SKU: BR.DLV-5256
ISBN 9790004801895. 10 x 12.5 inches.
Heissa, hopsa, bei Regen und Wind - from Shakespeare's 'Twelfth Night' Unklar bleibt warum Sibelius etwa zeitgleich eine weitere Fassung des Werks nur mit deutschem Text fur Singstimme und Streichorchester anfertigte. Soweit bekannt wurde diese Fassung vor ihrer erstmaligen Veroffentlichung im Jahr 2003 in der Gesamtausgabe ,,Jean Sibelius Werke (JSW) noch nicht aufgefuhrt. It remains uncertain why Sibelius wrote another version of the work with German text only for voice and string orchestra around the same time. As far as is known this latter version has never been performed before its first publication in the volume of the complete edition Jean Sibelius Works in 2003. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. In most cases Sibelius used a comparatively small orchestra: Varen flyktar hastigt has only two flute and four horns added to the strings. Mit dem Erscheinen der Erstausgabe 1986 eroberte sich das Werk rasch seinen Platz neben den anderen Streichorchesterwerken des finnischen Komponisten. Das vorliegende Impromptu entstand Anfang 1894, als Jean Sibelius die kurz zuvor komponierten Klavier-Impromptus op. 5 Nr. 5 und Nr. 6 zusammenfugte und fur Streichorchester instrumentierte. Die beiden im Gestus vollig unterschiedlichen Charakterstudien finden dabei zu einem einheitlichen Ganzen da Sibelius das Hauptthema aus dem sturmischen.
SKU: HL.48186451
UPC: 888680828332. 9.0x12.0x0.185 inches.
Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the ?songs for voice and piano? genre, whose raison d?etre he defines in his journal as follows: ?To highlight a poem, word for word but without uniformity; to emphasize its meaning without distorting it; to shine light upon one idea, obscure another and present it all in vocal, sung form; to produce a sharp, precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece?. Enhanced by an audio version attached as a download card, this anthology of songs should dispel a good many misconceptions. This is no salon miniature: L?Heure exquise radiates an infinite tenderness, exalted by the high vocal cadences of O Bien-Aimee! and C?est l?heure exquise, which surely wrought tears from the author of the verses, Verlaine. Tyndaris, the jewel of Heures latines, clears a crystal-clear space given over to the delights of slumber and of love. Like D?une prison and Cygnes, these songs do more than wet the eyes: they grip the heart..
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