SKU: HL.48181756
UPC: 888680862930. 0.059 inches.
?Song to Ladylove? is the second volume of the Don Quixote songs, a set of four songs by Jacques Ibert. Written for Voice and Piano, on a poem by Alexandra Arnoux, it features two verses and a chorus. The lyrics, in French, are about love, and the chorus explains that a day is like a year when you can?t see your lover. The song could be played and sung by intermediate musician. The full series features: 1. Chanson du depart de Don Quichotte / Song for Don Quixotte?s departure 2. Chanson a Dulcinee / Song to Ladylove 3. Chanson du Duc / Duke?s song 4. Chanson de la mort de Don Quixotte / Song for Don Quixotte?s death Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera..
SKU: BR.DLV-5256
ISBN 9790004801895. 10 x 12.5 inches.
Heissa, hopsa, bei Regen und Wind - from Shakespeare's 'Twelfth Night' Unklar bleibt warum Sibelius etwa zeitgleich eine weitere Fassung des Werks nur mit deutschem Text fur Singstimme und Streichorchester anfertigte. Soweit bekannt wurde diese Fassung vor ihrer erstmaligen Veroffentlichung im Jahr 2003 in der Gesamtausgabe ,,Jean Sibelius Werke (JSW) noch nicht aufgefuhrt. It remains uncertain why Sibelius wrote another version of the work with German text only for voice and string orchestra around the same time. As far as is known this latter version has never been performed before its first publication in the volume of the complete edition Jean Sibelius Works in 2003. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. In most cases Sibelius used a comparatively small orchestra: Varen flyktar hastigt has only two flute and four horns added to the strings. Mit dem Erscheinen der Erstausgabe 1986 eroberte sich das Werk rasch seinen Platz neben den anderen Streichorchesterwerken des finnischen Komponisten. Das vorliegende Impromptu entstand Anfang 1894, als Jean Sibelius die kurz zuvor komponierten Klavier-Impromptus op. 5 Nr. 5 und Nr. 6 zusammenfugte und fur Streichorchester instrumentierte. Die beiden im Gestus vollig unterschiedlichen Charakterstudien finden dabei zu einem einheitlichen Ganzen da Sibelius das Hauptthema aus dem sturmischen.
SKU: BA.BA05503
ISBN 9790006471973. 27.5 x 19.5 cm inches. Preface: Dürr, Walther / Feil, Arnold / Landon, Christa.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ST.LS14
ISBN 9790220212567.
CONTENTS Alas fair face (F sharp - E) Ay me, she frowns (F - G) Beauty sat bathing (D - F) Can she disdain? (E - E) Climb O heart (D - F) Come, come all you (D - E) Diaphenia, like the daffdowndilly (D - D) Down a down thus Phyllis sung (D - D) I sigh as sure to wear the fruit (E - E) Look mistress mine (F sharp - F) Music dear solace to my thoughts (D- F) My choice is made (D - F) Now let her change (E - F) Now peep, Bo Peep (E - F) Pavan for the lute and bass viol Rest sweet nymphs (G - F) Sound woeful plaints (D - D) Thanks gentle moon (D - E) Underneath a cypress shade (F - F) Whither so fast? (E - E) With fragrant flow'rs (D - E flat) You that pine in long desire (E - E).
SKU: BT.PMC3865
The Two Songs on American Poems were composed in late May and early June of 2011 by candlelight at my rustic waterfront cabin on a remote island off the northwest coast of Washington State. It was in this locale that I havecompleted a number of works over the years, including the Lux Aeterna, O Magnum Mysterium, Nocturnes, Canticle/O Vos Omnes and others. Prayer was written in memory of Michael Jasper Gioia, Dana and Mary Gioia's infant son, whosebrief life was tragically ended by SIDS.Mr. Gioia served as Chair of the National Endowment for the Arts from 2003-2010 and has authored several books of poems, numerous anthologies, articles, essays and two opera libretti. Amonghis many awards are the American Book Award and Presidential Citizens Medal. He currently holds the Judge Widney Chair of Poetry and Public Policy at the University of Southern California. Sure on this Shining Night was originallycomposed as a choral piece, the third movement of my Nocturnes on poems by Rilke, Neruda and Agee. Rod Gilfry, an international star of opera, recital and musical theater, premiered the mixed duet version with his daughter, Carin,in 2009. He is Professor of Vocal Studies at the USC Thornton School of Music. Both he and Mr. Gioia are national treasures. The Two Songs are designed as a pair but may be sung independently - when paired, Sure On This ShiningNight should begin immediatelyfollowing the final, sustained chord of Prayer with no break in between the songs. Both of these songs, premiered by Mr. Gilfry accompanied by the composer at a USC Visions & Voices tribute to DanaGioia on September 27, 2011, have their roots in the American musical theater and should be sung as such.
SKU: HL.49013012
ISBN 9790001127370. 8.25x11.75x0.192 inches.
Der Dirigent Karl Bohm hat in seiner Jugend 20 Lieder nach Gedichten u.a. von Heine, Storm, Morike und Lenau komponiert.
SKU: HL.48181755
UPC: 888680862909. 9x12.25 inches.
“Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially, the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached, and when Ibert's music was eventually chosen for the film, it caused him some embarrassment as Maurice Ravel, who had also been approached, was a close friend of his. Song of Departure comes toward the beginning of the film, sung by the the main character, Don Quichotte. Addressing a variety of musical aspects and techniques, Ibert's Song of Departure is a challenging yet evocative addition to the Bass repertoire.&rdquo.
SKU: BA.BA05502
ISBN 9790006471966. 27.5 x 19.5 cm inches.
SKU: BR.EB-8834
ISBN 9790004183984. 9 x 12 inches. German.
In Engelslicht und Dornenschatten, the author invites us to listen to well-known Christmas carols in a new spirit, beyond all hoary cliches. The Lieder fur eine stille Weihnachtszeit and especially the different instrumental accompaniments grew out of improvisation and the desire to encourage the formative creativity of the musicians. The arrangements correspond to the recordings on the eponymous CD known through radio broadcasts. I sought new approaches to the carols. My fingers played accompaniments as if on their own, my voice made repeats where there were none, and did away with some of the carols original form. It was as if something within me was searching for a counter-magic to thwart the force of habit and the automatism with which Christmas carols are often sung and heard. (Christine Maria Rembeck).
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