SKU: HL.14002489
Yung-Yang is a song for medium Voice with Piano accompaniment. It is based on a ninth century Chinese text, which was translated into English in 1916 by Launcelot Cranmer-Byng, and set to music in 1919.
Sir Granville Bantock (1868-1946) was a British composer, conductor and educator. He channelled his energetic and creative personality into many musical projects, championing the works of Jean Sibelius, founding the City of Birmingham Symphony Orchestra, and composing many splendid classical pieces. Viewed by his contemporaries as out-of-date, his music is now being appreciated as one of the last great contributions from theEnglish Romantic movement.
SKU: HL.14013053
ISBN 9781705154151.
SKU: HL.14031038
ISBN 9780711962392. English-Spanish.
Zarzuela in two acts. Lyrics by Jose Tellaeche.
SKU: HL.50485167
ISBN 9790080139806. A/4 inches. Hungarian, original language. Andrasne Fekete dr.
Vocal solos for all voices. Orig. Hun.
SKU: HL.50487746
ISBN 9790080014004. B/4 (24,3 x 33,6 cm) inches. Ferenc Kolcsey.
SKU: HL.50488844
ISBN 9790080000663. Bach (23 x 30,2 cm) inches. Hungarian. Kalman Nadasdy.
SKU: BR.DLV-3496
Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.
ISBN 9790004801666. 9 x 12 inches. Swedish / German.
Sibelius made most of the orchestral versions of his songs for the soprano Ida Ekman (1875-1942), the incomparable Sibelius singer the composer called her in a dedication written in a score. Ida Ekman gave the first performance of the orchestral version of Se'n har jag ej fragat mera on March 30, 1914, in Turku. Idas husband Karl conducted the orchestra of the Turku Musical Society.Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery, sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet), sometimes radiant, colorful impressions (in Soluppgang), or light-colored, transparent textures (in Varen flyktar hastigt), and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.In most cases, Sibelius used a comparatively small orchestra: Varen flyktar hastigt has only two flute and four horns added to the strings.Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.
SKU: BT.EMBZ13980
Hungarian.
The selection made for advanced singers from the large-sized and more difficult pieces of the French romantic and 20th-century masters (Berlioz, Bizet, Chausson, Debussy, Fauré, Franck, Gounod, Massenet, Saint-Saëns and Satie) is a stopgap.
SKU: HL.287551
ISBN 9781540043269. UPC: 888680904661. 9x12 inches. - Bolcom - Eng. -.
Manhattan socialite Millicent Jordan plans a lavish dinner party for visiting English nobility, unaware that her guest list abounds with people linked by business intrigues and romantic entanglements. In adapting the witty and biting depression-era play by Kaufman and Ferber, Pulitzer Prize- and Grammy-Award winning composer William Bolcom (A View from the Bridge, A Wedding) and renowned librettist Mark Campbell (Silent Night, The Shining), have created a winning opera that successfully weds American musical comedy and opera.
SKU: BR.EB-8873
ISBN 9790004184639. 9 x 12 inches. German / English.
,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8872
ISBN 9790004184622. 9 x 12 inches. German / English.
Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version