SKU: HL.1486629
UPC: 196288216643. 9.0x12.0 inches.
Described as âa love story for the agesâ by The New York Daily News, The Notebook is a new hit musical based on Nicholas Sparks' best-selling novel that inspired the iconic film. The musical offers a new spin on the beloved story that follows Allie and Noah, who come from different worlds but share a lifetime of love despite the forces that threaten to pull them apart. It's a deeply moving portrait of the enduring power of love. Our matching songbook features 14 songs from singer/songwriter Ingrid Michaelson's score arranged for vocal line with piano accompaniment, including the viral hit My Days to sing along with your heart's content! Songs include: Blue Shutters ⢠Carry You Home ⢠Coda ⢠I Paint ⢠I Know ⢠I Wanna Go Back ⢠If This Is Love ⢠Iron in the Fridge ⢠Kiss Me ⢠Leave the Light On ⢠My Days ⢠Sadness and Joy ⢠Time ⢠What Happens.
SKU: BA.BA05503
ISBN 9790006471973. 27.5 x 19.5 cm inches. Preface: Dürr, Walther / Feil, Arnold / Landon, Christa.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Donizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresentata per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
SKU: FG.55011-895-9
ISBN 9790550118959.
The Urtext edition (2023) of Jean Sibeliusâ Five Christmas Songs op. 1 for voice and piano is based on the critical edition presented in the volume VIII/2 Works for Solo Voice Vol. 2 of Jean Sibelius Works (JSW) edited by Jukka Tiilikainen. The lyrics are included in Swedish, Finnish and English.Sakari Ylivuori's introduction illuminates the history of the beloved songs: May 1, 1913 was cold and wet. Jean Sibelius (1865â1957) spent the day at home at Ainola composing two Christmas songs: settings of poems for children by Zachris Topelius. The two songs born on that chilly spring day were Nu stÃ¥r jul vid snöig port (Now stands Yule at the snowy gate) and Nu sÃ¥ kommer julen (Now is Christmas coming). He then put them together with three Christmas carols he had earlier composed and gave the set the imposing Opus number 1. He had previously considered giving the distinction to various other works, but from 1915 onwards the Five Christmas Songs had the honour of heading his catalogue. [...]ContentsNu stÃ¥r jul vid snöig port ⢠Joulu saapuu portin luo ⢠Now stands Yule at the snowy gate [F major]Nu sÃ¥ kommer julen ⢠Tervehtii jo meitä joulu armahin ⢠Now is Christmas coming [e minor]Det mörknar ute ⢠Jo joutuu ilta ⢠Oâer hill and dale [F major]Julvisa ⢠En etsi valtaa, loistoa ⢠Christmas song [G major]On hanget korkeat, nietokset ⢠Visst drivor höga som skyn vi ha ⢠The shining snows are driving high [F major].
SKU: ST.C351
ISBN 9790570813513.
For Soprano, Tenor & Piano (Vocal Score/Piano Reduction).‘As Steals the Morn’ (The Cheerful Man, the Thoughtful Man and the Moderate Man), was composed in 1740. It is described as a ‘Pastoral Ode’ and based on the poetry of John Milton. Many of the arias which occur in Handel’s operas and oratorios are suitable for concert performance, but are not readily available with instrumental parts. Using the Friedrich Chrysander complete edition as a source, this edition was researched and edited by C.M.M. Nex and F.H. Nex, originally for Phylloscopus Publications.Grades 6–8Former Spartan Press Cat. No.: PP153AFull score and parts available here.
SKU: BA.BA11558
ISBN 9790260108653. 30 x 23 cm inches. Language: German. Preface: Kubeckova, Barbora. Johann Wolfgang von Goethe.
The Czech composer Zdenek Fibich (1850–1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe while still a student at the Leipzig Conservatory.Between 1865 and 1871 he composed 16 songs on texts by this famous German author for voice and piano. Ten of them have survived: the song “An den Mondâ€, dating from 1869, and nine further songs from Goethe’s novel “Wilhelm Meisters Lehrjahre†were composed immediately after Fibich’s return to Prague in 1871. All ten now appear here in a single-volume Urtext edition edited by Barbora Kubecková.
SKU: HL.51481458
UPC: 840126989601. 8.25x11.75x0.14 inches.
Written in 1885, the eight songs after texts by the now little-known poet Hermann von Gilm have a special place in Richard Strauss' corpus of Lieder. For the first time, he composed an entire set of songs on texts by a single poet, collecting them into one opus that was also to appear in print. Some of the numbers in it, like Zueignung, Die Nacht, and Allerseelen, are among the most popular Strauss songs of all time, but the entire cycle with its well-planned structure is also worthy of closer examination and performance. The aspiring composer quite consciously aligns himself with the tradition ranging from Schubert to Wolf, choosing the highly Romantic subject of unrequited love and illuminating its most diverse facets. The primary source for the Henle Urtext edition is the first edition from 1887, which Strauss furnished with a dedication to the Royal Bavarian chamber singer Heinrich Vogl - a serious invitation to today's male singers not to leave these wonderful Strauss songs solely to female singers!
About Henle Urtext
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SKU: BR.BG-801
ISBN 9790004120811. 9 x 12 inches.
Fragmente - nicht ,,Lieder im ublichen Sinn. Fragmente, zugleich ,,Labyrinthe, existenziell wie asthetisch: Doppelbodigkeit von Musik und Sprache. Texte des mittleren Holderlin, als diesem die Welt aufbrach, als er in ihren Rissen und Trummern herumtastete, die verschiedenen Zeiten und Raume durcheinander bringend, aufeinander beziehend (so besonders exponiert in dem ersten Fragment ,,Tende Stromfeld, das Holderlin auf die Ruckseite einer Wascherechnung notierte). - Ein auslosender Moment der Komposition war die Vorstellung des Holderlinschen Gesangs, wie ihn Wilhelm Waiblinger beschrieb: Hat er eine Zeitlang (auf dem Klavier) gespielt und ist seine Seele ganz weich geworden, so fallt plotzlich sein Auge zu, sein Haupt richtet sich empor, er scheint vergehen zu wollen, und er beginnt zu singen. In welcher Sprache, das konnte ich nie erfahren, so oft ich es auch horte; aber er tat es mit uberschwanglichem Pathos, und es schauderte einem in allen Nerven, ihn so zu sehen und zu horen. Schwermut und Trauer waren der Geist seines Gesanges.Formal sind die Fragmente zum Teil reduzierbar auf die musikalischen Prinzipien Fantasia, Canto, Ornamento, Rondo, Recitativo. Inhaltlich ist der Zyklus eine Art Irrfahrt durch die Labyrinthe der Aussen- zur Innen-Welt, uber die verschiedenen Situationen von Traum, Lust, Sehnsucht, Trotz, Trauer, Verzweiflung bis zur Resignation, schon jenseits der Verzweiflung. Mit gewissem Vorbehalt: eine andere Winterreise.(Friedhelm Dohl)CD:Dietrich Fischer-Dieskau (baritone), Aribert Reimann (piano)Dreyer-Gaido CD 21023World premiere: Cologne, 1971.
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