piano.
SKU: GH.LUN-570-0375
Text: Christian Gellert.
No. 4 from 6 Lieder von Gellert Op. 48 for low voice and piano.
SKU: AP.36-M316091
UPC: 660355086878. English.
These four early (1891) songs by the great American composer, Amy Beach (1867-1944), are settings of texts by Walter Learned (The Summer Wind), Jules de Rességuier (Le Secret), T. B. Aldrich (Sweetheart, Sigh No More), and E. R. Sill (The Thrush).
SKU: GH.LUN-570-0596
Key: C moll / c minor. Text: Ludwig Rellstab.
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